Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
Sell what you have plenty of Buy now - Bruun Rasmussen
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52<br />
Vilhelm Hammershøi<br />
b. Copenhagen 1864, d. s. p. 1916<br />
"Stue. Tilhøjre op mod den gullig-hvide Bagvæg, et gult Chatol paa<br />
høje Ben. Derover et firkantet Spejl i Mahogni-Ramme. Tilhøjre en<br />
hvid Dør med Messing-Beslag. I forgrunden, tilvenstre for Billedets<br />
Midte, en ung sortklædt Kvinde med Ryggen mod Beskueren".<br />
Room. On the right against the yellowish-white back wall a yellow<br />
bureau on tall legs. Above the bureau a square mirror in a mahogany<br />
frame. On the right a white door with brass furniture. In the foreground<br />
left <strong>of</strong> centre a <strong>you</strong>ng woman dressed in black with her back<br />
turned against the beholder. 1893. Unsigned. Oil on canvas. 40 x 37 cm.<br />
Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné <strong>of</strong> the Works <strong>of</strong><br />
Vilhelm Hammershøi no. 135. Yet (cf. the text above) described partly reverse.<br />
Exhibited: De Frie Studieskoler (Independent Study Schools) in Charlottenborg,<br />
Copenhagen, 1896. A photo <strong>of</strong> the painting hanging in that exhibition can be<br />
seen in the exhibition catalogue at the Royal Academy <strong>of</strong> Arts, 2008, p. 163.<br />
Exhibited: Kunstforeningen, "Arbejder af Vilhelm Hammershøi", 1916 no. 111.<br />
Provenance: Bought by Kunstforeningen 1894. Later in the collection <strong>of</strong><br />
Alfred Bramsen. Bramsen was a very dear friend and the painter's patron.<br />
In an interview given to the magazine "Hjemmet" (Home) in 1909 Hammershøi<br />
states: "If people would only recognize that a few good pieces <strong>of</strong> furniture in a<br />
room gives a far more beautiful and fine look than do many mediocre things".<br />
And further: "And if <strong>you</strong> could just get rid <strong>of</strong> all the "rubbish" - <strong>what</strong> a gain<br />
it would be for the look <strong>of</strong> the homes!". (Paul Vad, "Hammershøi", 1988, p.<br />
402-403). This "matter <strong>of</strong> fact" statement does not at first reveal any deep metaphysical<br />
reflections concerning the interior decoration <strong>of</strong> Hammershøi's<br />
home. However the "naked" unostentatiousness is essential in the fascination<br />
that Hammershøi's art arouses. Time has stopped and the moment seems frozen<br />
as when <strong>you</strong> go <strong>of</strong>f into a trance.<br />
Hammershøi has been internationally famous for a long time. Recently the British<br />
Comedian, Actor and Globetrotter Michael Palin has sought the key to understanding<br />
Hammershøi's art. ("Michael Palin and the Mystery <strong>of</strong><br />
Hammershøi", BBC 2005). Along with so many others Palin is fascinated<br />
with the "mysterious" silence in Hammershøi's paintings.<br />
DKK 2.500.000-3.000.000 / € 335.000-402.000<br />
76 BRUUN RASMUSSEN TRÉSOR