SELS Dialogues Journal Volume 3 Issue 1
A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.
A diverse collection of articles, each offering a unique perspective and contributing to the ever-expanding landscape of knowledge and creativity.
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Creative Pursuits<br />
Toronto<br />
by Prabha Jerrybandan<br />
The winds had cooled from an unusually hot summer.<br />
While most felt relief, Kaya moved with trepidation,<br />
hugging her thin windbreaker that her boss had given<br />
her when she began working in the spring of that year.<br />
She welcomed the shelter of the hairdressing salon<br />
where she worked all week except for Mondays when<br />
it was closed. Voula gave her a slight smile as she<br />
entered and she immediately removed her jacket to<br />
bare her crumpled off white blouse, covering it again<br />
with a black, canvas apron that was hanging on the door<br />
of the washroom. She began sweeping the short, grey<br />
hairs that were falling off the almost bald gentleman<br />
that Voula had been grooming. He came in every three<br />
weeks for a trim although there was not much to cut.<br />
Kaya could not understand what the three homesick<br />
Greeks were saying, but she knew from Voula’s<br />
husband, Sotiros, that over fifty years before, he and his<br />
wife had left their home in Athens and travelled by ship<br />
to Halifax, Nova Scotia.<br />
the hot coffee that she had emptied from the carafe<br />
used to serve clients. She had finished cleaning the<br />
floors and toilet earlier, but wanted to stay as long as<br />
she could. Kaya liked it there. When she remembered<br />
that it was Saturday, she relaxed her lips and smiled at<br />
Voula who was counting out her pay.<br />
The young woman looked smaller and smaller as she<br />
moved towards the red and rusted bridge. It was dark<br />
enough, so she carefully looked around to make sure no<br />
one else was nearby before she ducked under the steel<br />
structure. Her blanket was intact on the blue tarpaulin<br />
that lay in the corner. As she let herself fall lightly to the<br />
ground, she took out her phone to look at the toothless<br />
smile of her Isabella.<br />
On days when there were no clients filling up the two<br />
chairs in the salon, Sotiros would tell Kaya about his<br />
childhood in Kalamata.<br />
“The sea near. Ah! So nice!”<br />
His dark brown eyes looked dreamy as he fixed the<br />
oxygen tube under his nose. Coughing intermittently, he<br />
sputtered, “They no want me to go—the children.” He<br />
pursed his lips and looked somewhat lost. Kaya felt her<br />
phone vibrating in the pocket of her apron and glanced<br />
down to see “Hija” on the screen. Moving close to the<br />
front door, she whispered, “Hola, mi amor.” Her face<br />
looked much older than the picture on her passport. It<br />
was taken just one year ago before her move to Toronto.<br />
Back home, her mother promised to look after her<br />
six-year-old daughter. After all, Kaya was going to send<br />
money for them and eventually they would all move to<br />
Canada. Kaya would go back to school and get a job.<br />
She would make lots of money and buy a house. As<br />
the hands of the clock on the wall moved to seven and<br />
twelve, the street outside looked dark. Kaya drank down<br />
Author’s Bio<br />
Prabha Jerrybandan holds a PhD. in<br />
Education. She is a Professor of English and<br />
ESL at Centennial College. She is particularly<br />
interested in immigrant stories, Caribbean<br />
literature, women’s studies, and incorporates<br />
autoethnography and other life history research<br />
methods into her academic work. Prabha’s<br />
research surrounds experiences of marginalized<br />
people, especially in the Caribbean, who are<br />
at risk of being silenced or forgotten in the<br />
published literature of the region.<br />
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