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SELS Dialogues Journal Volume 3 Issue 1

A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.

A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.

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Pedagogy and Critical Thinking<br />

could be a good response for their smooth transition<br />

to a new culture because the concept of “Third Space”<br />

implies a dialogical learning space where difference is<br />

given a place and worked with in beneficial ways.<br />

Using the concept of third space, learners can transform<br />

the frustration regarding their identity crisis, and they<br />

also may be enabled to succeed in the new culture<br />

without having to assimilate and lose what they have<br />

come with. Most importantly, students usually feel<br />

connected to the new culture no matter who they are.<br />

They create their own identity by accepting the new<br />

and sustaining their own identities in the given space.<br />

In Kanu’s (2003) words, “That is, there is no longer a<br />

single set of discourse about progress and change;<br />

rather there is a hybrid —a third space –-where local<br />

and global images meet in a weaving that has its own<br />

configurations and implications” (p. 77). The idea is<br />

to facilitate more humane transitions, and the ESL<br />

classroom has the potential to turn some of their<br />

activities into both language and cultural learning<br />

opportunities.<br />

In the COMM 161 course at Centennial College, these<br />

types of cultural activities are already included, and I<br />

have found students truly happy while accomplishing<br />

these components. Especially in “Culture: Oral<br />

Presentation Assignment”, I observe students become<br />

very enthusiastic and are proud of presenting their<br />

own culture. Therefore, I believe including cultural<br />

components in every other ESL course would make our<br />

students feel more distinguished, and they would feel at<br />

ease in their classes.<br />

To be more specific, these components work as the<br />

concept of third space of Bhabha as the students have<br />

an opportunity to be in a dialogical space between their<br />

old and new culture. Thus, the given third space would<br />

be able to help students with their vulnerability in a<br />

new country and culture, in the mainstream learning<br />

environments, and in their careers.<br />

References<br />

Bhabha, H. (1990). The Third Space. In J. Rutherford (Ed.), The value<br />

of difference (pp. 207-221).<br />

Lawrence Wishart.<br />

Bhabha, H. K. (1994). The location of culture. London: Routledge.<br />

Kanu, Y. (2002). Understanding curriculum and pedagogy as<br />

attunement to difference: Teacher preparation for the 21st century.<br />

<strong>Journal</strong> of Professional studies, 9(2), 50-60.<br />

Kanu, Y. (2003). Curriculum as Cultural Practice: Postcolonial<br />

Imagination. Canadian Association for Curriculum Studies, 1(1), 67-<br />

81.<br />

Author’s Bio<br />

Sohana Z. Haque is a TESL Canada certified<br />

professional, and she has been teaching at<br />

Centennial College for six years. Her second<br />

masters is with Athabasca University in MAIS<br />

(MA in Interdisciplinary Studies), where her<br />

major was Adult Education. Her first MA<br />

was in English literature and language. Her<br />

experience in teaching ESL at the tertiary level<br />

is more than 10 years. She tries to exercise<br />

open-mindedness in dealing with people<br />

from diverse cultural backgrounds. Her goal<br />

is to foster and maintain an open, honest,<br />

communicative, and supportive classroom,<br />

in which each student feels at ease, secure,<br />

special, and appropriately challenged.<br />

<strong>SELS</strong> DIALOGUES | 17

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