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cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

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-“In the days of premieres, “Salome,” one critic wrote better than<br />

another. But in this book, we give only a few excerpts: - “the range of<br />

her voice, flexibility, beauty, dynamics and intonation skills acquired<br />

new artistic properties. This party is the top in the creative of Georgian<br />

singer, which helped her to climb on experience with the Aida, a German<br />

director Felzenshteyn and then in the operas of Wagner - images<br />

of Ortruda and Senta and acquired new features. She charms, surprises<br />

and excites... “<br />

220<br />

The newspaper “Communist”<br />

-”With this performance, you can stand, in front of the most demanding<br />

audience everywhere for the prestige of the Theater and the<br />

Country. Performance of Salome is heroism, especially at such a high<br />

level, which reaches Tsisana Tatishvili. She has a wonderful voice and<br />

sings with remarkable expressiveness. She has an amazing mastery of<br />

her art ... “<br />

moscow – Newspaper Pravda<br />

-“Artistic conception of Salome conducted by Lazarev as if he were<br />

sent to the famous singers of this part - Birgit Nilsson, Montserat Caballe<br />

and Georgian singer - Tsisana Tatishvili that stand out perfect<br />

power and beauty of voice, extraordinary subtlety of shades. “<br />

marina Nestieva, “Academy of music, 1993.<br />

- “Knowing that on the stage will appeared such a Titan as Tsisana, I<br />

picked up from the orchestra pit the other Titan - Dzhansug Kakhidze”<br />

- recalls Guram Meliva, one of the important members of the triumvirate<br />

of Salome.<br />

This one-act, operatic structure poem-type production, which is

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