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Mind-Munitions

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Propaganda, Cold War and the Television Age 277<br />

British, American co-operation was vital, particularly in the sphere<br />

of intelligence, even at the risk of President Reagan abandoning his<br />

anti-communist crusade in Latin America that was to have been<br />

spearheaded by Argentina. Getting the Americans to side with the<br />

British was thus no straightforward matter. The British campaign<br />

in the USA in April 1982 proved every bit as important as that<br />

conducted between 1914-17 or 1939-41.<br />

With Resolution 502 safely through the United Nations with<br />

American support, the Thatcher government had to confront the<br />

question of domestic morale in a real war fought 8000 miles from<br />

home in the television age. Equipped with some degree of experience<br />

of media management derived from the ‘Troubles’ in Northern<br />

Ireland, and with the ‘Vietnam effect’ very much in mind, there<br />

would be no uncensored war in the South Atlantic. Only 29<br />

journalists and crew were permitted to accompany the Task Force<br />

– all British; the foreign media were to be served by the Reuters<br />

representative. Even that small number was only agreed to<br />

reluctantly by a Royal Navy holding on to its reputation as the<br />

‘silent service’. The compensation was that the journalists would<br />

all be totally dependent upon the navy in two vital aspects: travel<br />

to and from the war zone, and communicating their copy from the<br />

Task Force back to London. The opportunity for near complete<br />

military censorship was achieved. Reports could only be compiled<br />

on the basis of what military personnel on the spot were prepared<br />

to say or show, and could only be sent home via military channels.<br />

At each stage, the blue pencil censors were at work. After stories<br />

reached London – and one was delayed longer than Russell’s<br />

despatches took to reach London from the Crimea in the 1850s –<br />

they were subjected to another censorship stage (or ‘security review’)<br />

prior to release. A third phenomenon was also closely observed,<br />

that of ‘bonding’ between reporters and soldiers. Journalists<br />

dependent upon the military for their safety, let alone their copy,<br />

soon came to identify closely with the troops who shared their<br />

confined sea-borne quarters and their anxieties. Ironically, therefore,<br />

when the BBC back home tried to treat the enemy’s case objectively,<br />

it was criticized by the government for being ‘unacceptably evenhanded’.<br />

Mrs Thatcher informed Parliament:<br />

I know how strongly many people feel that the case for our boys is not<br />

being put with sufficient vigour on certain – I do not say all – BBC<br />

programmes. The Chairman of the BBC has assured us, and has said in

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