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The STaTe hermiTage muSeum annual reporT

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maJor conSTrucTion and reSToraTion<br />

reSulTS of <strong>The</strong> firST STage reSToraTion<br />

of <strong>The</strong> eaSTern wing of <strong>The</strong> general STaff<br />

Building<br />

Since 2009 the eastern wing of the General Staff building,<br />

which was handed over to the Hermitage Museum in 1988,<br />

has been under restoration and restructuring designed<br />

to adapt the building to museum designation in accordance<br />

with the blueprints of Architectural Studio 44. <strong>The</strong> scale<br />

of the work is commensurate with the considerable dimensions<br />

of the building, which comprises over 800 rooms on<br />

its four floors, dozens of staircases and a system of five connected<br />

courtyards inside. <strong>The</strong> area of the first stage restoration<br />

zone totals 35,500 sq. m, covering predominantly two<br />

of the five courtyards located farthest from Palace Square<br />

and Pevchesky (Singers’) Bridge.<br />

In the course of the first stage of restoration work practically<br />

all the brick walls of the building were reinforced by<br />

means of injection technique or with metal ties. In rooms<br />

with valuable finish the preservable old brick and wooden<br />

ceilings were strengthened. One wall that could no longer<br />

perform its supporting function was duplicated with<br />

a monolith slab, the old brickwork remaining intact.<br />

As part of the first stage all the essential external connection<br />

work was performed for running water taps outside,<br />

natural gas and water supply and sewerage. A new propane<br />

heating system boiler was put into operation, as well as all<br />

the vital utility systems required for the normal functioning<br />

of the museum (such as lifts, air-conditioning, ventilation<br />

and security systems). All the rooms were connected<br />

to the systems of air-conditioning and climate control necessary<br />

for proper preservation of artworks.<br />

Out of the 45 halls covered by the first stage, 30 were in<br />

need of multipronged restoration, during which great attention<br />

was paid to the surviving elements of the interior<br />

décor. In the first three halls the specialists carried out the<br />

restoration of plafonds. Where possible, they conserved<br />

what remained of the old painted decoration. In the<br />

rooms with most of the painting lost, the restoration artists<br />

reproduced the pictures with maximum accuracy on the<br />

basis of analogy with their surviving parts. In the course of<br />

restoration the outer walls in the courtyards were returned<br />

their historical light gray colour of 1837.<br />

As part of the first stage of the project specialists restored<br />

26 stoves; in doing so, they carefully took down the tiles,<br />

restored them and fitted them back after strengthening<br />

the original brickwork. At present the stoves and fireplaces<br />

perform a purely decorative role, for their smoke flues<br />

were first cleaned and then filled with bricks.<br />

<strong>The</strong> original doors and details of metal decorations were<br />

restored in the Hermitage workshops; 150 windows were<br />

reproduced according to their individual dimensions;<br />

glued-laminated parquetry, window-panes and -sills were<br />

restored. <strong>The</strong> stone plates on the steps of the stairways inside<br />

the building were refurbished. In a number of rooms<br />

the original ceilings, walls and door openings were covered<br />

with metal casings.<br />

<strong>The</strong> key element of the architectural project – the New<br />

Large Enfilade – was built inside the inner courtyards<br />

4 and 5, which alone gives an idea of the project scale.<br />

<strong>The</strong> steps of the state amphitheatre-like stairway, faced<br />

with Italian breccia Sarda limestone, lead to the fourteenmetre-wide<br />

door opening on the enfilade of new exhibition<br />

space. <strong>The</strong> gate-like door is veneered with oak wood;<br />

the special coupling device enabling the door to open was<br />

manufactured at the Kirov Works.<br />

<strong>The</strong> illumination of the exhibition space of the New Large<br />

Enfilade is provided by skylights. <strong>The</strong>y are made of special<br />

light-weight concrete, which minimized the load on the<br />

major constructIon anD restoratIon<br />

old walls. <strong>The</strong> roof of glass and metal is flat, which hides<br />

it from outside.<br />

<strong>The</strong> design of the New Large Enfilade is based on the alternation<br />

of large exhibition halls and “hanging gardens” on<br />

platforms that do not reach the original walls of the building.<br />

<strong>The</strong> platforms are connected with the building floors<br />

by small glass-capped bridges, which secure connection<br />

between the buildings in Bolshaya Morskaya Street and<br />

on the Moika Embankment. <strong>The</strong> conversion of the former<br />

utility yards of the ministries into exhibition space made<br />

it possible to increase the museum’s area from 21,000<br />

to 32.5,000 sq. m. <strong>The</strong> yards were deepened; in the basements<br />

and on the ground floor of building 4, cloakrooms<br />

and technical service rooms were set up.<br />

On 10 December 2010, during the Hermitage Days, a solemn<br />

ceremony was held to mark the completion of the first<br />

stage of the restoration of the eastern wing of the General<br />

Staff building. In the presence of Valentina Matviyenko,<br />

the Governor of St. Petersburg, a token key to the restored<br />

sections of the General Staff building was handed over<br />

to Dr. M. Piotrovsky, Hermitage Director, by Mr. V. Smirnov,<br />

President of Intarsia group of companies that implemented<br />

the project.<br />

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