01.02.2023 Views

A local woman missing- Mary Kubica

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There will be a funeral. Arrangements will have to be made. Bea

and I will help Josh with the arrangements. He shouldn’t have to do

that alone. He’ll be completely beside himself now that Meredith is

dead.

Those words get trapped in my head. They’re incomprehensible to

me. Meredith is dead. They don’t belong together.

But when Josh finally manages to collect himself, he tells us.

“It’s not her,” he chokes out.

“What do you mean it’s not her?” someone asks.

“The body,” he says. “It wasn’t Meredith. It was that Tebow

woman,” he cries out, and, God help me, I feel the greatest sense of

relief. My knees buckle, and only then do the tears come. Tears of

relief that it’s Shelby and not Meredith.

He tells us how Mr. Tebow came down to the station and identified

her body. “What happened to her?” someone asks. “How did she

die?”

It’s a question we all want to know. But only one of us has the

nerve to ask.

“We won’t know until after the autopsy,” Josh says. But he tells us

that Shelby’s death is being investigated as a homicide. It was clear

that foul play was to blame. Everyone gasps, then falls silent.

Just then a plainclothes officer steps out of Josh and Meredith’s

house, a woman, a brunette with strong features: an angular jawline,

straight nose, jutting cheekbones. Her lips are thin, her eyes narrow,

cheeks taut. She could be pretty if she smiled. She wears a pantsuit,

a holster with a handgun tucked beneath the jacket of it. The wind

blows, pulling the plackets of her jacket apart and I see it: the gun.

She crosses the lawn for Josh, some male detective with a lesser

paygrade following behind. Stupidly I think that she is going to

comfort Josh, to give him some statistic, to say something reassuring

about investigations like this.

But instead, when she speaks, her voice is flat and comfortless.

“Mr. Dickey,” she says. “Detective Rowlings.” She flashes a badge.

“If you wouldn’t mind stepping inside with us for a minute?” while

making a motion toward Josh’s home behind him. I look. It’s a

beautiful home, a blue Queen Anne, over a century old. It’s large and

ornate, with round towers and cone-shaped roofs that give the

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