30.09.2019 Views

IATSE 3rd 2019_web

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

diction of the IA. On June 13, AQTIS challenged<br />

the Netflix production, claiming it<br />

to be a domestic production falling under<br />

Sector 1 and the jurisdiction of AQTIS.<br />

The International and Locals 514 and<br />

667 were quick to respond and eventually<br />

AQTIS adjourned the matter and has<br />

made no effort to list it for hearing. The<br />

production went ahead as scheduled and<br />

was crewed by the IA and worked under<br />

agreements with Locals 667 and 514.<br />

Conversations between the International<br />

and Netflix continued over<br />

the spring triggered in part by the announcement<br />

that Netflix was becoming<br />

a member of the MPAA. In June of<br />

<strong>2019</strong>, AQTIS filed an application to raid<br />

the bargaining rights of the <strong>IATSE</strong> with<br />

respect to all work performed by the<br />

US Studios. On July 2, legal counsel for<br />

Netflix wrote a very helpful letter to the<br />

Quebec Labour Board, which Vice President<br />

Lewis read in part.<br />

Vice President Miller then reported<br />

on the successor agreement for Horizon<br />

Alternative’s low-budget non-dramatic<br />

programming. In May, negotiations were<br />

held in Los Angeles. The large wage increases<br />

negotiated last year for Fremantle’s<br />

low-budget non-dramatic agreement<br />

were used as the new industry standard<br />

and Horizon Alternative’s wage minimums<br />

were dramatically increased and<br />

they are now in line with Fremantle. Finally,<br />

“The Bachelor” and its spin-offs<br />

were moved out of this agreement and are<br />

now covered by the appropriate Majors<br />

Agreements, primarily the Videotape and<br />

Area Standards Agreements. Many of the<br />

crew saw a sizable improvement in their<br />

wages and all saw an increase in their IAP<br />

contributions.<br />

There are currently 442 commercial<br />

signatories, but dozens of new companies<br />

are popping up producing commercials<br />

nonunion, which creates many opportunities<br />

for organizing this work. The IA<br />

Motion Picture Locals continue to face<br />

challenges from non-union competition.<br />

Often, IA members are servicing these<br />

jobs non-union. Not only does this practice<br />

erode terms and conditions, it also<br />

has a direct impact on the funding of the<br />

industry health and pension plans. Members<br />

who qualify for benefits and then<br />

work non-union are being subsidized by<br />

other members. Now is the time to personally<br />

engage <strong>IATSE</strong> members about the<br />

necessity to flip these jobs union.<br />

The IA and Local 839 concluded negotiations<br />

with the Warner Animation<br />

Group for a successor agreement in May.<br />

The gains in the WAG agreement track<br />

those made previously in the TSL Agreement<br />

with Disney. Both the TSL and<br />

WAG Agreements were ratified by the<br />

Local 839 bargaining unit and are threeyear<br />

deals.<br />

There are twenty-four <strong>IATSE</strong> term<br />

signatory award show companies with<br />

dozens of single productions executed<br />

each year. The Department has signed<br />

President Loeb with officers and members from the Host<br />

Locals who served as Sergeant-At-Arms for the week.<br />

66 OFFICIAL BULLETIN

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!