SELS Dialogues Journal Volume 3 Issue 1
A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.
A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.
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Pedagogy and Critical Thinking<br />
could be a good response for their smooth transition<br />
to a new culture because the concept of “Third Space”<br />
implies a dialogical learning space where difference is<br />
given a place and worked with in beneficial ways.<br />
Using the concept of third space, learners can transform<br />
the frustration regarding their identity crisis, and they<br />
also may be enabled to succeed in the new culture<br />
without having to assimilate and lose what they have<br />
come with. Most importantly, students usually feel<br />
connected to the new culture no matter who they are.<br />
They create their own identity by accepting the new<br />
and sustaining their own identities in the given space.<br />
In Kanu’s (2003) words, “That is, there is no longer a<br />
single set of discourse about progress and change;<br />
rather there is a hybrid —a third space –-where local<br />
and global images meet in a weaving that has its own<br />
configurations and implications” (p. 77). The idea is<br />
to facilitate more humane transitions, and the ESL<br />
classroom has the potential to turn some of their<br />
activities into both language and cultural learning<br />
opportunities.<br />
In the COMM 161 course at Centennial College, these<br />
types of cultural activities are already included, and I<br />
have found students truly happy while accomplishing<br />
these components. Especially in “Culture: Oral<br />
Presentation Assignment”, I observe students become<br />
very enthusiastic and are proud of presenting their<br />
own culture. Therefore, I believe including cultural<br />
components in every other ESL course would make our<br />
students feel more distinguished, and they would feel at<br />
ease in their classes.<br />
To be more specific, these components work as the<br />
concept of third space of Bhabha as the students have<br />
an opportunity to be in a dialogical space between their<br />
old and new culture. Thus, the given third space would<br />
be able to help students with their vulnerability in a<br />
new country and culture, in the mainstream learning<br />
environments, and in their careers.<br />
References<br />
Bhabha, H. (1990). The Third Space. In J. Rutherford (Ed.), The value<br />
of difference (pp. 207-221).<br />
Lawrence Wishart.<br />
Bhabha, H. K. (1994). The location of culture. London: Routledge.<br />
Kanu, Y. (2002). Understanding curriculum and pedagogy as<br />
attunement to difference: Teacher preparation for the 21st century.<br />
<strong>Journal</strong> of Professional studies, 9(2), 50-60.<br />
Kanu, Y. (2003). Curriculum as Cultural Practice: Postcolonial<br />
Imagination. Canadian Association for Curriculum Studies, 1(1), 67-<br />
81.<br />
Author’s Bio<br />
Sohana Z. Haque is a TESL Canada certified<br />
professional, and she has been teaching at<br />
Centennial College for six years. Her second<br />
masters is with Athabasca University in MAIS<br />
(MA in Interdisciplinary Studies), where her<br />
major was Adult Education. Her first MA<br />
was in English literature and language. Her<br />
experience in teaching ESL at the tertiary level<br />
is more than 10 years. She tries to exercise<br />
open-mindedness in dealing with people<br />
from diverse cultural backgrounds. Her goal<br />
is to foster and maintain an open, honest,<br />
communicative, and supportive classroom,<br />
in which each student feels at ease, secure,<br />
special, and appropriately challenged.<br />
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