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SELS Dialogues Journal Volume 3 Issue 1

A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.

A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.

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Creative Pursuits<br />

Toronto<br />

by Prabha Jerrybandan<br />

The winds had cooled from an unusually hot summer.<br />

While most felt relief, Kaya moved with trepidation,<br />

hugging her thin windbreaker that her boss had given<br />

her when she began working in the spring of that year.<br />

She welcomed the shelter of the hairdressing salon<br />

where she worked all week except for Mondays when<br />

it was closed. Voula gave her a slight smile as she<br />

entered and she immediately removed her jacket to<br />

bare her crumpled off white blouse, covering it again<br />

with a black, canvas apron that was hanging on the door<br />

of the washroom. She began sweeping the short, grey<br />

hairs that were falling off the almost bald gentleman<br />

that Voula had been grooming. He came in every three<br />

weeks for a trim although there was not much to cut.<br />

Kaya could not understand what the three homesick<br />

Greeks were saying, but she knew from Voula’s<br />

husband, Sotiros, that over fifty years before, he and his<br />

wife had left their home in Athens and travelled by ship<br />

to Halifax, Nova Scotia.<br />

the hot coffee that she had emptied from the carafe<br />

used to serve clients. She had finished cleaning the<br />

floors and toilet earlier, but wanted to stay as long as<br />

she could. Kaya liked it there. When she remembered<br />

that it was Saturday, she relaxed her lips and smiled at<br />

Voula who was counting out her pay.<br />

The young woman looked smaller and smaller as she<br />

moved towards the red and rusted bridge. It was dark<br />

enough, so she carefully looked around to make sure no<br />

one else was nearby before she ducked under the steel<br />

structure. Her blanket was intact on the blue tarpaulin<br />

that lay in the corner. As she let herself fall lightly to the<br />

ground, she took out her phone to look at the toothless<br />

smile of her Isabella.<br />

On days when there were no clients filling up the two<br />

chairs in the salon, Sotiros would tell Kaya about his<br />

childhood in Kalamata.<br />

“The sea near. Ah! So nice!”<br />

His dark brown eyes looked dreamy as he fixed the<br />

oxygen tube under his nose. Coughing intermittently, he<br />

sputtered, “They no want me to go—the children.” He<br />

pursed his lips and looked somewhat lost. Kaya felt her<br />

phone vibrating in the pocket of her apron and glanced<br />

down to see “Hija” on the screen. Moving close to the<br />

front door, she whispered, “Hola, mi amor.” Her face<br />

looked much older than the picture on her passport. It<br />

was taken just one year ago before her move to Toronto.<br />

Back home, her mother promised to look after her<br />

six-year-old daughter. After all, Kaya was going to send<br />

money for them and eventually they would all move to<br />

Canada. Kaya would go back to school and get a job.<br />

She would make lots of money and buy a house. As<br />

the hands of the clock on the wall moved to seven and<br />

twelve, the street outside looked dark. Kaya drank down<br />

Author’s Bio<br />

Prabha Jerrybandan holds a PhD. in<br />

Education. She is a Professor of English and<br />

ESL at Centennial College. She is particularly<br />

interested in immigrant stories, Caribbean<br />

literature, women’s studies, and incorporates<br />

autoethnography and other life history research<br />

methods into her academic work. Prabha’s<br />

research surrounds experiences of marginalized<br />

people, especially in the Caribbean, who are<br />

at risk of being silenced or forgotten in the<br />

published literature of the region.<br />

<strong>SELS</strong> DIALOGUES | 31

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