Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
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7<br />
C. W. Eckersberg<br />
b. Blåkrog, Aabenraa 1783, d. Copenhagen 1853<br />
"Anden Udsigt til Sommerspiret". The second view <strong>of</strong> "Sommerspiret".<br />
1809. Unsigned. Oil on canvas. 39 x 45 cm.<br />
Emil Hannover, A Catalogue Raisonné <strong>of</strong> the Works <strong>of</strong> C. W. Eckersberg no. 58.<br />
Exhibited: Kunstforeningen, "Udstillingen af C. W. Eckersbergs Malerier", 1895<br />
no. 37. Aarhus Kunstmuseum, "C. W. Eckersberg", 1983 no. 15. Nivaagaards<br />
Malerisamling, "Møen i dansk kunst - Naturromantik i Guldalderen", 1994<br />
no. 9.<br />
Literature: Peter Michael Hornung & Kasper Monrad, "C. W. Eckersberg -<br />
dansk malerkunsts fader", 2005 p. 66-81, reproduced p. 66 and 71.<br />
Provenance: Christopher von Bülow <strong>of</strong> Nordfeld, Møn, Prefect and Chamberlain.<br />
Baron Güldencrone <strong>of</strong> Vilhelmsborg. In his family until <strong>now</strong>.<br />
In 1809 Christopher von Bülow commissioned a series <strong>of</strong> landscape paintings<br />
by Eckersberg. He wanted Eckersberg to paint the manor Nordfeld, but also the<br />
surrounding landscapes - including Møns Klint, the Cliffs <strong>of</strong> Møn with the<br />
"Sommerspiret" - the <strong>now</strong> vanished chalk spire at the top <strong>of</strong> the cliffs. Eckersberg<br />
depicted the cliffs in two small companion pieces: the present one focusing on the<br />
cliffs and the "Sommerspiret", the counterpart first and foremost presenting a<br />
view <strong>of</strong> the Baltic (Hannover no. 57). Both views are framed by trees and leaves<br />
and in the foreground the elegantly dressed walkers are wandering on the paths<br />
in the area. From here <strong>you</strong> could experience the grandiose and dramatic scenery<br />
around the cliffs - a rare sight in Denmark that artists and visitors flocked to at<br />
that time. About 1800 people became aware <strong>of</strong> nature from a new perspective.<br />
Not only the utility value was <strong>of</strong> interest, nature's different atmospheres could be<br />
experienced and perceived, preferably at the most spectacular and untouched<br />
spots - as Møns Klint - but always at a safe distance, like in the present<br />
painting with visitors sitting on a bench and standing behind a fence.<br />
It is uncertain, how many paintings Eckersberg painted for Christopher von Bülow<br />
during and after his stay at Nordfeld, but the series <strong>of</strong> landscape paintings<br />
was Eckersberg's last large job before he in 1810 started to make preparations for<br />
his journey to Paris and Rome, from which he returned to Copenhagen not until<br />
1816. Two paintings from the Møn series are today in the Statens Museum for<br />
Kunst (The Danish National Gallery).<br />
Two other well-k<strong>now</strong>n Golden Age painters, I. C. Dahl (lot 6) and P. C. Skovgaard<br />
(lot 30), are represented in this sale with views <strong>of</strong> the Cliffs <strong>of</strong> Møn.<br />
DKK 1.500.000-2.000.000 / € 201.000-268.000<br />
18 BRUUN RASMUSSEN TRÉSOR