30.09.2019 Views

IATSE 3rd 2019_web

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Director of American Guild of Musical<br />

Artists). Finally, the Local extended deep<br />

gratitude to President Loeb who stood<br />

with and guided Local 798 as they fought<br />

for conditions and pay equity that had<br />

been pernicious and problematic.<br />

President Loeb remarked that the negotiations<br />

were unnecessarily protracted<br />

but had resulted in a successful conclusion<br />

with all of the Local’s issues being addressed<br />

in some way. He commended the<br />

workers for their courage. He especially<br />

expressed his appreciation to the stagehands,<br />

box office, and wardrobe workers<br />

whose support buoyed the makeup artists<br />

and hairstylists. President Loeb noted<br />

that while five hairstylists were impacted<br />

personally this fight was about and for all<br />

workers.<br />

APPEARANCE:<br />

LOCAL NO. USA829,<br />

NEW YORK, NY<br />

Re: Broadway Agreement<br />

Local USA829 National Business<br />

Agent Cecilia A. Friederichs, Local<br />

USA829 President Beverly Miller, Business<br />

Representative for Live Performance<br />

Carl Mulert, and Financial Secretary Michael<br />

Smith appeared before the Board to<br />

report on landmark contract negotiations<br />

between Local USA829 and The Broadway<br />

League.<br />

As negotiations for the Broadway<br />

League agreement approached, the Local<br />

identified several significant issues that<br />

threatened to disrupt the process. First,<br />

assistant designers, who were employed<br />

at single payrates rather than a tiered pay<br />

scale yielded a constant string of various<br />

grievances. Second, due to the passage<br />

of time and growth of available technology<br />

in scenery and lighting design, the<br />

contract included a pay scale defined<br />

by terms which no longer had mutually<br />

agreed meaning (disputes arose over<br />

whether productions were actually single<br />

set or multiset).<br />

The Local attempted to avoid acrimonious<br />

debate on these important issues<br />

and, with the consent of its member committee,<br />

sought to address them with two<br />

representatives of the Broadway League<br />

before formal negotiations were underway.<br />

The parties thus began discussions<br />

about how to make the contract more relevant<br />

to how business is conducted today.<br />

Ultimately, it became clear that significant<br />

changes were necessary, which<br />

would lead to an overall restructuring of<br />

the entire Agreement, including not only<br />

scenery and lighting pay, but also the costume<br />

design pay scale; the concert pay<br />

scale; the royalties pay scale and rules for<br />

payments; a stepped pay scale for different<br />

types of tours; the geographic scope<br />

of the agreement for subsequent productions;<br />

merging the separate sound design<br />

agreement into the contract; making projection<br />

designers full participants; payment<br />

schedules; effective dates of work<br />

for designers. The Local also identified<br />

other areas for improvement, including<br />

developmental productions that transfer<br />

into Broadway and some fringe benefit<br />

changes and reallocations.<br />

Representatives of the League were<br />

committed to addressing these matters,<br />

so the discussions carried on. Due to the<br />

magnitude of required changes, talks continued<br />

periodically for nearly a year. Each<br />

side corresponded with their respective<br />

committees to get feedback and approvals.<br />

The parties extended their contract<br />

for 90 days to the end of March <strong>2019</strong>.<br />

The fully completed, rewritten Agree-<br />

Reporting from Local USA829 were Financial Secretary Michael Smith, President Beverly Miller, National Business Agent Cecilia A. Friederichs,<br />

and Business Representative for Live Performance Carl Mulert.<br />

54 OFFICIAL BULLETIN

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!