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The STaTe hermiTage muSeum annual reporT

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publIcatIons publIcatIons<br />

Nostalgia for the Roots. Dashi Namdakov’s<br />

Universe of the Nomads. Exhibition Catalogue.<br />

<strong>The</strong> State Hermitage. St. Petersburg: Chisty<br />

List, 2010. – 216 pp., ills.<br />

<strong>The</strong> catalogue of Dashi Namdakov’s exhibition<br />

in the State Hermitage Museum is part<br />

of a larger exhibition project, in which works<br />

by modern Russian artists reside by and communicate<br />

with ancient objects, making nostalgia<br />

a continuation of traditions. In Namdakov’s<br />

compositions mythological imagery<br />

and historical reality combine, bringing to the<br />

surface deeper associations of the two with the<br />

militant and austere world of nomads, which,<br />

at the same time, are wonderfully harmonious.<br />

His art brings to us the echoes of the past,<br />

in a new form and from an unexpected point<br />

of view.<br />

From Gothic to Mannerism. Early Netherlandish<br />

Drawing in the State Hermitage Museum.<br />

Exhibition Catalogue. By Alexei Larionov.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 364 pp., ills.<br />

<strong>The</strong> catalogue of the temporary exhibition of<br />

early Netherlandish drawings includes some<br />

of the works from a richest Hermitage collection,<br />

some of which had never been exhibited<br />

before. A considerable number of drawings<br />

have been re-attributed, some of these having<br />

acquired an attribution (to an author<br />

or school) for the first time. Each of the drawings<br />

published is accompanied by an extensive<br />

author’s comments.<br />

<strong>The</strong> Sails of Hellas. Seafaring in the Ancient<br />

World. Exhibition Catalogue. <strong>The</strong> State<br />

Hermitage. St. Petersburg: <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 304 pp., ills.<br />

<strong>The</strong> volume includes objects of applied and<br />

visual arts, as well as weapons and coins of ancient<br />

Greece and Rome. <strong>The</strong> catalogue, showing<br />

a pantheon of sea gods, allows one to trace<br />

the history of navigation and shipbuilding in<br />

Classical Antiquity. <strong>The</strong> catalogue contains<br />

over 200 works of art and objects of material<br />

culture.<br />

Picasso. From the Collection of the Picasso<br />

Museum – Paris. Exhibition Catalogue.<br />

<strong>The</strong> State Hermitage. Paris: Skira Flammarion –<br />

St. Petersburg: <strong>The</strong> State Hermitage Publishers,<br />

2010. – 320 pp., ills.<br />

<strong>The</strong> catalogue of the exhibition from the Picasso<br />

Museum in Paris demonstrates the evolution<br />

of Picasso’s technique, from the earliest<br />

works to the mature period.<br />

A Glass Fantasy. Ancient Glass from<br />

the Hermitage Collection. Exhibition Catalogue.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 296 pp., ills.<br />

<strong>The</strong> Hermitage collection is one of the richest<br />

in the world, in terms of the number and<br />

variety of glasswares created in the Eastern<br />

Mediterranean and Europe in Classical Antiquity.<br />

<strong>The</strong> decorations and everyday-life objects<br />

in different techniques, covering a period<br />

of almost a thousand years (from the late<br />

5th century B.C. to the 4th century A.D.),<br />

were acquired at different times from various<br />

collections and from the Greek colonies in the<br />

Northern Black Sea Area. Both the catalogue<br />

and the exhibition are dedicated to the memory<br />

of the Hermitage curator and archaeologist<br />

Nina Kunina (1929–2007), an outstanding<br />

expert in Classical Antiquity glassmaking,<br />

who had put forward the idea of the present<br />

exhibition.<br />

Titian. Madonna and Child with St. Catherine<br />

(Madonna with a Rabbit). From the Collection<br />

of the Louvre. By Irina Artemyeva. <strong>The</strong> State<br />

Hermitage. St. Petersburg: <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 16 pp. (“Masterpieces<br />

from the World’s Museums in the Hermitage”<br />

series).<br />

<strong>The</strong> masterpiece by Titian was brought to the<br />

Hermitage from the Louvre. In a captivating<br />

form, the book tells about the history of the<br />

painting and the School of Venice, to which<br />

the great master belonged.<br />

Swiss Stained Glass from the 16th to<br />

18th Centuries in the Hermitage Collection.<br />

Exhibition Catalogue. By Yelena Shlikevich.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 184 pp., ills.<br />

Swiss stained glass from the 16th to 18th centuries<br />

is a truly unique phenomenon in the<br />

art of the small country located in the very<br />

centre of Europe. Even the contemporaries<br />

found the so-called “cabinet stained glasses”<br />

mass-produced during the period in question<br />

truly surprising from the point of view of both<br />

the style and scale of production. In addition<br />

to Biblical subjects, the stained glasses reflect<br />

various aspects of the life of the country at different<br />

periods, which makes them a valuable<br />

historical source. <strong>The</strong> catalogue shows the history<br />

of the Hermitage collection and the principal<br />

characteristics and subject diversity of the<br />

compositions.<br />

Porcelain and Roses. Exhibition Catalogue.<br />

<strong>The</strong> State Hermitage. St. Petersburg. <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 160 pp., ills.<br />

(“Christmas Gift” series)<br />

<strong>The</strong> catalogue contains productions of the Imperial<br />

Porcelain Factory, created from the mid-<br />

18th century to the present time. <strong>The</strong> works<br />

represented show one of the most important<br />

elements of the flower motif, the decorated or<br />

moulded rose, in all of its diversity, used in porcelain.<br />

<strong>The</strong> catalogue contains new information<br />

about the artists of the Porcelain Factory<br />

at the Imperial period. It includes works from<br />

the collection of the State Hermitage, as well<br />

as those by today’s artists of the Imperial Porcelain<br />

Factory, Ltd.<br />

Flemings through the Eyes of David Teniers<br />

the Younger (1610–1690). Exhibition<br />

Catalogue. By Natalia Babina. <strong>The</strong> State<br />

Hermitage. St. Petersburg. <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 108 pp., ills.<br />

<strong>The</strong> catalogue, published on the occasion<br />

of 400 years of the outstanding Flemish artist,<br />

includes 33 paintings, mostly genre ones,<br />

belonging to the peak of his artistic career<br />

(1640s – 1650s), preserved at the State Hermitage.<br />

Many of these are true masterpieces<br />

demonstrating the various aspects of Teniers’<br />

art and the specificities of his style.<br />

Centre Pompidou in the State Hermitage<br />

Museum. Exhibition Catalogue. <strong>The</strong> State<br />

Hermitage. St. Petersburg: <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 64 pp., ills.<br />

<strong>The</strong> catalogue was prepared within the Centre<br />

Pompidou in the State Hermitage Museum exhibition<br />

and festival. In Russia, it was the first largescale<br />

show of masterpieces of painting, sculpture<br />

and video art from the renowned Musée<br />

National d’Art Moderne, Paris, which belongs<br />

to the Centre Pompidou, as well as the demonstration<br />

of other artistic forms by modern<br />

French artists. <strong>The</strong> catalogue includes articles<br />

by leading experts in modern French art.<br />

<strong>The</strong> Hermitage in Photographs. Exhibition<br />

Catalogue. <strong>The</strong> State Hermitage. St. Petersburg:<br />

<strong>The</strong> State Hermitage Publishers, 2010. –<br />

176 pp., ills.<br />

86 87

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