- Page 4 and 5: foladis `obertonebiT” Semkuli xmi
- Page 6 and 7: `xelovani yvela Tavis gamovlinebaSi
- Page 8 and 9: Tavbrudamxvevi personaJebis didebul
- Page 10 and 11: mdgomareobs, rom maT surT musika xe
- Page 12 and 13: Zma - gogi tatiSvili mxolod misi oj
- Page 14 and 15: lavebi- petre amiranaSvili, daviT g
- Page 16 and 17: nes, ubralo xmas, maqsimalisti iyo
- Page 18 and 19: a gaewyoboda, imedgacruebulebma dat
- Page 20 and 21: iyo, konservatoriis saopero studiis
- Page 22 and 23: leblad da iZulebuli gaxda SemoTavaz
- Page 24 and 25: uvargisi momReraliao”- da madloba
- Page 26 and 27: - ,,cisana tatiSvili darwmunebuli g
- Page 28 and 29: sazRvargareTul gamocemebSi, cnobili
- Page 30 and 31: Zalian ki daswyda guli, magram spon
- Page 32 and 33: dioda sagrimiorodan, kidev gaimeora
- Page 34 and 35: swored im speqtaklSi moismina pirve
- Page 36 and 37: j. verdi - opera `aida~ petre amira
- Page 38 and 39: -,,sakuTar karie raze naklebad zrun
- Page 40 and 41: -`cisana tatiSvili unikaluri dramat
- Page 42 and 43: `bal-maskaradis~ premieris Semdeg -
- Page 44 and 45: j. verdi - opera `otelo~ cisana tat
- Page 46 and 47: gTxovs, iswavlo sentas partia da pr
- Page 48 and 49: . vagneris SviliSvili, cisana tatiS
- Page 50 and 51: verafriT davuSvebdi mimetovebina sa
- Page 52 and 53:
dro. aplodismentebiT Semxvdnen, ram
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unikaluri Tvisebebia, rac esoden au
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-`cisana tatiSvili qarTuli saopero
- Page 58 and 59:
marTla Zalian ganebivrebuli viyavi
- Page 60 and 61:
quCebSi, gamoifina afiSebi, romlebi
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presa tradiciulad iuwyeboda-,, cisa
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j. puCini - `toska~ aleko xomeriki
- Page 66 and 67:
-,,bunebaSi arseboben xmebi, romleb
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o. TaqTaqiSvili - `mTvaris motaceba
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aseTi Serwyma. gaixseneT, rogori vo
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`poloneTSi erT-erTi gastrolis dros
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- `goeTem Tqva- adamianis istoria a
- Page 76 and 77:
musikosis Tvisebebi, romlis emociur
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nairi unikaluri dramatuli soprano,
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tatiSvili da mieciT saukeTeso qveyn
- Page 82 and 83:
Tan da gulwrfelad momiloca warmateb
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denime saaTSi iyideboda bileTebi. a
- Page 86 and 87:
- ,,diriJor lazareviseuli ,,salomea
- Page 88 and 89:
- ,,cisana xSirad mReris iseT konce
- Page 90 and 91:
- ,,me minaxavs germaniasa da avstr
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mimarTulebebs- verdisa da vagneris,
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- `RvTiuri vokaluri niWiTa da saoca
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serat kabalies gverdiT... cisana ta
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araCveulebrivma xmam. xma Zlieri, d
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sruliad saqarTvelos kaTolikos patri
- Page 102 and 103:
qasraSvili, nikitina, andRulaZe, ta
- Page 104 and 105:
mayvala qasraSvili, eduard Sevardna
- Page 106 and 107:
ОТ АВТОрА Я учился
- Page 108 and 109:
победивший на конк
- Page 110 and 111:
С Бежаном Татишвил
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В опере “Абесалом
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она обязательно пр
- Page 116 and 117:
ухожу из ансамбля и
- Page 118 and 119:
всяких правил... К с
- Page 120 and 121:
«Дон Жуана», после
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-«О ней говорят, что
- Page 124 and 125:
Ц.Т -«Я бы не смогла
- Page 126 and 127:
Она - жемчужина опе
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- “Грузин мало забо
- Page 130 and 131:
З. Анджапаридзе, Ц.
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исполнительским ис
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- «Ваш голос искрил
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готовиться к спект
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-“Наш век богат исп
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давало мне надежду
- Page 142 and 143:
Я счастлива, что им
- Page 144 and 145:
позабыли. Админист
- Page 146 and 147:
могу сказать образ
- Page 148 and 149:
себя счастливыми. Ц
- Page 150 and 151:
Амнерис - Amneris «Лету
- Page 152 and 153:
это законченный об
- Page 154 and 155:
семье был ваш культ
- Page 156 and 157:
присутствовать на
- Page 158 and 159:
секретариат Караян
- Page 160 and 161:
159
- Page 162 and 163:
нее замечательный
- Page 164 and 165:
-,,Цисана часто пела
- Page 166 and 167:
Тоску («Трубадур» В
- Page 168 and 169:
-«Одаренная божест
- Page 170 and 171:
-«Великолепную пев
- Page 172 and 173:
171
- Page 174 and 175:
Аида - М. Томадзе, Ам
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175
- Page 178 and 179:
From THe AuTHor I was still in scho
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tiful woman, brought up my brother
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ist, he idolized singers of a large
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-As a result of intensive studies d
- Page 186 and 187:
able and there was a question of my
- Page 188 and 189:
-“Tsisana Tatishvili felt confide
- Page 190 and 191:
when I called to Moscow and got thi
- Page 192 and 193:
allet company, I always tell the da
- Page 194 and 195:
always tries to do good things. I a
- Page 196 and 197:
The only thing I regret about is
- Page 198 and 199:
197
- Page 200 and 201:
ehearsal process for five days. It
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-”Our century is rich in performi
- Page 204 and 205:
TS.T. -”I consider myself a lucky
- Page 206 and 207:
emember his support as a partner an
- Page 208 and 209:
ater. Many times I witnessed to the
- Page 210 and 211:
-”There are some kind of voices t
- Page 212 and 213:
-“To say, that Tsina Tatishvili i
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master, you have no right to be com
- Page 216 and 217:
scenic attractiveness and manner of
- Page 218 and 219:
did not obey me. Angered vocalist i
- Page 220 and 221:
Salome Satan Lyre” that competes
- Page 222 and 223:
ased on a prose text by the drama o
- Page 224 and 225:
-”I have no words. I saw on the s
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TS.T. - The fact that in comparison
- Page 228 and 229:
-”I am proud that I go to the the
- Page 230 and 231:
-”Magnificent singer Tsisana Tati
- Page 232 and 233:
with L. Ataneli with N. Dimitriadi
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