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Mind-Munitions

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22<br />

Propaganda in the Ancient World<br />

armies; but once the land had recovered, the stelae served as a<br />

reminder of the defender’s power – and of his ruthlessness.<br />

By the middle of the fourteenth century BC, however, when the<br />

Assyrians were challenging the Babylonians for supremacy, they<br />

brought with them heroic military poems and hymns. The Assyrian<br />

Empire provides a much richer source of war propaganda than the<br />

Babylonian. One of the earliest, though fragmentary, epic poems<br />

was composed by King Adad-nirari I (1307-1275 BC) to celebrate<br />

his wars with the Kassites. Dating from half a century later, the<br />

700-line Assyrian epic of King Tukulti-Ninurta I (1250-1210 BC)<br />

glorifies the king’s military accomplishments and magnanimity<br />

towards the Kassites. It would appear that the events depicted in<br />

the poem were largely fictitious, that it was designed for public<br />

consumption and intended for oral recitation before large and<br />

illiterate crowds. This type of story-telling was also (and remains) a<br />

principal means of communication in Africa. Such stories were<br />

translated visually onto palace walls, as in the case of King Tukulti-<br />

Ninurta’s friezes, which depicted the king amidst his soldiers in<br />

actual campaigns. Composed after the event, often long<br />

afterwards, epic royal poems and stories can be regarded as an<br />

example of celebratory war propaganda, being designed to praise<br />

and glorify the achievements or memory of a particular ruler.<br />

But what about prior to battle? Cautionary tales warning of the<br />

dangers of a possible course of action were largely inspired by the<br />

priesthoods of ancient Sumeria who began to compete with kings<br />

for public loyalty. Omens, prophecies, and oracles were also forms<br />

of social persuasion and initially it was from religion that<br />

propaganda concerning the future outcome of wars most<br />

commonly derived. Invoking the gods was of course an ideal way to<br />

sustain the power and position of the priesthood in a superstitious<br />

society; but it was also a means of boosting morale prior to a fight<br />

if priests and king were of the same mind. But it was the king who<br />

instigated war and it was his partnership with the gods that<br />

legitimized his actions. War was undertaken in the name of religion<br />

rather than for booty or land – at least ostensibly. The Assyrians,<br />

for instance, maintained that they waged war against the enemies<br />

of the god Assur to demonstrate the glory of their deity, and they<br />

did so with such ferocity that many potential enemies conceded<br />

without a fight. Indeed, war was considered to be the very reason<br />

for a king’s existence, and the Assyrians waged it ceaselessly.

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