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Eatdrink #82 March/April 2020

The LOCAL food & drink magazine serving London, Stratford & Southwest Ontario since 2007.

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54 | <strong>March</strong>/<strong>April</strong> <strong>2020</strong><br />

eatdrink.ca |@eatdrinkmag<br />

Theatre<br />

A Captain Hook for Our Time<br />

Laura Condlln in Wendy & Peter Pan at the Avon Theatre<br />

By JANE ANTONIAK<br />

Batten down the hatches theatregoers;<br />

it is time for a gender switch<br />

in a classic tale. Meet the <strong>2020</strong><br />

version of Captain Hook: Laura<br />

Condlln. She’s ready to rock the boat with a<br />

female swagger at the Stratford Festival this<br />

season. “The world needs more female pirate<br />

stories,” says Condlln. “It’s important to have<br />

this complex, powerful man portrayed as a<br />

woman by a woman,” she adds.<br />

Wendy & Peter Pan is a new adaptation, by<br />

Ella Hickson, of the J.M. Barrie book, Peter<br />

Pan. It opens on May 27 at the Avon Theatre<br />

with previews beginning on <strong>April</strong> 24.<br />

In this adaptation Hickson puts an<br />

emphasis on the women in Peter Pan:<br />

Wendy, Tink and Tiger Lily. “It’s a female<br />

kaleidoscope,” says Condlln. She will play<br />

the Captain as a woman, with the pronouns<br />

changed and any references to Hook as a<br />

male removed. “The essence of the Captain<br />

is female,” says Condlln. “However I am not<br />

called she or her. I am only called Captain.”<br />

Her costume includes “killer boots” with heels,<br />

and she wears pants. “It is sexy, masculine and<br />

Laura Condlln. Creative direction by Punch & Judy Inc.<br />

Photography by David Cooper..<br />

feminine at the same time. I am not saying I<br />

am androgynous, but it is interesting. We are<br />

not in gender fluidity but there is a strong<br />

person there that is being played as a woman.”<br />

Directed by Keira Loughran, the story has<br />

other female plot lines such as Wendy and<br />

Mrs. Darling fighting for women’s rights, and<br />

the Lost Boys looking for a mother, whom<br />

they find in Wendy. “Playwright Ella Hickson<br />

adapted Barrie’s story with a subversive<br />

spirit; she believed Neverland belonged to<br />

Wendy as much as it did to Peter, and she<br />

actively cracked stereotypes that have been<br />

propagated through previous adaptations in<br />

ways that were both hilarious and surprisingly<br />

moving. I wanted to maintain that spirit<br />

in our production and Laura embodied it<br />

perfectly in her Hook. It won her the role; the<br />

trio of Laura as Hook, Cynthia Jimenez Hicks<br />

as Wendy, and Jake Runeckles as Peter, really<br />

anchor the <strong>2020</strong> Canadian première of this<br />

classic story,” says Loughran.<br />

Condlln lives full-time in Stratford and she<br />

tapped a fellow Stratford actor, Jan Alexandra<br />

Smith (who portrayed Scrooge as a woman<br />

at the Grand Theatre,<br />

London in 2018) for some<br />

gender-switching advice.<br />

“I saw Jan as Scrooge and<br />

I have thought about that<br />

role a lot. Scrooge was a<br />

woman but she was very<br />

masculine. This challenge<br />

is totally thrilling and<br />

terrifying in equal measure<br />

for me,” says Condlln.<br />

Her Captain Hook will<br />

“push me way outside<br />

of my comfort zone,”<br />

says Condlln. “What<br />

are we as artists if we<br />

are not treading into<br />

the unknown? And I<br />

am so grateful for the

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