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Mind-Munitions

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Introduction 5<br />

power. In the struggle for power, propaganda is an instrument to<br />

be used by those who want to secure or retain power just as much<br />

as it is by those wanting to displace them. For the smoke to rise,<br />

there must first be a spark which lights the flame. Propaganda is<br />

that spark.<br />

This perhaps explains why propaganda and war have always<br />

been inextricably connected. Once war has broken out, propaganda<br />

has proved to be a weapon of no less significance than swords or<br />

guns or bombs. But it cannot normally be divorced from military<br />

realities. ‘Victory generates its own support.’ But propaganda does<br />

not itself kill people. Indeed, it can be an alternative to killing, the<br />

triumph of communication over violence. It can, however, create<br />

myths – not just about why wars begin, are won or are lost, but<br />

even on rare occasions transform defeats into victories (Dunkirk,<br />

1940, immediately springs to mind). But words alone rarely win<br />

wars. The munitions of the mind, like other conventional weapons,<br />

have admittedly become more sophisticated with advances in<br />

technology, but yesterday’s epic poem or painting is really no more<br />

than the equivalent of today’s propaganda film or television<br />

broadcast. It is when propaganda is employed in the service of<br />

violence, however, that we begin to mistrust it, because it encourages<br />

people to kill people, or to acquiesce in that slaughter. Today<br />

it assumes the appearance of a devious weapon that once seduced<br />

the souls and the minds of men, exploiting their natural aggression<br />

to drive them periodically on to the battlefield.<br />

To understand what drives people to violence would require at<br />

least another book. Here we can only begin to tackle the methods<br />

of persuasion which have been used throughout history to persuade<br />

people that violence is an acceptable course for them to pursue. We<br />

must thus beware the dangers of extrapolating twentieth-century<br />

perceptions on to our understanding of earlier periods. The same<br />

might equally be said for the notion of propaganda as we currently<br />

(mis)understand it – but only if we fail to regard it as a neutral process<br />

of persuasion. If we do this, we fall into the trap of labelling<br />

something ‘good propaganda’ or ‘bad propaganda’, as a persuasive<br />

process which we judge from the standpoint of our own core<br />

values. Thus the process earns approval because we agree with it,<br />

and disapproval because we disagree with it. Propaganda becomes<br />

something which is done by others we differ from who are selling a<br />

cause which we repudiate; hence they are telling lies or, at best, not

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