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Sell what you have plenty of Buy now - Bruun Rasmussen

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112<br />

Tom Wesselmann<br />

b. 1931<br />

"Study for Documenta Foot Print (68-8)", 1968. Signed, titled<br />

and dated on the reverse. Oil on canvas. 20 x 20 cm.<br />

Provenance: Sydney Janis Gallery, New York (numbered # 12292<br />

on a gallery label on the reverse).<br />

Provenance: Private Collection.<br />

Between 1965 and 1970, Tom Wesselmann continuously worked<br />

on a series <strong>of</strong> paintings called the "Bedroom Series". Here the artist<br />

isolated or combined elements from his characteristic imagery: Still<br />

life, landscapes, and not least his series <strong>of</strong> iconic female portraits<br />

with the collective title "The Great American Nude" on which he<br />

started in 1961. In these paintings the artist emphasises individual<br />

details <strong>of</strong> the models, such as the hands, feet, and bosom.<br />

Tom Wesselmann's name is inextricably associated with the American<br />

Pop Art movement <strong>of</strong> the 1960s and names such as Jim Dine, Roy<br />

Lichtenstein, James Rosenquist and Claes Oldenburg. However,<br />

Tom Wesselmann resisted such labelling and emphasised his focus<br />

on the aesthetic representation <strong>of</strong> everyday motifs rather than<br />

maintaining criticism <strong>of</strong> consumer society: "I dislike labels in general<br />

and 'Pop' in particular, especially because it overemphasises<br />

the material used. There does seem to be a tendency to use similar<br />

materials and images, but the different ways they are used denies<br />

any kind <strong>of</strong> group intention.".<br />

DKK 550.000-600.000 / € 74.000-80.000<br />

122 BRUUN RASMUSSEN TRÉSOR

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