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International Texts in Critical Media Aesthetics<br />
New Directions in<br />
Digital Poetry<br />
C.T. Funkhouser<br />
• Provides a series<br />
of detailed<br />
case studies<br />
delineating the<br />
transformational,<br />
multi-faceted,<br />
resonant aspects<br />
of poetic<br />
textuality<br />
• Exhibits how variable methods of<br />
reading can be used to identify the<br />
properties of language-driven digital<br />
art<br />
• Includes a ‘how to read’ component<br />
aiming to educate anyone who seeks<br />
literacy in digital poetry<br />
Examines a range of innovative practices<br />
and processes in digital poetry published<br />
on the global computer network during<br />
the past decade.<br />
C.T. FUNKHOUSER is Associate Professor at New<br />
Jersey Institute of Technology, USA.<br />
UK March 2012 US January 2012<br />
256 Pages 138 x 216 mm 5.5 x 8.5 inches<br />
HB 9781441165923 - £65.00 / $120.00<br />
PB 9781441115911 - £19.99 / $34.95<br />
International Texts in Critical Media Aesthetics 1<br />
Continuum<br />
FILM, MEDIA STUDIES AND MUSIC<br />
International Texts in Critical Media Aesthetics provides a platform for new scholarship in the area of electronic art<br />
and literature, to be presented from the perspective of critical aesthetics; philosophical positions dedicated to the<br />
problem of how and whether technology as a medium for art and literature simultaneously makes reference to and<br />
differs from the use of more traditional media and methods for these expressive practices.<br />
Series Editor: Francisco J. Ricardo is cofounder of the Digital Video Research Archive and teaches digital media<br />
theory at the Rhode Island School of Design, USA.<br />
Digital Prohibition<br />
Piracy and Authorship in New Media Art<br />
Carolyn Guertin<br />
Cybertext Poetics<br />
The Critical Landscape of New<br />
Media Literary Theory<br />
Markku Eskelinen<br />
• The theories and<br />
models constitute<br />
a ready-made<br />
toolbox for<br />
anyone interested<br />
in the topic<br />
• Gives a better<br />
understanding of<br />
the importance of<br />
game studies<br />
• Includes 25 simple tables and diagrams<br />
(created by the author)<br />
The book uses cybertext theory and<br />
ludology to solve several persistent<br />
problems in the fields of literary theory,<br />
narratology, game studies, and digital<br />
media.<br />
MARKKU ESKELINEN is an independent scholar<br />
and experimental author. He is also one of<br />
the founding editors of Game Studies, the<br />
international journal of computer game<br />
research, and the series of Cybertext<br />
Yearbooks.<br />
UK May 2012 US March 2012<br />
352 Pages 138 x 216 mm 5.5 x 8.5 inches<br />
HB 9781441124388 - £70.00 / $130.00<br />
PB 9781441107459 - £22.99 / $39.95<br />
International Texts in Critical Media Aesthetics 2<br />
Continuum<br />
• A roadmap to the innovative models of<br />
authorship and to the pitfalls of digital<br />
creation<br />
• First study of digital copyright through a<br />
cultural lens; not bogged down in legal<br />
jargon<br />
• Author is very well-known and respected<br />
in the digital humanities field<br />
First book to explore how authorship is<br />
changing in a digital age, particularly focusing on how restrictive<br />
copyright laws are endangering the future of culture.<br />
CAROLyN GUERTIN holds a dual appointment in digital media—as Assistant<br />
Professor and Director of the eCreate Lab at the University of Texas at<br />
Arlington, USA, and as a member of the graduate faculty at Transart<br />
Institute in Berlin, Germany.<br />
UK May 2012 US March 2012<br />
272 Pages 153 x 228 mm 6 x 9 inches<br />
HB 9781441106100 - £65.00 / $120.00<br />
PB 9781441131904 - £19.99 / $34.95<br />
Continuum<br />
Creative Enterprise<br />
Contemporary Art between Museum<br />
and Marketplace<br />
Martha Buskirk<br />
• Shows that the<br />
dynamics of<br />
art can’t be<br />
separated from<br />
the business of<br />
art<br />
• Considers the<br />
interplay<br />
between art and<br />
institution in light<br />
of earlier forms of interdependence<br />
• Author is a notable art historian<br />
Intertwines a dual emphasis on evolving<br />
institutional priorities and major shifts in<br />
artistic production.<br />
MARTHA BUSKIRK is Professor of Art History and<br />
Criticism at Montserrat College of Art, USA.<br />
UK June 2012 US April 2012<br />
320 Pages 138 x 216 mm 5.5 x 8.5 inches<br />
HB 9781441133397 - £70.00 / $130.00<br />
PB 9781441188205 - £22.99 / $39.95<br />
International Texts in Critical Media Aesthetics 3<br />
Continuum<br />
Understanding Machinima<br />
Essays on Filmmaking in Virtual Worlds<br />
Edited by Jenna P-S. Ng<br />
• The first focused academic book on the<br />
market about machinima<br />
• Furthers critical understanding about<br />
machinima in terms of how machinima<br />
can be used as pedagogy<br />
• Features an interview with Cao Fei,<br />
finalist for the 2010 Hugo Boss prize and<br />
acclaimed virtual artist<br />
• Includes qR codes for further exploration<br />
The first-ever collection to include a unique and fascinating<br />
combination of cinema, animation and games and machinima—<br />
films created in virtual worlds.<br />
JENNA P-S. NG is currently a Newton Trust/Leverhulme Early Career<br />
Fellow at the Centre for Research in the Arts, Social Sciences and<br />
Humanities (CRASSH) at University of Cambridge, UK.<br />
UK August 2012 US June 2012<br />
304 Pages 153 x 228 mm 6 x 9 inches<br />
HB 9781441140524 - £65.00 / $120.00<br />
PB 9781441104489 - £19.99 / $34.95<br />
Continuum<br />
FILM, MEDIA STUDIES AND MUSIC<br />
45