21st Faith
We are a collaborative research project, investigating and questioning faith as a human feeling. This publication presents 32 creative projects created for an exhibition in October 2017 at The Workshop, Lambeth.
We are a collaborative research project, investigating and questioning faith as a human feeling.
This publication presents 32 creative projects created for an exhibition in October 2017 at The Workshop, Lambeth.
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11<br />
Untitled,<br />
by Deji Feyisetan.<br />
When I started to think about what faith meant to me as a millennial, I realised that<br />
I had become quite disenfranchised from any form of religion that I had been socialised,<br />
familiarised or indoctrinated to believe. However, I also acknowledge that it’s highly<br />
ignorant to disregard the beliefs of others, because the same notion of social conditioning<br />
applies to most, if not every other facet of life. What’s most logical to me about<br />
the concept of faith is that it can validate a comforting, but ultimately human fallacy<br />
of certainty - it can reassure people that there is a purpose to life and suffering and that<br />
the people they once loved are in a better place.<br />
Whilst I’m clearly sceptical and somewhat alienated by theological practice as a whole,<br />
I think that there are still several habits and rituals in my life which most likely derive from<br />
religion and the impact it had on my upbringing and how that subsequently shaped my<br />
lens of existence.<br />
This desire to understand existence or at least frame life experiences within a larger<br />
narrative is paradigmatic of religion, but also the means through which we maintain<br />
sanity in a life where we are required to fight our human nature everyday to fulfil our<br />
basic needs. Though steeped in scepticism, ’The Ephemeral Loop’ expands on my original<br />
assumption that the rationale behind religion(s) is universal and applies just as much<br />
to secular communities.<br />
Metaphysical imagery is a recurrent theme throughout my work, and has long been<br />
a topic of interest for me as I find the principles poignant in reference to my perspective<br />
and experiences during my formative years. In the series of giclée prints I aimed to draw<br />
parallels between transcendental symbology and different societal customs<br />
in a cross-cultural study where various digital techniques are used to convey<br />
my perception of each sentiment. As the prints serve as a timeline of my perceptions,<br />
I decided to pair each print and medium with a metaphysical symbol<br />
and the corresponding number that best surmises my emotional state.<br />
Deji: dejifeyisetan.co.uk, deji_f@live.com, @yuthdevine