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NEw IN PAPErBAcK<br />

Science’s First Mistake<br />

Delusions in Pursuit of Theory<br />

Ian Angell and<br />

Dionysios<br />

Demetis<br />

• Of particular<br />

interest to<br />

students and<br />

researchers<br />

in Information<br />

Systems and is<br />

interdisciplinary<br />

in dealing with the essential processes<br />

of knowledge creation<br />

• contains radical/controversial ideas,<br />

and is intended to stimulate wideranging<br />

discussion<br />

• Author will be embarking on a tour<br />

promoting the ideas in the book<br />

This book seeks to deconstruct the<br />

process of scientific knowledge discovery<br />

and theory construction by scrutinizing<br />

the circumstances under which all<br />

scientific hypotheses are conceived.<br />

IAN ANgELL is Professor of Information Systems<br />

in the Department of Management at the<br />

London School of Economics and Political<br />

Science, uK.<br />

DIONySIOS DEMETIS is a research Associate<br />

at London School of Economics and Political<br />

Science, uK.<br />

uK July 2012 uS September 2012<br />

256 Pages 156 x 234 mm 6.125 x 9.25 inches<br />

PB 9781780932330 - £18.99 / $29.95<br />

<strong>Bloomsbury</strong> <strong>Academic</strong><br />

Deleuze and Film<br />

A Feminist Introduction<br />

Teresa Rizzo<br />

‘An essential<br />

contribution<br />

to the field.’<br />

Ronald Bogue,<br />

Distinguished<br />

Research Professor,<br />

University of<br />

Georgia, USA<br />

• Shows how<br />

Deleuze and guattari’s work can be<br />

applied to feminist film theory<br />

• Offers the reader an innovative<br />

approach to film viewing as an<br />

affective embodied experience<br />

• Provides a vital and accessible<br />

introduction to recent feminist<br />

approaches to Deleuze and guattari<br />

A feminist introduction to Deleuze’s work<br />

on cinema that proposes a new way of<br />

thinking about the cinematic viewing<br />

experience.<br />

TErESA rIZZO is Lecturer in Film Studies at the<br />

university of New South wales, Australia.<br />

uK April 2012 uS June 2012<br />

208 Pages 156 x 234 mm 6.125 x 9.25 inches<br />

HB 9781441179289 - £65.00 / $120.00<br />

PB 9781441113405 - £19.99 / $34.95<br />

continuum<br />

PHILOSOPHY<br />

The Phenomenology of<br />

Modern Art<br />

Exploding Deleuze, Illuminating<br />

Style<br />

Paul Crowther<br />

• uses Deleuze<br />

as a starting<br />

point for a new<br />

methodology<br />

- post-analytic<br />

phenomenology<br />

• Expert author<br />

with an<br />

established<br />

reputation in the field<br />

• Includes 25 black and white and 5<br />

colour illustrations<br />

The first sustained phenomenological<br />

approach to modern art, taking a new<br />

approach and drawing upon an unusual<br />

selection of thinkers.<br />

PAuL crOwTHEr is Professor of Philosophy at<br />

the National university of Ireland, galway.<br />

uK April 2012 uS June 2012<br />

296 Pages 138 x 216 mm 5.375 x 8.5 inches<br />

HB 9781441130914 - £75.00 / $140.00<br />

PB 9781441142580 - £24.99 / $44.95<br />

continuum<br />

PHILOSOPHY<br />

97

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