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Indian Jeweller (IJ) Magazine August -September 2019

Volume 10 | Issue 1 August September 2019

Volume 10 | Issue 1
August September 2019

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ExpErt column<br />

Aftab<br />

Bandukwala<br />

Founder, Principal<br />

Architect,<br />

V-Design<br />

Architectural<br />

Solutions Pvt Ltd<br />

He has been<br />

involved in retail<br />

design since the<br />

early retail boom<br />

in India in the<br />

90s. He holds<br />

multi-format<br />

experience<br />

from kiosks<br />

to luxury retail<br />

spaces. He has<br />

designed stores<br />

like Tanshiq,<br />

Chintamanis, Gili,<br />

etc.<br />

DESIGN DIRECTIVE<br />

FOR A PERFECT<br />

STORE DESIGN….<br />

In this column Aftab talks about how the<br />

seamless blend of inspiration & the science of<br />

retail can give birth to a stunning design<br />

It’s hello again from me at V-Design<br />

Architectural Solutions Pvt Ltd! In my last<br />

article, I delved into how important it is to<br />

keep the sparkle in your store as much as in<br />

your ware. This time though I want to go a few<br />

steps behind and discuss some generic basics<br />

that make a good store from the perspective of<br />

design thought.<br />

Recently, I was privy to some of the coolest<br />

stores you, my friends and some of you my<br />

clients from this glittering fraternity have<br />

established in the recent past. I was most<br />

impressed to find a few such stores that had<br />

a deep design thought behind their design<br />

direction. From the root of the concept to the<br />

use of materials, from the layout to the details<br />

of the fit out, I found a seamless continuity and<br />

structured adherence to the creative vision.<br />

It’s all well to aspire to be a glamorous store<br />

that dazzles the beholder, buyer and otherwise,<br />

but to allow the design team to actually think<br />

beyond just that and employ a design direction<br />

that is more than just putting together a few<br />

(and in some cases far too many) elements to<br />

make your store look ‘swanky’ is I think a sign<br />

of mature vision that eventually reflects deeply<br />

on your brand.<br />

I will now go into a few details to<br />

substantiate my point. Some of us architects<br />

are naturally inclined to give more meaning<br />

to our design thought by seeking inspiration<br />

from perhaps the local history of the location<br />

or even a complete out-of-the-box radical<br />

ideology based on works of masters from<br />

the field of art and architecture. There are of<br />

course an overwhelming mass of our fraternity<br />

for whom ‘inspiration’ is nothing more than<br />

flicking through pages of a magazine or<br />

websites and lifting in toto, but for such of our<br />

lot, I have little to say. To me, a store that has<br />

been inspired by history or such thought, has<br />

used materials to give further definition to the<br />

inspiration, has played with forms throughout<br />

the space that continue the story, yet, all along<br />

A perfect store is<br />

one that has an<br />

original design<br />

and has used this<br />

homogeneously<br />

throughout the<br />

space in conjunction<br />

with the science of<br />

retailing jewellery<br />

Harry Winston<br />

has ensured the application of the science of<br />

retailing, is a hands down winner when it<br />

comes to the marriage of design and fulfilling<br />

your aspirations and requirements that you<br />

have of your space.<br />

This, though, is impossible if we do not<br />

have the buy-in of our client. Sometimes<br />

a client is far too limited in vision or is too<br />

cluttered of mind with bling and other such<br />

tertiary embellishments to allow us a free<br />

hand to create in the way I have mentioned.<br />

As a result, we are forced to pack that state<br />

of mind hopefully for later use and deliver<br />

the mundane. Then, you have nothing more<br />

than a putting together of fancy chandeliers,<br />

expensive marble, gilded ceilings, voluptuous<br />

pillars and wannabe Versace chairs. And,<br />

that’s how design dies. The birth of what is<br />

increasingly being considered ‘wow’.<br />

I must emphasize here that it certainly<br />

cannot all be about design and deep design<br />

thought. We are here to create a space that<br />

efficiently sells your merchandise and not<br />

our skills. There is so much by the way of the<br />

technical and the technology that is perhaps<br />

more important than just design when it<br />

comes to creating a jewellery store and it is<br />

the other extreme to forget these being so<br />

involved in creating a design marvel. Perfect<br />

lighting, time and motion studies, customer<br />

flow, staff convenience and ergonomics in<br />

general, just to name a few.<br />

So to summarise, for me a perfect store<br />

is one that has an original design and has<br />

used this homogeneously throughout the<br />

space in conjunction with the science of<br />

retailing jewellery and employing of correct<br />

technology. This ensures your merchandise;<br />

staff and customers are all in sync to the<br />

business of selling and buying jewellery. <br />

138 | august-september <strong>2019</strong> | INDIAN JEWELLER

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