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Cultural Science<br />
John Hartley, Jason Potts and John Banks<br />
• John Hartley is a leading name in the field<br />
• Offers a synthesis of recent conceptual advances across<br />
different disciplines<br />
• Clearly structured in a way that makes it easy for the reader<br />
to approach and understand the subject<br />
• Draws on case studies to illustrate points<br />
• Should appeal across the humanities and social sciences<br />
Cultural Science is a new way of thinking about culture.<br />
Engaging with scientific traditions in a way that previous<br />
literature has failed to do, it promises to break new ground in<br />
social scientific scholarship.<br />
JOHN HARTLEy is currently Australian Research Council (ARC) Federation<br />
Fellow and Research Director of the ARC Centre of Excellence in Creative<br />
Industries and Innovation at queensland University of Technology (qUT),<br />
Australia.<br />
JASON POTTS is a Senior Lecturer in Economics at the University of<br />
queensland, and Senior Fellow of the ARC Centre of Excellence for<br />
Creative Industries and Innovation at qUT, Australia.<br />
JOHN BANKS is a Fellow in the ARC Centre of Excellence for Creative<br />
Industries and Innovation at qUT, Australia.<br />
UK August 2012 US October 2012<br />
208 Pages 156 x 234 mm 6.125 x 9.25 inches<br />
HB 9781849666022 - £50.00 / $90.00<br />
<strong>Bloomsbury</strong> <strong>Academic</strong><br />
NEW IN PAPERBACK<br />
Morrissey<br />
The Pageant of His Bleeding Heart<br />
Gavin Hopps<br />
‘The best book-length explication of<br />
Morrissey’s peculiar genius I’ve come<br />
across.’ Simon Reynolds<br />
• This is the first book to focus purely on<br />
Morrissey’s lyrical output<br />
• Publication coincides with twenty-fifth<br />
anniversary of the Smiths breaking up<br />
• Morrissey himself purchased several<br />
copies of this in hardcover<br />
Hopps traces the trajectory of Morrissey’s career and outlines<br />
the contours and contradictions of the singer’s elusive persona.<br />
The book illuminates Morrissey’s coyness, his dramatized<br />
melancholy, and his complex attitudes towards loneliness and<br />
alienation, as well as his intriguing sense of the religious.<br />
GAVIN HOPPS is the Research Council’s UK <strong>Academic</strong> Fellow in the School<br />
of Divinity at St. Mary’s College, the University of St. Andrews, UK.<br />
UK May 2012 US March 2012<br />
320 Pages 129 x 198 mm 5 x 7.75 inches<br />
PB 9781441124043 - £10.99 / $16.95<br />
Continuum<br />
FILM, MEDIA STUDIES AND MUSIC<br />
The Sound of Tomorrow<br />
How Electronic Music Was Smuggled into the Mainstream<br />
Mark Brend<br />
• A sweeping history of the pioneers who<br />
introduced electronic music to the<br />
masses<br />
• Includes original interviews with many<br />
sound pioneers in film and television<br />
• Cast of characters includes McCartney,<br />
Brian Jones, Hitchcock, John Cage, and<br />
Leon Theremin<br />
The Sound of Tomorrow tells the<br />
compelling story of the sonic adventurers who first introduced<br />
electronic music to the masses. A network of composers,<br />
producers, technicians and inventors, they took emerging<br />
technology and with it made sound and music that was bracingly<br />
new.<br />
MARK BREND is an author and musician who lives in London. His books<br />
include The Songwriter’s Manual and American Troubadours, and his<br />
journalism has appeared in Mojo, Record Collector, Uncut, and many<br />
other publications.<br />
UK November 2012 US September 2012<br />
256 Pages 138 x 216 mm 5.5 x 8.5 inches<br />
PB 9780826424525 - £12.99 / $19.95<br />
Continuum<br />
Word Events<br />
Perspectives on Verbal Notation<br />
James Saunders and John Lely<br />
• Genuinely unique: an incredibly useful<br />
resource, and investigation into the<br />
practice of experimental music and<br />
sound art<br />
• Packed full of examples, case studies,<br />
interviews - there is nothing else like<br />
this on the market<br />
• Will become a bible for everybody who<br />
studies, creates, or performs<br />
experimental compositions and performances<br />
Word Events focuses on an approach to notation that uses the<br />
written word, as opposed to symbols, to convey information to<br />
whoever chooses to interpret the notation. The aim of this book<br />
is to present a broad range of perspectives on how and why<br />
scorers use verbal notation.<br />
JAMES SAUNDERS is a composer, and is Head of the Centre for Musical<br />
Research at Bath Spa University, UK.<br />
JOHN LELy is a composer and performer.<br />
UK March 2012 US January 2012<br />
384 Pages 178 x 254 mm 7 x 10 inches<br />
PB 9781441173102 - £22.99 / $39.95<br />
Continuum<br />
FILM, MEDIA STUDIES AND MUSIC<br />
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