cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

ehearsal process for five days. It was impossible to stop the rehearsals
because of my injury. So that the management of the theater was
forced to go through with my understudy, a Dutch soprano - Bolkenshteyn,
she has appeared later claim, to sing the premiere of “Aida.”
But this idea categorically was not taken by the opera board, which
unanimously demanded that the premiere would sing Tatishvili, as she
is indispensable in this part.
Opening night came, with my legs removed plaster and I began preparing
for the play. The hall was crowded with spectators; they were
looking forward to the beginning of the play, conductor’s appearance to
the orchestra, the audience greeted with applause. My excitement came
to a climax and in the meantime it’s time to exit Aida. I was greeted
with applause, that I was encouraged,
and gave impetus to, and
encouraged that in the hall, there
were a lot of my fans. After Aida’s
pray the applauses became stronger
and at the end they became so
strong that I had the feeling that it
was hailing. That same evening,
articles appeared in the press that
did not stint on the epithets for me
and Nodar. Nodar sang brilliantly,
the audience was surprised by his
voice: - “A great dramatic tenor,
adds more drama and scale of the
character,” remarked the German
musicologists.
-”Tsisana and Nodar, these are two strong creative energy, determines
the repertory politics in the theater.
Tsisana had a rich artistic - creative intuition, talent, in order to
accurately hold the opera score...”
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Lamara Goglichidze
Conservatory Professor