Indian Jeweller (IJ) Magazine August -September 2019
Volume 10 | Issue 1 August September 2019
Volume 10 | Issue 1
August September 2019
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ExpErt column<br />
Aftab<br />
Bandukwala<br />
Founder, Principal<br />
Architect,<br />
V-Design<br />
Architectural<br />
Solutions Pvt Ltd<br />
He has been<br />
involved in retail<br />
design since the<br />
early retail boom<br />
in India in the<br />
90s. He holds<br />
multi-format<br />
experience<br />
from kiosks<br />
to luxury retail<br />
spaces. He has<br />
designed stores<br />
like Tanshiq,<br />
Chintamanis, Gili,<br />
etc.<br />
DESIGN DIRECTIVE<br />
FOR A PERFECT<br />
STORE DESIGN….<br />
In this column Aftab talks about how the<br />
seamless blend of inspiration & the science of<br />
retail can give birth to a stunning design<br />
It’s hello again from me at V-Design<br />
Architectural Solutions Pvt Ltd! In my last<br />
article, I delved into how important it is to<br />
keep the sparkle in your store as much as in<br />
your ware. This time though I want to go a few<br />
steps behind and discuss some generic basics<br />
that make a good store from the perspective of<br />
design thought.<br />
Recently, I was privy to some of the coolest<br />
stores you, my friends and some of you my<br />
clients from this glittering fraternity have<br />
established in the recent past. I was most<br />
impressed to find a few such stores that had<br />
a deep design thought behind their design<br />
direction. From the root of the concept to the<br />
use of materials, from the layout to the details<br />
of the fit out, I found a seamless continuity and<br />
structured adherence to the creative vision.<br />
It’s all well to aspire to be a glamorous store<br />
that dazzles the beholder, buyer and otherwise,<br />
but to allow the design team to actually think<br />
beyond just that and employ a design direction<br />
that is more than just putting together a few<br />
(and in some cases far too many) elements to<br />
make your store look ‘swanky’ is I think a sign<br />
of mature vision that eventually reflects deeply<br />
on your brand.<br />
I will now go into a few details to<br />
substantiate my point. Some of us architects<br />
are naturally inclined to give more meaning<br />
to our design thought by seeking inspiration<br />
from perhaps the local history of the location<br />
or even a complete out-of-the-box radical<br />
ideology based on works of masters from<br />
the field of art and architecture. There are of<br />
course an overwhelming mass of our fraternity<br />
for whom ‘inspiration’ is nothing more than<br />
flicking through pages of a magazine or<br />
websites and lifting in toto, but for such of our<br />
lot, I have little to say. To me, a store that has<br />
been inspired by history or such thought, has<br />
used materials to give further definition to the<br />
inspiration, has played with forms throughout<br />
the space that continue the story, yet, all along<br />
A perfect store is<br />
one that has an<br />
original design<br />
and has used this<br />
homogeneously<br />
throughout the<br />
space in conjunction<br />
with the science of<br />
retailing jewellery<br />
Harry Winston<br />
has ensured the application of the science of<br />
retailing, is a hands down winner when it<br />
comes to the marriage of design and fulfilling<br />
your aspirations and requirements that you<br />
have of your space.<br />
This, though, is impossible if we do not<br />
have the buy-in of our client. Sometimes<br />
a client is far too limited in vision or is too<br />
cluttered of mind with bling and other such<br />
tertiary embellishments to allow us a free<br />
hand to create in the way I have mentioned.<br />
As a result, we are forced to pack that state<br />
of mind hopefully for later use and deliver<br />
the mundane. Then, you have nothing more<br />
than a putting together of fancy chandeliers,<br />
expensive marble, gilded ceilings, voluptuous<br />
pillars and wannabe Versace chairs. And,<br />
that’s how design dies. The birth of what is<br />
increasingly being considered ‘wow’.<br />
I must emphasize here that it certainly<br />
cannot all be about design and deep design<br />
thought. We are here to create a space that<br />
efficiently sells your merchandise and not<br />
our skills. There is so much by the way of the<br />
technical and the technology that is perhaps<br />
more important than just design when it<br />
comes to creating a jewellery store and it is<br />
the other extreme to forget these being so<br />
involved in creating a design marvel. Perfect<br />
lighting, time and motion studies, customer<br />
flow, staff convenience and ergonomics in<br />
general, just to name a few.<br />
So to summarise, for me a perfect store<br />
is one that has an original design and has<br />
used this homogeneously throughout the<br />
space in conjunction with the science of<br />
retailing jewellery and employing of correct<br />
technology. This ensures your merchandise;<br />
staff and customers are all in sync to the<br />
business of selling and buying jewellery. <br />
138 | august-september <strong>2019</strong> | INDIAN JEWELLER