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Bible Truths Illustrated by J. C. Ferdinand Pittman

Bible truths illustrated for the use of preachers, teachers, bible-school, Christian endeavor, temperance and other Christian workers

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—<br />

"<br />

BIBLE TRUTHS ILLUSTRATED<br />

<strong>by</strong> sudden rains, was chafing and roaring within its precipitous<br />

banks. The bridge that crossed the stream had been swept away<br />

<strong>by</strong> the torrent, but he knew it not. A man met him, and, after<br />

enquiring whither he was bound, said to him in an indifferent<br />

way: "Are you aware that the bridge is gone?" "No," was the<br />

answer ; "why do you think so ?" "Oh, I heard such a report<br />

this afternoon, and, though I am not certain about it, you had<br />

better not proceed." Deceived <strong>by</strong> the hesitating and undecided<br />

manner in which the information was given, the traveller pushed<br />

onward in the way of death. Soon another, meeting him, cried<br />

out in consternation : 'Sir, sir, the bridge is gone !" "Oh, yes,"<br />

replied the wayfarer, "some one told me that story a little distance<br />

back, but from the careless tone with which he told it, I<br />

am sure it is an idle tale." "Oh, it is true, it is true !" exclaimed<br />

the other. "I know the bridge is gone, for I barely escaped<br />

being carried away with it myself. Danger is before you and<br />

you must not go on." And, in the excitement of his feelings,<br />

he grasped him <strong>by</strong> the hands, <strong>by</strong> the arms, <strong>by</strong> the clothes, and<br />

besought him not to rush upon manifest destruction. Convinced<br />

<strong>by</strong> the earnest voice, the earnest eyes, the earnest gestures, the<br />

traveller turned back, and was saved. The intelligence in both<br />

cases was the same, but the manner of its conveyance in the<br />

one gave it an air of a fablei, in the other an air of truth.<br />

Christian Work.<br />

961. "The artist Correggio, when young, saw a painting <strong>by</strong><br />

Raphael. Long and ardently did the thoughtful boy gaze on<br />

that picture. His soul drank in its beauty, as flowers drink<br />

moisture from the mist. He waked to the consciousness of<br />

artistic power. Burning with the enthusiasm of enkindled<br />

genius, the blood rushing to his brow, and the fire flashing from<br />

his eyes, he cried out : 'I, also, am a painter/ That conviction<br />

carried him through his initial studies ; it blended the colours<br />

on his palette ; it guided his pencil ; it shone on his canvas<br />

until the glorious Titian, on witnessing his productions,<br />

exclaimed : 'Were I not Titian, I would wish to be Correggio.'<br />

962. "My brother and I," said President Lincoln, "were once<br />

ploughing corn on a Kentucky farm. I was driving the horse,<br />

and he was holding the plough. The horse was lazy, but on one<br />

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