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Indian Jeweller (IJ) Magazine August -September 2019

Volume 10 | Issue 1 August September 2019

Volume 10 | Issue 1
August September 2019

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ExpErt column<br />

Gunjan Suri<br />

Founder &<br />

Creative Director,<br />

Gunjan Suri<br />

Couture Jewels<br />

BROAD STROKES<br />

Design to Perfection<br />

In this column Gunjan takes a critical approach to the term design<br />

scape , evaluating the characteristics of design at a very basic level,<br />

thus making a conscious effort in changing the face of design<br />

In this article we will discuss how can one<br />

achieve an ideal designscape (derived from<br />

the word landscape) in their work wherein<br />

the designer can work on certain skills to<br />

enhance an extensive view or representation of<br />

the design. In simple terms it usually signifies<br />

a culmination of various characteristics that<br />

help in design building and it also means that<br />

one needs to pay acute attention, as to how<br />

one can play with various elements.<br />

• Dynamic play of various elements actually<br />

helps in establishing a visual impact in the<br />

design periphery. It usually arises when the<br />

designer makes a conscious effort to bring<br />

about a contrast with elements like colour<br />

.for e.g., it could also be created with a<br />

kinetic movement in a particular piece , in<br />

fact that could be an added feature to create<br />

a dynamic effect.<br />

• Creating surprise elements in a piece can<br />

actually create drama and intrigue the<br />

consumer at a mega level. Imagine a ring<br />

that opens up and there is an added feature<br />

or design flavour that is unique on the<br />

inside. Another example could be a pendant<br />

that is unique on both sides.<br />

Ariadni Kypri<br />

• Arrangements of design elements like forms<br />

and shapes carry a certain weightage , the<br />

outcome of a design can be altered by simply<br />

changing the arrangement of elements, for<br />

e.g. a simple way to understand this is how<br />

when we change a symmetric arrangement<br />

in a design to a asymmetric one the result is<br />

different .<br />

• Synchronization – on the one hand when<br />

the synchronization effect is assessed<br />

by making sure all elements used are<br />

in harmony it creates pleasing aesthetic<br />

content, on the other hand when the<br />

elements are not in harmony it usually<br />

brings a differentiated flavour to design.<br />

One can decide depending on the line<br />

of jewellery they make, for classic jewels<br />

the first option is preferred and for jewels<br />

that are meant to create a buzz the second<br />

option would be ideal.<br />

Maarja Niinemägi<br />

Play of these characters can actually bring<br />

or add flavour to the designer’s spectrum;<br />

it helps in identity formation, creates<br />

aesthetic markers, and actually brings about<br />

a regeneration of design. Paying attention<br />

to minor details in order to achieve an ideal<br />

design canvas can lead to creating a brand<br />

identity. To overcome the challenges faced by<br />

designers, the only way forward is to enhance<br />

the usage of design elements. <br />

INDIAN JEWELLER | august-september <strong>2019</strong> | 141

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