21.01.2013 Views

Sell what you have plenty of Buy now - Bruun Rasmussen

Sell what you have plenty of Buy now - Bruun Rasmussen

Sell what you have plenty of Buy now - Bruun Rasmussen

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

52<br />

Vilhelm Hammershøi<br />

b. Copenhagen 1864, d. s. p. 1916<br />

"Stue. Tilhøjre op mod den gullig-hvide Bagvæg, et gult Chatol paa<br />

høje Ben. Derover et firkantet Spejl i Mahogni-Ramme. Tilhøjre en<br />

hvid Dør med Messing-Beslag. I forgrunden, tilvenstre for Billedets<br />

Midte, en ung sortklædt Kvinde med Ryggen mod Beskueren".<br />

Room. On the right against the yellowish-white back wall a yellow<br />

bureau on tall legs. Above the bureau a square mirror in a mahogany<br />

frame. On the right a white door with brass furniture. In the foreground<br />

left <strong>of</strong> centre a <strong>you</strong>ng woman dressed in black with her back<br />

turned against the beholder. 1893. Unsigned. Oil on canvas. 40 x 37 cm.<br />

Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné <strong>of</strong> the Works <strong>of</strong><br />

Vilhelm Hammershøi no. 135. Yet (cf. the text above) described partly reverse.<br />

Exhibited: De Frie Studieskoler (Independent Study Schools) in Charlottenborg,<br />

Copenhagen, 1896. A photo <strong>of</strong> the painting hanging in that exhibition can be<br />

seen in the exhibition catalogue at the Royal Academy <strong>of</strong> Arts, 2008, p. 163.<br />

Exhibited: Kunstforeningen, "Arbejder af Vilhelm Hammershøi", 1916 no. 111.<br />

Provenance: Bought by Kunstforeningen 1894. Later in the collection <strong>of</strong><br />

Alfred Bramsen. Bramsen was a very dear friend and the painter's patron.<br />

In an interview given to the magazine "Hjemmet" (Home) in 1909 Hammershøi<br />

states: "If people would only recognize that a few good pieces <strong>of</strong> furniture in a<br />

room gives a far more beautiful and fine look than do many mediocre things".<br />

And further: "And if <strong>you</strong> could just get rid <strong>of</strong> all the "rubbish" - <strong>what</strong> a gain<br />

it would be for the look <strong>of</strong> the homes!". (Paul Vad, "Hammershøi", 1988, p.<br />

402-403). This "matter <strong>of</strong> fact" statement does not at first reveal any deep metaphysical<br />

reflections concerning the interior decoration <strong>of</strong> Hammershøi's<br />

home. However the "naked" unostentatiousness is essential in the fascination<br />

that Hammershøi's art arouses. Time has stopped and the moment seems frozen<br />

as when <strong>you</strong> go <strong>of</strong>f into a trance.<br />

Hammershøi has been internationally famous for a long time. Recently the British<br />

Comedian, Actor and Globetrotter Michael Palin has sought the key to understanding<br />

Hammershøi's art. ("Michael Palin and the Mystery <strong>of</strong><br />

Hammershøi", BBC 2005). Along with so many others Palin is fascinated<br />

with the "mysterious" silence in Hammershøi's paintings.<br />

DKK 2.500.000-3.000.000 / € 335.000-402.000<br />

76 BRUUN RASMUSSEN TRÉSOR

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!