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Eighteen observers were asked to match the gray levels <strong>of</strong> the presented setting<br />

to a predefined set <strong>of</strong> samples, i.e. to judge the lightness <strong>of</strong> the objects. For this<br />

purpose, they have been trained to do this by recalling the different gray levels<br />

from memory be<strong>for</strong>e the actual experiment. The 11 different settings – the 10<br />

images and the real scene – were presented in random order. Afterwards, the<br />

gray levels chosen by each participant in an image were compared with the values<br />

chosen in the real scene. The closer these values were, the closer the image was<br />

considered to be to the real scene.<br />

In summary, the results <strong>of</strong> this study showed that high quality Radiance images<br />

(see figure 4(d) and (e)), the tone-mapped image (see figure 4(g)) and even one<br />

<strong>of</strong> the defective images (see figure 4(h)) were good representations <strong>of</strong> the actual<br />

scene. Though, the low quality Radiance simulations (see figure 4(b) and (c)), the<br />

estimated materials image (see figure 4(f)), the raytraced image (see figure 4(i))<br />

and the radiosity image (see figure 4(j)) differ considerably from the real setting.<br />

2.2 Experimental Measurements<br />

2.2.1 Improved Cornell Box<br />

One year after the first experiments in Cornell (see section 2.1.1), the radiosity al-<br />

gorithm was improved by projecting onto an imaginary cube instead <strong>of</strong> a sphere.<br />

This hemi-cube radiosity [CG85] was again verified using the Cornell Box ap-<br />

proach. Now, radiometric measurements <strong>of</strong> the cube were taken and compared<br />

with the results <strong>of</strong> the algorithm.<br />

In the context <strong>of</strong> the development <strong>of</strong> the hemi-cube radiosity algorithm, the<br />

importance <strong>of</strong> verifying the implementation <strong>of</strong> a rendering algorithm was recog-<br />

nized. In 1986, Meyer et al. [MRC + 86] investigated the procedure <strong>of</strong> experi-<br />

mental evaluation <strong>of</strong> rendering systems in detail. The following quotation em-<br />

phasizes the necessity <strong>of</strong> experimental verification:<br />

“If a scientific basis <strong>for</strong> the generation <strong>of</strong> images is to be established,<br />

it is necessary to conduct experimental verification on both the com-<br />

ponent steps and the final simulation.” [MRC + 86]<br />

The assembly <strong>of</strong> the Cornell Box had slightly changed since the first experi-<br />

ments had been made. The light bulbs and the diffuse white surfaces were replaced<br />

10

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