Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
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101 CD<br />
Vilhelm Lundstrøm<br />
b. Copenhagen1893, d. s. p.1950<br />
"Opstilling", (Still life), 1937. Unsigned. Oil on canvas.<br />
140 x 105 cm.<br />
Exhibited: "Kunst i privateje i Sønderjylland", Badmintonhallen,<br />
Esbjerg, March 1957, cat. no. 84.<br />
Exhibited: "Vilhelm Lundstrøm", Nordiska Konstförbundets Vandringsutställning",<br />
Aarhus Kunstmuseum; Esbjerg Kunstpavillon;<br />
Kunstnernes Hus, Oslo; Moderna Museet, Stockholm; Amos<br />
Andersons Konstmuseum, Helsinki, November 1977 - May 1978.<br />
Literature: Preben Wilmann & Marianne Brøns: "Lundstrøm",<br />
1977, cat. no. 268, ill. full page in colours p. 254, mentioned pp.<br />
246-248.<br />
Literature: Gösta la Cour: "16 malere", 1958, reproduced p. 180.<br />
Provenance: Sven Tobiesen, Hjerting, Denmark.<br />
Provenance: Kunsthallen, Copenhagen, auction 406, October<br />
1991, cat. no. 112, ill. on the frontpage <strong>of</strong> the catalogue.<br />
Quote from "Wilmann & Brøns" pp. 246-248: "Hans Bendix<br />
recalls that he [Lundstrøm] exclaimed one day: "You see, it's<br />
about lifting <strong>you</strong>rself into the light. [original: Forstår du, det drejer<br />
sig om at komme op i lyset.] In this there lies a proclamation <strong>of</strong> the<br />
change his art underwent in relation to colour, the first steps <strong>of</strong><br />
which were taken in his pictures from 1937. Suddenly images were<br />
saturated with strong light. An example is his composition shown<br />
on page 254 (this painting). The intense orange <strong>of</strong> the table edge<br />
and the unadulterated cadmium red <strong>of</strong> the under frame <strong>of</strong> the table<br />
are powerfully complemented by all the blue, which is still the predominant<br />
hue but which in more ethereal form adds a flowing<br />
sense <strong>of</strong> glow to the white housewares: good old-fashioned classics<br />
such as the French enamel and faience jugs above the fruit dish.<br />
The plastics <strong>of</strong> the shapes are still a style feature although less predominant.<br />
The shadows indicate several light sources and express<br />
a sense <strong>of</strong> uncertainty as to whether they wish to remain caretakers<br />
<strong>of</strong> classical order or whether they aspire to the liberties <strong>of</strong> abstract<br />
composition. A new era has been heralded; one characterised, not<br />
only for its sentiments, as being colourful'".<br />
DKK 1.000.000 / € 134.000<br />
108 BRUUN RASMUSSEN TRÉSOR