Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
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112<br />
Tom Wesselmann<br />
b. 1931<br />
"Study for Documenta Foot Print (68-8)", 1968. Signed, titled<br />
and dated on the reverse. Oil on canvas. 20 x 20 cm.<br />
Provenance: Sydney Janis Gallery, New York (numbered # 12292<br />
on a gallery label on the reverse).<br />
Provenance: Private Collection.<br />
Between 1965 and 1970, Tom Wesselmann continuously worked<br />
on a series <strong>of</strong> paintings called the "Bedroom Series". Here the artist<br />
isolated or combined elements from his characteristic imagery: Still<br />
life, landscapes, and not least his series <strong>of</strong> iconic female portraits<br />
with the collective title "The Great American Nude" on which he<br />
started in 1961. In these paintings the artist emphasises individual<br />
details <strong>of</strong> the models, such as the hands, feet, and bosom.<br />
Tom Wesselmann's name is inextricably associated with the American<br />
Pop Art movement <strong>of</strong> the 1960s and names such as Jim Dine, Roy<br />
Lichtenstein, James Rosenquist and Claes Oldenburg. However,<br />
Tom Wesselmann resisted such labelling and emphasised his focus<br />
on the aesthetic representation <strong>of</strong> everyday motifs rather than<br />
maintaining criticism <strong>of</strong> consumer society: "I dislike labels in general<br />
and 'Pop' in particular, especially because it overemphasises<br />
the material used. There does seem to be a tendency to use similar<br />
materials and images, but the different ways they are used denies<br />
any kind <strong>of</strong> group intention.".<br />
DKK 550.000-600.000 / € 74.000-80.000<br />
122 BRUUN RASMUSSEN TRÉSOR