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The Foreign in<br />

International Crime<br />

Writing<br />

Transcultural Representations<br />

Edited by<br />

Jean Anderson,<br />

Carolina Miranda<br />

and Barbara<br />

Pezzotti<br />

• A global<br />

comparative<br />

study of ‘the<br />

foreigner’ in<br />

modern crime<br />

fiction<br />

• Explores twentieth and twenty-first<br />

century crime writing from Europe,<br />

India, China, South America and<br />

Australasia<br />

• Examines how international crime<br />

fiction presents issues of ‘otherness’,<br />

globalization, immigration and diaspora<br />

communities<br />

Exploring popular crime fiction from<br />

across the world, The Foreign in<br />

International Crime Writing examines<br />

how these popular works tackle such<br />

issues as national identity, immigration,<br />

globalization and diaspora communities.<br />

JEAN ANDERSON is Associate Professor at<br />

Victoria University of Wellington, New zealand.<br />

CAROLINE MIRANDA is Lecturer at Victoria<br />

University of Wellington, New zealand.<br />

BARBARA PEzzOTTI is Teaching Fellow at<br />

Victoria University of Wellington, New zealand.<br />

UK June 2012 US August 2012<br />

240 Pages 156 x 234 mm 6.125 x 9.25 inches<br />

HB 9781441128171 - £60.00 / $110.00<br />

Continuum<br />

Contagious Metaphor<br />

Peta Mitchell<br />

Benjamin, Barthes<br />

and the Singularity of<br />

Photography<br />

Kathrin Yacavone<br />

‘Meticulously<br />

tracing the network<br />

of connections<br />

between<br />

Benjamin’s<br />

and Barthes’s<br />

visions of the<br />

encounter between<br />

photograph and<br />

viewer, this book<br />

performs an invaluable critical service.’<br />

Michael Sheringham, FBA, Marshal Foch<br />

Professor of French Literature, All Souls<br />

College, University of Oxford, UK<br />

• The first major study of Benjamin’s and<br />

Barthes’s highly influential theories of<br />

photography<br />

• Explores familiar texts as well as works<br />

which have only recently become<br />

available<br />

Benjamin, Barthes and the Singularity<br />

of Photography presents two of the most<br />

important intellectual figures of the<br />

twentieth century in a new comparative<br />

light.<br />

KATHRIN yACAVONE teaches in the Department<br />

of French and Francophone Studies at the<br />

University of Nottingham, UK.<br />

UK March 2012 US January 2012<br />

272 Pages 153 x 228 mm 6 x 9 inches<br />

HB 9781441118080 - £60.00 / $110.00<br />

Continuum<br />

• Innovative study of the metaphor of<br />

contagion<br />

• Takes an interdisciplinary approach<br />

• Strong potential for subsequent<br />

paperback publication<br />

In Contagious Metaphor, Peta Mitchell<br />

offers an innovative, interdisciplinary<br />

study of the metaphor of contagion and its<br />

relationship to the workings of language.<br />

Examining both metaphors of contagion and metaphor as<br />

contagion, Contagious Metaphor suggests a framework through<br />

which the emergence and often epidemic-like reproduction of<br />

metaphor can be better understood.<br />

PETA MITCHELL is a Lecturer in the School of English, Media Studies, and<br />

Art History at the University of queensland, Australia.<br />

UK August 2012 US November 2012<br />

192 Pages 156 x 234 mm 6.125 x 9.25 inches<br />

HB 9781441132734 - £60.00 / $110.00<br />

Continuum<br />

LITERARy STUDIES<br />

NEW IN PAPERBACK<br />

Catastrophe and<br />

Survival: Walter<br />

Benjamin and<br />

Psychoanalysis<br />

Elizabeth<br />

Stewart<br />

• Demonstrates how<br />

Benjaminian and<br />

psychoanalytic<br />

theories of<br />

subjectivity<br />

illuminate each<br />

other<br />

• Clarifies central<br />

but opaque categories of Benjamin’s<br />

thought: ‘redemption,’ ‘the messianic,’<br />

‘the coming philosophy’<br />

This book addresses the way that<br />

Benjamin’s thoughts regarding mental<br />

space, the mind-body problem, and the<br />

individual’s experience of the material<br />

object world make contact with post-<br />

Freudian psychoanalytic confrontations<br />

with similar issues.<br />

ELIzABETH STEWART is Associate Professor of<br />

English, yeshiva University, New york, USA.<br />

UK May 2012 US March 2012<br />

240 Pages 153 x 228 mm 6 x 9 inches<br />

PB 9781441116833 - £22.99 / $39.95<br />

Continuum<br />

The Late Walter Benjamin<br />

John Schad<br />

‘... mixes apparently autobiographical<br />

fiction and social history with astute<br />

critical reworking of many of Walter<br />

Benjamin’s most important ideas.’<br />

J. Hillis Miller, University of California,<br />

Irvine, USA<br />

• Examines Benjamin’s experiences of Nazi<br />

Germany as context of his thought<br />

• Fully annotated to guide students and<br />

scholars through the documentary sources of the narrative<br />

This book is a documentary novel that juxtaposes the life and<br />

death of Walter Benjamin with the days, hours and minutes of a<br />

working-class council estate in post-war Austerity England.<br />

JOHN SCHAD is Professor of Modern Literature at the University of<br />

Lancaster, UK.<br />

UK April 2012 US June 2012<br />

256 Pages 138 x 216 mm 5.375 x 8.5 inches<br />

HB 9781441171702 - £60.00 / $110.00<br />

PB 9781441177681 - £18.99 / $32.95<br />

New Directions in Religion and Literature<br />

Continuum<br />

LITERARy STUDIES<br />

81

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