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International Texts in Critical Media Aesthetics<br />

New Directions in<br />

Digital Poetry<br />

C.T. Funkhouser<br />

• Provides a series<br />

of detailed<br />

case studies<br />

delineating the<br />

transformational,<br />

multi-faceted,<br />

resonant aspects<br />

of poetic<br />

textuality<br />

• Exhibits how variable methods of<br />

reading can be used to identify the<br />

properties of language-driven digital<br />

art<br />

• Includes a ‘how to read’ component<br />

aiming to educate anyone who seeks<br />

literacy in digital poetry<br />

Examines a range of innovative practices<br />

and processes in digital poetry published<br />

on the global computer network during<br />

the past decade.<br />

C.T. FUNKHOUSER is Associate Professor at New<br />

Jersey Institute of Technology, USA.<br />

UK March 2012 US January 2012<br />

256 Pages 138 x 216 mm 5.5 x 8.5 inches<br />

HB 9781441165923 - £65.00 / $120.00<br />

PB 9781441115911 - £19.99 / $34.95<br />

International Texts in Critical Media Aesthetics 1<br />

Continuum<br />

FILM, MEDIA STUDIES AND MUSIC<br />

International Texts in Critical Media Aesthetics provides a platform for new scholarship in the area of electronic art<br />

and literature, to be presented from the perspective of critical aesthetics; philosophical positions dedicated to the<br />

problem of how and whether technology as a medium for art and literature simultaneously makes reference to and<br />

differs from the use of more traditional media and methods for these expressive practices.<br />

Series Editor: Francisco J. Ricardo is cofounder of the Digital Video Research Archive and teaches digital media<br />

theory at the Rhode Island School of Design, USA.<br />

Digital Prohibition<br />

Piracy and Authorship in New Media Art<br />

Carolyn Guertin<br />

Cybertext Poetics<br />

The Critical Landscape of New<br />

Media Literary Theory<br />

Markku Eskelinen<br />

• The theories and<br />

models constitute<br />

a ready-made<br />

toolbox for<br />

anyone interested<br />

in the topic<br />

• Gives a better<br />

understanding of<br />

the importance of<br />

game studies<br />

• Includes 25 simple tables and diagrams<br />

(created by the author)<br />

The book uses cybertext theory and<br />

ludology to solve several persistent<br />

problems in the fields of literary theory,<br />

narratology, game studies, and digital<br />

media.<br />

MARKKU ESKELINEN is an independent scholar<br />

and experimental author. He is also one of<br />

the founding editors of Game Studies, the<br />

international journal of computer game<br />

research, and the series of Cybertext<br />

Yearbooks.<br />

UK May 2012 US March 2012<br />

352 Pages 138 x 216 mm 5.5 x 8.5 inches<br />

HB 9781441124388 - £70.00 / $130.00<br />

PB 9781441107459 - £22.99 / $39.95<br />

International Texts in Critical Media Aesthetics 2<br />

Continuum<br />

• A roadmap to the innovative models of<br />

authorship and to the pitfalls of digital<br />

creation<br />

• First study of digital copyright through a<br />

cultural lens; not bogged down in legal<br />

jargon<br />

• Author is very well-known and respected<br />

in the digital humanities field<br />

First book to explore how authorship is<br />

changing in a digital age, particularly focusing on how restrictive<br />

copyright laws are endangering the future of culture.<br />

CAROLyN GUERTIN holds a dual appointment in digital media—as Assistant<br />

Professor and Director of the eCreate Lab at the University of Texas at<br />

Arlington, USA, and as a member of the graduate faculty at Transart<br />

Institute in Berlin, Germany.<br />

UK May 2012 US March 2012<br />

272 Pages 153 x 228 mm 6 x 9 inches<br />

HB 9781441106100 - £65.00 / $120.00<br />

PB 9781441131904 - £19.99 / $34.95<br />

Continuum<br />

Creative Enterprise<br />

Contemporary Art between Museum<br />

and Marketplace<br />

Martha Buskirk<br />

• Shows that the<br />

dynamics of<br />

art can’t be<br />

separated from<br />

the business of<br />

art<br />

• Considers the<br />

interplay<br />

between art and<br />

institution in light<br />

of earlier forms of interdependence<br />

• Author is a notable art historian<br />

Intertwines a dual emphasis on evolving<br />

institutional priorities and major shifts in<br />

artistic production.<br />

MARTHA BUSKIRK is Professor of Art History and<br />

Criticism at Montserrat College of Art, USA.<br />

UK June 2012 US April 2012<br />

320 Pages 138 x 216 mm 5.5 x 8.5 inches<br />

HB 9781441133397 - £70.00 / $130.00<br />

PB 9781441188205 - £22.99 / $39.95<br />

International Texts in Critical Media Aesthetics 3<br />

Continuum<br />

Understanding Machinima<br />

Essays on Filmmaking in Virtual Worlds<br />

Edited by Jenna P-S. Ng<br />

• The first focused academic book on the<br />

market about machinima<br />

• Furthers critical understanding about<br />

machinima in terms of how machinima<br />

can be used as pedagogy<br />

• Features an interview with Cao Fei,<br />

finalist for the 2010 Hugo Boss prize and<br />

acclaimed virtual artist<br />

• Includes qR codes for further exploration<br />

The first-ever collection to include a unique and fascinating<br />

combination of cinema, animation and games and machinima—<br />

films created in virtual worlds.<br />

JENNA P-S. NG is currently a Newton Trust/Leverhulme Early Career<br />

Fellow at the Centre for Research in the Arts, Social Sciences and<br />

Humanities (CRASSH) at University of Cambridge, UK.<br />

UK August 2012 US June 2012<br />

304 Pages 153 x 228 mm 6 x 9 inches<br />

HB 9781441140524 - £65.00 / $120.00<br />

PB 9781441104489 - £19.99 / $34.95<br />

Continuum<br />

FILM, MEDIA STUDIES AND MUSIC<br />

45

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