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school of social science - Hampshire College

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CCS 219<br />

THE EVOLUTION AND BEHAVIOR OF DOMESTIC<br />

ANIMALS<br />

Raymond Coppinger<br />

Domestic catrle. swine, and fowl cominue to have a<br />

major impact on human culture and the ecology <strong>of</strong> the earth.<br />

These animals are also fascinating to study from a behavior,<br />

and evoludonary point <strong>of</strong> view. Selections for growth rate,<br />

reproducdve rate, and docile behavior gave us a practical<br />

understanding <strong>of</strong> the evolutionary process and were a major<br />

factor in tipping Darwin <strong>of</strong>f to natural selection. Many <strong>of</strong><br />

these animals' ancestors still exist and have been srudied in<br />

detail. Their descendants exist locally and are available for<br />

study in theif "natural environment."<br />

We will study in detail the evolution <strong>of</strong> behavior and will<br />

explore the processes <strong>of</strong> evolutionary change, such as neoteny<br />

and allometry. Students should have some training in<br />

genetics, anatomy, physiology, and basic behavior, or must<br />

expect to make up any deficiencies during the course.<br />

Class will meet twice a week for one hour and twenty<br />

minutes each time. Enrollmem is limited to 25.<br />

CCS 221<br />

SOUND, MUSIC, AND MIND<br />

Neil Stillings<br />

This course is an introduction to the cognitive <strong>science</strong> <strong>of</strong><br />

sound and music. We will study the physical nature <strong>of</strong> sound.<br />

the biology <strong>of</strong> the auditory system, and the cognitive psychology<br />

<strong>of</strong> auditory perception, beginning with the perception <strong>of</strong><br />

basic acoustic qualities, such as pitch and loudness, and<br />

moving on to the perception <strong>of</strong> complex auditory events,<br />

which can involve memory and learning. We will also look at<br />

the human production <strong>of</strong> vocal and instrumental sounds. A<br />

main goal <strong>of</strong> the course is to illuminate the perception and<br />

production <strong>of</strong> music through a basic scientific understanding<br />

<strong>of</strong> sound, hearing, and human skill acquisition. We will<br />

conduct at least one laboratory experiment during the term. A<br />

term paper or project is required. Musical knowledge is not a<br />

prerequisite for the course, although it is welcome.<br />

Class will meet twice a week for one hour and twenty<br />

minutes each time. Enrollment is limited to 25.<br />

CCS 222<br />

SCRIPTWRITING<br />

TBA<br />

CCS 226<br />

THEORY OF LANGUAGE, SYNTAX<br />

Steven Weisler<br />

Given the ease with which we put our thoughts into<br />

language and are understood by others. the connection<br />

between sound and meaning must be mediated by a powerful<br />

systematic set <strong>of</strong> principles, shared by all <strong>of</strong> the speakers <strong>of</strong> a<br />

language, that can accommodate the inexhaustible variety and<br />

novelty <strong>of</strong> the messages required in human life. Contemporary<br />

linguists believe these principles <strong>of</strong> language constitute a<br />

biological capacity whose properties must be uncovered by<br />

careful scientific investigation.<br />

This class is part <strong>of</strong> a multicourse core sequence in<br />

linguistics. The course will focus on syntacdc theory (the<br />

principles <strong>of</strong> sentence formation). Class will meet twice a<br />

week for one hour and twenty minutes each time. Enrollment<br />

limit is 25.<br />

73<br />

ISPRINGI<br />

CCS/HA 234<br />

TRAVELING IDENTITIES: EMIGRANTS,<br />

IMMIGRANTS, EXILES, AND SOJOURNERS IN FILM,<br />

LITERATURE, AND CULTURE<br />

Eva Rueschmann<br />

This seminar focuses on the experiences <strong>of</strong> emigrams,<br />

immigrams, exiles, and sojourners, which have inspired a<br />

number <strong>of</strong> recem and comemporary novels, feature films,<br />

documentaries, autobiographies, and theoretical debates about<br />

cultural identity and place. Using cultural studies <strong>of</strong> travel and<br />

displacemem, ethnic studies, and psychoanalytic theories <strong>of</strong><br />

identity as critical frameworks for discussion, we will examine<br />

some <strong>of</strong> the following issues arising out <strong>of</strong> cinematic, fictional,<br />

autobiographical, and theoretical texts on migration and<br />

displacement: the complexities <strong>of</strong> adaptation or resistance to<br />

new cultures; culture transfer, hybridity and biculturality; the<br />

journey as metaphor, escape, physical ordeal, and psychological<br />

odyssey; the meanings <strong>of</strong> nostalgia and home;<br />

intergenerational conflicts between tradition and modernity;<br />

protagonists' and artists' representation and negotiations <strong>of</strong><br />

national and ethnic identity; the cultural and psychological<br />

consequences <strong>of</strong> border crossings; and the interconnections<br />

between language, culture, and sense <strong>of</strong> self.<br />

Class will meet twice a week for one hour and twenty<br />

minutes. Enrollmem is 25.<br />

CCS 239<br />

TOPICS IN CULTURAL STUDIES: FREUD<br />

Walid Ra'ad<br />

In this seminar we will examine some central concepts in<br />

psychoanalytic thought, especially as they are formulated in<br />

the works <strong>of</strong> Sigmund Freud. We will concentrate on Freud's<br />

and Breuer's Studies on Hysteria, Freud's The Interpretation <strong>of</strong><br />

Dreams, Beyond the Pleasure Principle, Three Essays on the<br />

Theory <strong>of</strong> Sexuality, The Ego and the [d, and other essays.<br />

Prerequisite: Introduction to Cultural Studies or Methods in<br />

Cultural Studies.<br />

Class will meet once a week for two hours and fifty<br />

minutes. Enrollment limit is 20.<br />

CCS 240<br />

VIDEO II, STUDIO PRODUCTION<br />

TBA<br />

CCS 242<br />

BIOACOUSTICS<br />

Mark Feinstein<br />

Sound plays a critical role in the life <strong>of</strong> many biological<br />

organisms. In this course we will examine the physical nature<br />

<strong>of</strong> acoustic events, the anatomy and physiology <strong>of</strong> sound<br />

production and perception in a variety <strong>of</strong> species, and the<br />

functional and evolutionary significance <strong>of</strong> bioacollstic<br />

behavior. Among the special topics to be considered are the<br />

relationship <strong>of</strong> acoustic structure and behavioral function in<br />

communicative signals; neurophysiological and behavioral<br />

characteristics <strong>of</strong> ultrasonic echolocation systems (as in bats<br />

and cetaceans); and information.gathering through the<br />

acoustic channel, in domains such as predation, predatoravoidance.<br />

population assessment, mate selection. and <strong>social</strong><br />

interaction. Students will be expected to carry out an experiment<br />

andlor instrumental analysis bearing on issues raised in<br />

the course.

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