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Monthly Bulletin - Clpdigital.org

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318 CARNEGIE LIBRARY OF PITTSBURGH<br />

measures to thwart his designs. In the second, the tragedy is related<br />

of Schumann's mental decline and death, and the same volume has<br />

much to say about the widow's subsequent friendship with Brahms and<br />

her experiences as a concert pianist and teacher. About her were<br />

grouped Joachim, Bargiel, and other foes of Wagner and Liszt, whose<br />

antics and opinions, as recorded in these pages, give further interest to<br />

Litzmann's volumes.. .<br />

Most of the details regarding Schumann's illness have long been<br />

known, but none are so pathetic as those written by his wife and widow<br />

in her diary, now first made public. His death left her with a family of<br />

four girls and three boys, the oldest being only fifteen, while the<br />

youngest had never seen his father. In these days of grief the friendship<br />

of Brahms was a great solace...<br />

The friendship between Clara Schumann and Brahms is almost as<br />

interestingly told in these pages as her courtship with Robert. Though<br />

she travelled much, to support her large family by recitals, they met<br />

wherever it was possible, and often made long tours on foot together.<br />

Like her husband, she took to his music passionately from the beginning,<br />

and soon there was hardly a musical god beside him. The fervor<br />

of the most rabid Wagnerites pales into insignificance by the side of<br />

her frenetic enthusiasm for Brahms. She quarrelled with her friend<br />

Jenny Lind because that great artist refused to worship at the same<br />

shrine. She broke lances for Brahms daily. In Hamburg, his birthtown,<br />

she was so happy because he conducted for her that not even<br />

'the stupidity of the audience,' which gave 'no mark of sympathy' and<br />

did not even show 'proper respect' for him, annoyed her. His music<br />

moved her to tears. More and more it monopolized her affection, until,<br />

in 1884, we find this entry in the diary: 'How sad it is that there is no<br />

one but Brahms whom one can look up to and admire as an artist'...<br />

A list of Clara Schumann's own compositions is given in the second<br />

volume; some of them had considerable vogue for a time. Of greater<br />

interest are the eleven pages devoted to a list of the works she studied<br />

or played in public in the years 1824 to 1889. Her experiences as a<br />

concert pianist in Germany, France, and England make interesting<br />

reading, and the devotees of Brahms will eagerly peruse the letters he<br />

wrote to Clara Schumann." Nation, 1913.<br />

Zone Policeman 88<br />

(Call number 92 S3922H)<br />

By Harry A. Franck<br />

"Harry A. Franck's method of travelling is unconventional. He<br />

avoids the beaten track of the tourist, the observation car, the fashionable<br />

hotel, and it is not surprising to find his book on the Panama<br />

Canal coming out with the title. 'Zone Policeman—No. 88.' It is a small<br />

band of constables in khaki, this Zone police force, but it manages to<br />

keep order among 60,000 workers of many breeds and colors. Mr.<br />

Franck had his share of adventures in running down law-breakers, but

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