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Mind-Munitions

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274<br />

Propaganda in the Age of Total War and Cold War<br />

shortage of equivalent material from the enemy side – the difference<br />

between rigid media control and unfettered media access –<br />

meant that Americans began to fight amongst themselves about the<br />

respective merits of the war, and many could only draw one conclusion.<br />

In short, television helped to simplify a complicated war.<br />

By its very nature, it relies upon sensational coverage, generalization<br />

and selection. It killed off the old myth that ‘the camera<br />

never lies’.<br />

In 1970, in a famous article, the distinguished British broadcaster<br />

Robin Day wondered about the new age of televised<br />

warfare. He wrote:<br />

Television has a built-in bias towards depicting any conflict in terms of<br />

the visible brutality. You can say, of course, that that is what war is –<br />

brutality, conflict, starvation and combat. All I am saying is that there<br />

are other issues which cause these things to come about, and television<br />

does not always deal with them adequately … One wonders if in future<br />

a democracy which has uninhibited television coverage in every home<br />

will ever be able to fight a war, however just.<br />

It might equally be said that the conduct of diplomacy is<br />

incompatible with the needs of television, as the Cold War ‘era of<br />

negotiations’ between 1969 and 1975 revealed. Television cameras<br />

can film leaders or decision-makers rolling up to a meeting in<br />

limousines, it can film them getting out of their cars and going into<br />

their meetings and, if the diplomats are media-sensitive (still a rare<br />

breed), it can capture appropriate ‘sound-bytes’ encapsulating<br />

intentions. But the round-table negotiations which follow are rarely<br />

conducive to entertaining television. As the non-televisual period<br />

of detente between the superpowers unfolded in the 1960s and<br />

1970s, television news instead settled into a pattern of picture-led<br />

reporting of disasters, earthquakes, coups and terrorist activities –<br />

confirming the medium as best suited to event-based reporting and<br />

entertainment rather than as an issue-based mechanism capable of<br />

providing detailed, contextualized analysis. This would not matter<br />

so much but for the fact that most people were now gaining most<br />

of their information about what was happening in the world from<br />

television rather than from the older media of press and radio. By<br />

its inherent predisposition to simplify, television thus became an<br />

ideal medium for propaganda, as terrorist groups around the<br />

world recognized.

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