IATSE 3rd 2019_web
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diction of the IA. On June 13, AQTIS challenged<br />
the Netflix production, claiming it<br />
to be a domestic production falling under<br />
Sector 1 and the jurisdiction of AQTIS.<br />
The International and Locals 514 and<br />
667 were quick to respond and eventually<br />
AQTIS adjourned the matter and has<br />
made no effort to list it for hearing. The<br />
production went ahead as scheduled and<br />
was crewed by the IA and worked under<br />
agreements with Locals 667 and 514.<br />
Conversations between the International<br />
and Netflix continued over<br />
the spring triggered in part by the announcement<br />
that Netflix was becoming<br />
a member of the MPAA. In June of<br />
<strong>2019</strong>, AQTIS filed an application to raid<br />
the bargaining rights of the <strong>IATSE</strong> with<br />
respect to all work performed by the<br />
US Studios. On July 2, legal counsel for<br />
Netflix wrote a very helpful letter to the<br />
Quebec Labour Board, which Vice President<br />
Lewis read in part.<br />
Vice President Miller then reported<br />
on the successor agreement for Horizon<br />
Alternative’s low-budget non-dramatic<br />
programming. In May, negotiations were<br />
held in Los Angeles. The large wage increases<br />
negotiated last year for Fremantle’s<br />
low-budget non-dramatic agreement<br />
were used as the new industry standard<br />
and Horizon Alternative’s wage minimums<br />
were dramatically increased and<br />
they are now in line with Fremantle. Finally,<br />
“The Bachelor” and its spin-offs<br />
were moved out of this agreement and are<br />
now covered by the appropriate Majors<br />
Agreements, primarily the Videotape and<br />
Area Standards Agreements. Many of the<br />
crew saw a sizable improvement in their<br />
wages and all saw an increase in their IAP<br />
contributions.<br />
There are currently 442 commercial<br />
signatories, but dozens of new companies<br />
are popping up producing commercials<br />
nonunion, which creates many opportunities<br />
for organizing this work. The IA<br />
Motion Picture Locals continue to face<br />
challenges from non-union competition.<br />
Often, IA members are servicing these<br />
jobs non-union. Not only does this practice<br />
erode terms and conditions, it also<br />
has a direct impact on the funding of the<br />
industry health and pension plans. Members<br />
who qualify for benefits and then<br />
work non-union are being subsidized by<br />
other members. Now is the time to personally<br />
engage <strong>IATSE</strong> members about the<br />
necessity to flip these jobs union.<br />
The IA and Local 839 concluded negotiations<br />
with the Warner Animation<br />
Group for a successor agreement in May.<br />
The gains in the WAG agreement track<br />
those made previously in the TSL Agreement<br />
with Disney. Both the TSL and<br />
WAG Agreements were ratified by the<br />
Local 839 bargaining unit and are threeyear<br />
deals.<br />
There are twenty-four <strong>IATSE</strong> term<br />
signatory award show companies with<br />
dozens of single productions executed<br />
each year. The Department has signed<br />
President Loeb with officers and members from the Host<br />
Locals who served as Sergeant-At-Arms for the week.<br />
66 OFFICIAL BULLETIN