The STaTe hermiTage muSeum annual reporT
The STaTe hermiTage muSeum annual reporT
The STaTe hermiTage muSeum annual reporT
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maJor conSTrucTion and reSToraTion<br />
reSulTS of <strong>The</strong> firST STage reSToraTion<br />
of <strong>The</strong> eaSTern wing of <strong>The</strong> general STaff<br />
Building<br />
Since 2009 the eastern wing of the General Staff building,<br />
which was handed over to the Hermitage Museum in 1988,<br />
has been under restoration and restructuring designed<br />
to adapt the building to museum designation in accordance<br />
with the blueprints of Architectural Studio 44. <strong>The</strong> scale<br />
of the work is commensurate with the considerable dimensions<br />
of the building, which comprises over 800 rooms on<br />
its four floors, dozens of staircases and a system of five connected<br />
courtyards inside. <strong>The</strong> area of the first stage restoration<br />
zone totals 35,500 sq. m, covering predominantly two<br />
of the five courtyards located farthest from Palace Square<br />
and Pevchesky (Singers’) Bridge.<br />
In the course of the first stage of restoration work practically<br />
all the brick walls of the building were reinforced by<br />
means of injection technique or with metal ties. In rooms<br />
with valuable finish the preservable old brick and wooden<br />
ceilings were strengthened. One wall that could no longer<br />
perform its supporting function was duplicated with<br />
a monolith slab, the old brickwork remaining intact.<br />
As part of the first stage all the essential external connection<br />
work was performed for running water taps outside,<br />
natural gas and water supply and sewerage. A new propane<br />
heating system boiler was put into operation, as well as all<br />
the vital utility systems required for the normal functioning<br />
of the museum (such as lifts, air-conditioning, ventilation<br />
and security systems). All the rooms were connected<br />
to the systems of air-conditioning and climate control necessary<br />
for proper preservation of artworks.<br />
Out of the 45 halls covered by the first stage, 30 were in<br />
need of multipronged restoration, during which great attention<br />
was paid to the surviving elements of the interior<br />
décor. In the first three halls the specialists carried out the<br />
restoration of plafonds. Where possible, they conserved<br />
what remained of the old painted decoration. In the<br />
rooms with most of the painting lost, the restoration artists<br />
reproduced the pictures with maximum accuracy on the<br />
basis of analogy with their surviving parts. In the course of<br />
restoration the outer walls in the courtyards were returned<br />
their historical light gray colour of 1837.<br />
As part of the first stage of the project specialists restored<br />
26 stoves; in doing so, they carefully took down the tiles,<br />
restored them and fitted them back after strengthening<br />
the original brickwork. At present the stoves and fireplaces<br />
perform a purely decorative role, for their smoke flues<br />
were first cleaned and then filled with bricks.<br />
<strong>The</strong> original doors and details of metal decorations were<br />
restored in the Hermitage workshops; 150 windows were<br />
reproduced according to their individual dimensions;<br />
glued-laminated parquetry, window-panes and -sills were<br />
restored. <strong>The</strong> stone plates on the steps of the stairways inside<br />
the building were refurbished. In a number of rooms<br />
the original ceilings, walls and door openings were covered<br />
with metal casings.<br />
<strong>The</strong> key element of the architectural project – the New<br />
Large Enfilade – was built inside the inner courtyards<br />
4 and 5, which alone gives an idea of the project scale.<br />
<strong>The</strong> steps of the state amphitheatre-like stairway, faced<br />
with Italian breccia Sarda limestone, lead to the fourteenmetre-wide<br />
door opening on the enfilade of new exhibition<br />
space. <strong>The</strong> gate-like door is veneered with oak wood;<br />
the special coupling device enabling the door to open was<br />
manufactured at the Kirov Works.<br />
<strong>The</strong> illumination of the exhibition space of the New Large<br />
Enfilade is provided by skylights. <strong>The</strong>y are made of special<br />
light-weight concrete, which minimized the load on the<br />
major constructIon anD restoratIon<br />
old walls. <strong>The</strong> roof of glass and metal is flat, which hides<br />
it from outside.<br />
<strong>The</strong> design of the New Large Enfilade is based on the alternation<br />
of large exhibition halls and “hanging gardens” on<br />
platforms that do not reach the original walls of the building.<br />
<strong>The</strong> platforms are connected with the building floors<br />
by small glass-capped bridges, which secure connection<br />
between the buildings in Bolshaya Morskaya Street and<br />
on the Moika Embankment. <strong>The</strong> conversion of the former<br />
utility yards of the ministries into exhibition space made<br />
it possible to increase the museum’s area from 21,000<br />
to 32.5,000 sq. m. <strong>The</strong> yards were deepened; in the basements<br />
and on the ground floor of building 4, cloakrooms<br />
and technical service rooms were set up.<br />
On 10 December 2010, during the Hermitage Days, a solemn<br />
ceremony was held to mark the completion of the first<br />
stage of the restoration of the eastern wing of the General<br />
Staff building. In the presence of Valentina Matviyenko,<br />
the Governor of St. Petersburg, a token key to the restored<br />
sections of the General Staff building was handed over<br />
to Dr. M. Piotrovsky, Hermitage Director, by Mr. V. Smirnov,<br />
President of Intarsia group of companies that implemented<br />
the project.<br />
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