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The Foreign in<br />
International Crime<br />
Writing<br />
Transcultural Representations<br />
Edited by<br />
Jean Anderson,<br />
Carolina Miranda<br />
and Barbara<br />
Pezzotti<br />
• A global<br />
comparative<br />
study of ‘the<br />
foreigner’ in<br />
modern crime<br />
fiction<br />
• Explores twentieth and twenty-first<br />
century crime writing from Europe,<br />
India, China, South America and<br />
Australasia<br />
• Examines how international crime<br />
fiction presents issues of ‘otherness’,<br />
globalization, immigration and diaspora<br />
communities<br />
Exploring popular crime fiction from<br />
across the world, The Foreign in<br />
International Crime Writing examines<br />
how these popular works tackle such<br />
issues as national identity, immigration,<br />
globalization and diaspora communities.<br />
JEAN ANDERSON is Associate Professor at<br />
Victoria University of Wellington, New zealand.<br />
CAROLINE MIRANDA is Lecturer at Victoria<br />
University of Wellington, New zealand.<br />
BARBARA PEzzOTTI is Teaching Fellow at<br />
Victoria University of Wellington, New zealand.<br />
UK June 2012 US August 2012<br />
240 Pages 156 x 234 mm 6.125 x 9.25 inches<br />
HB 9781441128171 - £60.00 / $110.00<br />
Continuum<br />
Contagious Metaphor<br />
Peta Mitchell<br />
Benjamin, Barthes<br />
and the Singularity of<br />
Photography<br />
Kathrin Yacavone<br />
‘Meticulously<br />
tracing the network<br />
of connections<br />
between<br />
Benjamin’s<br />
and Barthes’s<br />
visions of the<br />
encounter between<br />
photograph and<br />
viewer, this book<br />
performs an invaluable critical service.’<br />
Michael Sheringham, FBA, Marshal Foch<br />
Professor of French Literature, All Souls<br />
College, University of Oxford, UK<br />
• The first major study of Benjamin’s and<br />
Barthes’s highly influential theories of<br />
photography<br />
• Explores familiar texts as well as works<br />
which have only recently become<br />
available<br />
Benjamin, Barthes and the Singularity<br />
of Photography presents two of the most<br />
important intellectual figures of the<br />
twentieth century in a new comparative<br />
light.<br />
KATHRIN yACAVONE teaches in the Department<br />
of French and Francophone Studies at the<br />
University of Nottingham, UK.<br />
UK March 2012 US January 2012<br />
272 Pages 153 x 228 mm 6 x 9 inches<br />
HB 9781441118080 - £60.00 / $110.00<br />
Continuum<br />
• Innovative study of the metaphor of<br />
contagion<br />
• Takes an interdisciplinary approach<br />
• Strong potential for subsequent<br />
paperback publication<br />
In Contagious Metaphor, Peta Mitchell<br />
offers an innovative, interdisciplinary<br />
study of the metaphor of contagion and its<br />
relationship to the workings of language.<br />
Examining both metaphors of contagion and metaphor as<br />
contagion, Contagious Metaphor suggests a framework through<br />
which the emergence and often epidemic-like reproduction of<br />
metaphor can be better understood.<br />
PETA MITCHELL is a Lecturer in the School of English, Media Studies, and<br />
Art History at the University of queensland, Australia.<br />
UK August 2012 US November 2012<br />
192 Pages 156 x 234 mm 6.125 x 9.25 inches<br />
HB 9781441132734 - £60.00 / $110.00<br />
Continuum<br />
LITERARy STUDIES<br />
NEW IN PAPERBACK<br />
Catastrophe and<br />
Survival: Walter<br />
Benjamin and<br />
Psychoanalysis<br />
Elizabeth<br />
Stewart<br />
• Demonstrates how<br />
Benjaminian and<br />
psychoanalytic<br />
theories of<br />
subjectivity<br />
illuminate each<br />
other<br />
• Clarifies central<br />
but opaque categories of Benjamin’s<br />
thought: ‘redemption,’ ‘the messianic,’<br />
‘the coming philosophy’<br />
This book addresses the way that<br />
Benjamin’s thoughts regarding mental<br />
space, the mind-body problem, and the<br />
individual’s experience of the material<br />
object world make contact with post-<br />
Freudian psychoanalytic confrontations<br />
with similar issues.<br />
ELIzABETH STEWART is Associate Professor of<br />
English, yeshiva University, New york, USA.<br />
UK May 2012 US March 2012<br />
240 Pages 153 x 228 mm 6 x 9 inches<br />
PB 9781441116833 - £22.99 / $39.95<br />
Continuum<br />
The Late Walter Benjamin<br />
John Schad<br />
‘... mixes apparently autobiographical<br />
fiction and social history with astute<br />
critical reworking of many of Walter<br />
Benjamin’s most important ideas.’<br />
J. Hillis Miller, University of California,<br />
Irvine, USA<br />
• Examines Benjamin’s experiences of Nazi<br />
Germany as context of his thought<br />
• Fully annotated to guide students and<br />
scholars through the documentary sources of the narrative<br />
This book is a documentary novel that juxtaposes the life and<br />
death of Walter Benjamin with the days, hours and minutes of a<br />
working-class council estate in post-war Austerity England.<br />
JOHN SCHAD is Professor of Modern Literature at the University of<br />
Lancaster, UK.<br />
UK April 2012 US June 2012<br />
256 Pages 138 x 216 mm 5.375 x 8.5 inches<br />
HB 9781441171702 - £60.00 / $110.00<br />
PB 9781441177681 - £18.99 / $32.95<br />
New Directions in Religion and Literature<br />
Continuum<br />
LITERARy STUDIES<br />
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