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Monthly Bulletin - Clpdigital.org

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ADDITIONS—MARCH 1913 I27<br />

Kissling, Richard. 665.5 Kzg<br />

Das erdol; seine verarbeitung und verwendung; eine gedrangte<br />

schilderung des gesamtgebietes der erdol-industrie. 1908. (Monographien<br />

iiber chemisch-technische fabrikationsmethoden, v.12.)<br />

Excellent treatment, in relatively small space, of the origin, distribution and refining<br />

ot crude oil and of the utilization of petroleum and its derivatives.<br />

Knecht, Edmund, & Fothergill, J. B. r 667.3 K33<br />

Principles and practice of textile printing. 1912. Griffin.<br />

Comprehensive treatise on materials, methods and styles of printing various fabrics.<br />

Contains many samples of actual prints.<br />

Sang, Alfred. qr 66g58 S22<br />

Le zingage du fer et de l'acier. 1912.<br />

Reprinted from "Revue de metallurgie," v.9, Jan.-May 1912.<br />

Schulz, C. G. r 6,54.! s38<br />

Die fabrikation des zuckers aus riiben; theorie und praxis fiir praktiker.<br />

v. 1-6, in I. 1862-65.<br />

Fine Arts<br />

Alexander & Co. Boston. r 737 A37a<br />

New hub coin book; an absolutely reliable up-to-date hand book<br />

of American and foreign coins; illustrated with reproductions of photographs<br />

of the actual coins. 1912.<br />

Bernheim-Jeune & Cie. Paris. r 759.5 B456<br />

Les peintres futuristes italiens; exposition du lundi 5 au samedi 24<br />

fevrier 1912. [1912.]<br />

Brief declaration of the faith and aims of the Italian futurists, with a catalogue of<br />

an exhibition of the works of Boccioni, Carra, Russolo, Balla and Severini, the chief<br />

exponents of the school. Illustrated.<br />

Bowie, Henry P. 759-92 B66<br />

On the laws of Japanese painting; an introduction to the study of<br />

the art of Japan, with prefatory remarks by Iwaya Sazanami and Hirai<br />

Kinza. 1911. Elder.<br />

For nine years Mr Bowie worked under the best modern painters of Japan. His<br />

book, though in bulk hardly more than a long essay, gives an intimate view of the traditions<br />

and procedures actually alive to-day in Japanese studios. It is well provided with<br />

illustrations, comprising not merely the doctrine of strokes and of composition, but also<br />

the repertory of standard subjects for the months of the year. Nothing else in English<br />

gives the Japanese point of view towards art at once so clearly and compactly. Condensed<br />

from Nation, 1912.<br />

Getty, Vincent C. 744 G33<br />

How to read a drawing. 1912. Lippincott.<br />

Clear, elementary work dealing briefly with interpretation of mechanical, structural<br />

and architectural drawings.<br />

Hunter, Ge<strong>org</strong>e Leland. 746 H94<br />

Tapestries; their origin, history and renaissance. 1912. Lane.<br />

Bibliography, p.323-366.<br />

"The work of a thoroughly well informed student of the art...It contains a great<br />

deal of information about the history of tapestry-making, the development of the art, the<br />

famous looms and weavers, the subjects depicted, etc., describes the process of weaving,<br />

methods of cleaning and repairing, and concludes with a chapter on the tapestries in the<br />

Metropolitan Museum." A.L.A. booklist, 1913.<br />

Contains 4 illustrations in color and 147 half-tone engravings.

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