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The STaTe hermiTage muSeum annual reporT

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estoratIon anD conserVatIon restoratIon anD conserVatIon<br />

laBoraTory for ScienTific<br />

reSToraTion of applied arT<br />

oBJecTS<br />

Headed by A. Bantikov<br />

SecTor for reSToraTion<br />

of archaeological meTal<br />

In 2010, 1,500 items were restored in this<br />

sector. A few of the more important and<br />

challenging jobs are described below.<br />

iron helmeT wiTh Silver<br />

decoraTion in relief<br />

Northern Black Sea Area, near Kerch<br />

(ancient Pantikapaion),<br />

first half – middle of the 3rd century B.C.<br />

Restored by N. Yankovskaya<br />

<strong>The</strong> exhibit had already undergone restoration,<br />

with fragments of the helmet walls<br />

pieced together and consolidated with wax<br />

and galipot mastic. An examination of the<br />

items revealed that the back part and neck<br />

flap had disintegrated. In order to exhibit<br />

the helmet, it was necessary to reassemble<br />

all the pieces and to clean the surface of the<br />

silver plates on the cheek guards. In order to<br />

restore the artifact to its original shape and<br />

to reinforce the individual pieces, it had to<br />

be cleaned of old conservation materials:<br />

wax-and-galipot mastic deposits from the<br />

seams and dilapidated conservation varnish<br />

from the surface, which skewed the joining<br />

edges of individual fragments. <strong>The</strong> silver<br />

plates were cleaned and the original shape<br />

reconstructed. <strong>The</strong> conservation made it<br />

possible to consolidate the original materials,<br />

remove the surface stains and recover<br />

the fine details of the silver plate patterning.<br />

Silver rhyTon<br />

Kuban Area, 4th Semibratny Burial Mound,<br />

5th century B.C.<br />

Restored by O. Senatorova<br />

At the start of the restoration process, the<br />

rhyton consisted of two fragments. <strong>The</strong>re<br />

were significant losses and cracks across the<br />

whole surface. <strong>The</strong> metal inside the rhyton<br />

was peeling. <strong>The</strong> butyral film used for backing<br />

in places had disintegrated, causing the<br />

original metal to crack. <strong>The</strong> butyral film and<br />

the old conservation varnish were removed,<br />

the losses and cracks were backed up onto<br />

thin fibreglass cloth and where necessary<br />

supplemented with thin polymer plates following<br />

the original shape.<br />

Iron helmet with silver decoration in relief. Before restoration<br />

Iron helmet with silver decoration in relief. After restoration<br />

Silver rhyton. Fragment. Before restoration Silver rhyton. Fragment. After restoration<br />

Silver Bowl on Three<br />

Shell-Shaped legS wiTh gilding<br />

along <strong>The</strong> rim<br />

Northern Black Sea Area, the Pantikapaion<br />

necropolis, first half of the 3rd century B.C.<br />

Restored by N. Panchenko<br />

<strong>The</strong> object had undergone restoration in<br />

the 1950s, when the walls were reinforced<br />

with copper wire armouring welded on tin<br />

and backed up on thin fabric.<br />

This hardwiring later caused the thin walls<br />

of the cup to crack and fall through, which<br />

created losses and threatened the integrity<br />

of the whole object. <strong>The</strong> old conservation<br />

materials were partially removed: the silver<br />

and wire were cleaned of tin deposits, and<br />

the conservation varnish was removed from<br />

the surface of the object.<br />

<strong>The</strong> cleaning of the surface uncovered the<br />

gilded rim of the cup, which was cleaned as<br />

well. <strong>The</strong>n the cup was strengthened, partly<br />

backed up on fibreglass cloth, and the fragments<br />

were assembled and glued together.<br />

BronZe Jug<br />

Syria – Iraq, 8th – 9th century<br />

Restored by O. Semenova<br />

<strong>The</strong> jug had never undergone conservation<br />

before. <strong>The</strong> whole object was covered<br />

in thick corrosion and soil deposits, under<br />

which it was possible to see the metal surface.<br />

<strong>The</strong>re was a hole in the bottom of the<br />

jug, which was covered with a fabric stopper<br />

in the Middle Ages. <strong>The</strong> body was decorated<br />

with an inlaid rosette. <strong>The</strong> restorers uncovered<br />

the original surface of the jug, revealing<br />

the ornamental neck and the inlay.<br />

BronZe mirror on a lea<strong>The</strong>r<br />

STrap<br />

Tyva, Chinge-Tei, 7th century B.C.<br />

Restored by M. Borovikova<br />

<strong>The</strong> mirror was brought for conservation<br />

after it was uncovered during excavations.<br />

<strong>The</strong> whole surface of the object was covered<br />

in corrosion and soil deposits, the<br />

mirror edges were uneven. On the reverse<br />

in the centre of the mirror there is a handle<br />

shaped as a goat figure, tightly braided<br />

with a fragile leather strap. <strong>The</strong> restorers<br />

uncovered a paste bead on the strap near<br />

the centre of the mirror. <strong>The</strong> conservation<br />

resulted in the surface of the mirror being<br />

cleaned, the strap reinforced and the white<br />

paste bead cleaned.<br />

Silver bowl on three shell-shaped legs with gilding along the rim. After restoration<br />

Bronze jug. Before restoration<br />

Bronze jug. After restoration<br />

74 75

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