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Cultural Science<br />

John Hartley, Jason Potts and John Banks<br />

• John Hartley is a leading name in the field<br />

• Offers a synthesis of recent conceptual advances across<br />

different disciplines<br />

• Clearly structured in a way that makes it easy for the reader<br />

to approach and understand the subject<br />

• Draws on case studies to illustrate points<br />

• Should appeal across the humanities and social sciences<br />

Cultural Science is a new way of thinking about culture.<br />

Engaging with scientific traditions in a way that previous<br />

literature has failed to do, it promises to break new ground in<br />

social scientific scholarship.<br />

JOHN HARTLEy is currently Australian Research Council (ARC) Federation<br />

Fellow and Research Director of the ARC Centre of Excellence in Creative<br />

Industries and Innovation at queensland University of Technology (qUT),<br />

Australia.<br />

JASON POTTS is a Senior Lecturer in Economics at the University of<br />

queensland, and Senior Fellow of the ARC Centre of Excellence for<br />

Creative Industries and Innovation at qUT, Australia.<br />

JOHN BANKS is a Fellow in the ARC Centre of Excellence for Creative<br />

Industries and Innovation at qUT, Australia.<br />

UK August 2012 US October 2012<br />

208 Pages 156 x 234 mm 6.125 x 9.25 inches<br />

HB 9781849666022 - £50.00 / $90.00<br />

<strong>Bloomsbury</strong> <strong>Academic</strong><br />

NEW IN PAPERBACK<br />

Morrissey<br />

The Pageant of His Bleeding Heart<br />

Gavin Hopps<br />

‘The best book-length explication of<br />

Morrissey’s peculiar genius I’ve come<br />

across.’ Simon Reynolds<br />

• This is the first book to focus purely on<br />

Morrissey’s lyrical output<br />

• Publication coincides with twenty-fifth<br />

anniversary of the Smiths breaking up<br />

• Morrissey himself purchased several<br />

copies of this in hardcover<br />

Hopps traces the trajectory of Morrissey’s career and outlines<br />

the contours and contradictions of the singer’s elusive persona.<br />

The book illuminates Morrissey’s coyness, his dramatized<br />

melancholy, and his complex attitudes towards loneliness and<br />

alienation, as well as his intriguing sense of the religious.<br />

GAVIN HOPPS is the Research Council’s UK <strong>Academic</strong> Fellow in the School<br />

of Divinity at St. Mary’s College, the University of St. Andrews, UK.<br />

UK May 2012 US March 2012<br />

320 Pages 129 x 198 mm 5 x 7.75 inches<br />

PB 9781441124043 - £10.99 / $16.95<br />

Continuum<br />

FILM, MEDIA STUDIES AND MUSIC<br />

The Sound of Tomorrow<br />

How Electronic Music Was Smuggled into the Mainstream<br />

Mark Brend<br />

• A sweeping history of the pioneers who<br />

introduced electronic music to the<br />

masses<br />

• Includes original interviews with many<br />

sound pioneers in film and television<br />

• Cast of characters includes McCartney,<br />

Brian Jones, Hitchcock, John Cage, and<br />

Leon Theremin<br />

The Sound of Tomorrow tells the<br />

compelling story of the sonic adventurers who first introduced<br />

electronic music to the masses. A network of composers,<br />

producers, technicians and inventors, they took emerging<br />

technology and with it made sound and music that was bracingly<br />

new.<br />

MARK BREND is an author and musician who lives in London. His books<br />

include The Songwriter’s Manual and American Troubadours, and his<br />

journalism has appeared in Mojo, Record Collector, Uncut, and many<br />

other publications.<br />

UK November 2012 US September 2012<br />

256 Pages 138 x 216 mm 5.5 x 8.5 inches<br />

PB 9780826424525 - £12.99 / $19.95<br />

Continuum<br />

Word Events<br />

Perspectives on Verbal Notation<br />

James Saunders and John Lely<br />

• Genuinely unique: an incredibly useful<br />

resource, and investigation into the<br />

practice of experimental music and<br />

sound art<br />

• Packed full of examples, case studies,<br />

interviews - there is nothing else like<br />

this on the market<br />

• Will become a bible for everybody who<br />

studies, creates, or performs<br />

experimental compositions and performances<br />

Word Events focuses on an approach to notation that uses the<br />

written word, as opposed to symbols, to convey information to<br />

whoever chooses to interpret the notation. The aim of this book<br />

is to present a broad range of perspectives on how and why<br />

scorers use verbal notation.<br />

JAMES SAUNDERS is a composer, and is Head of the Centre for Musical<br />

Research at Bath Spa University, UK.<br />

JOHN LELy is a composer and performer.<br />

UK March 2012 US January 2012<br />

384 Pages 178 x 254 mm 7 x 10 inches<br />

PB 9781441173102 - £22.99 / $39.95<br />

Continuum<br />

FILM, MEDIA STUDIES AND MUSIC<br />

47

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