cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

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-”There are some kind of voices that immediately captivate by their unusual timbre, deeply intruding into your soul, sometimes caressing, sometimes concerned, and feel, how you find yourself forever in their captivity. I loved that voice, and not just the voice! 209
Tsisana Tatishvili is a great singer and a person. She is full of kindness, friendly warmth to her colleagues that, unfortunately, not very common. In relationship – she is always free and enjoyable. Tsisana took an extraordinary vocal school. Her teachers were - G. Kartvelishvili and D. Mchedlidze. But the true creative renaissance in her life began from the period of working with Nodar Andghuladze - wonderful singer and teacher. N. Andghuladze could reveal the vocal and artistic talent Tsisana Tatishvili in full. Their joint performances in operas by Verdi, Puccini, Mascagni became a phenomenon in the musical life. In Germany, the Felzenshteyn, they also participated in “Aida.” Genius director chose Tsisana Tatishvili among a hundred performers of Aida. Before my eyes are standing images of Aida, Tosca, Santutsy, Senta, Tamara, Eteri performed by her. With regard to the opera Salome by Richard Strauss, along with an extraordinary conductor, it was an international phenomenon not only in Tbilisi but also in Moscow’s musical life. I am happy that at certain times of my long life, I was connected with Tsisana. We did a lot, and successfully toured in many countries. These performances are memorable because we were everywhere received with enthusiasm, and we feel happy. Tsisana was a true diva, though, without the diva character. Maybe it prevented her to reach even higher peaks. One autumn, Eliso Virsaladze, brought to its Festival an Italian impresario. Together we went to Telavi, and there he was introduced to Tsisana. I sat at the piano, and Tsisana sang the aria from La Gioconda. Italian impresario was very surprised, stood up, walked over to Tsisana and said: - your voice should be listened to in live performance, to accept all the grandeur. “Such compliments Tsisan Tatishvili dispensed everywhere we visited. I will not forget the words of Ms. Davis, when she listened to Tsisanu in London. This woman is a patron, which a certain time ago brought to the big stage Domingo, Carreras, Caballe ... she regretted that had not previously met Tsisana to help her make a career on the international stage.” 210 Nana Dimitriadi Professor
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kaxa lazariSvili cisana tatiSvili
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foladis òbertonebiT” Semkuli xmi
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`xelovani yvela Tavis gamovlinebaSi
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Tavbrudamxvevi personaJebis didebul
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mdgomareobs, rom maT surT musika xe
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Zma - gogi tatiSvili mxolod misi oj
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lavebi- petre amiranaSvili, daviT g
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nes, ubralo xmas, maqsimalisti iyo
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a gaewyoboda, imedgacruebulebma dat
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iyo, konservatoriis saopero studiis
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leblad da iZulebuli gaxda SemoTavaz
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uvargisi momReraliao”- da madloba
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- ,,cisana tatiSvili darwmunebuli g
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sazRvargareTul gamocemebSi, cnobili
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Zalian ki daswyda guli, magram spon
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dioda sagrimiorodan, kidev gaimeora
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swored im speqtaklSi moismina pirve
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j. verdi - opera àida~ petre amira
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-,,sakuTar karie raze naklebad zrun
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-`cisana tatiSvili unikaluri dramat
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`bal-maskaradis~ premieris Semdeg -
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j. verdi - opera òtelo~ cisana tat
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gTxovs, iswavlo sentas partia da pr
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. vagneris SviliSvili, cisana tatiS
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verafriT davuSvebdi mimetovebina sa
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dro. aplodismentebiT Semxvdnen, ram
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unikaluri Tvisebebia, rac esoden au
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-`cisana tatiSvili qarTuli saopero
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marTla Zalian ganebivrebuli viyavi
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quCebSi, gamoifina afiSebi, romlebi
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presa tradiciulad iuwyeboda-,, cisa
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j. puCini - `toska~ aleko xomeriki
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-,,bunebaSi arseboben xmebi, romleb
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o. TaqTaqiSvili - `mTvaris motaceba
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aseTi Serwyma. gaixseneT, rogori vo
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`poloneTSi erT-erTi gastrolis dros
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- `goeTem Tqva- adamianis istoria a
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musikosis Tvisebebi, romlis emociur
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nairi unikaluri dramatuli soprano,
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tatiSvili da mieciT saukeTeso qveyn
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Tan da gulwrfelad momiloca warmateb
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denime saaTSi iyideboda bileTebi. a
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- ,,diriJor lazareviseuli ,,salomea
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- ,,cisana xSirad mReris iseT konce
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- ,,me minaxavs germaniasa da avstr
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mimarTulebebs- verdisa da vagneris,
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- `RvTiuri vokaluri niWiTa da saoca
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serat kabalies gverdiT... cisana ta
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araCveulebrivma xmam. xma Zlieri, d
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sruliad saqarTvelos kaTolikos patri
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qasraSvili, nikitina, andRulaZe, ta
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mayvala qasraSvili, eduard Sevardna
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ОТ АВТОрА Я учился
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победивший на конк
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С Бежаном Татишвил
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В опере “Абесалом
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она обязательно пр
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ухожу из ансамбля и
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всяких правил... К с
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«Дон Жуана», после
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-«О ней говорят, что
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Ц.Т -«Я бы не смогла
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Она - жемчужина опе
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- “Грузин мало забо
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З. Анджапаридзе, Ц.
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исполнительским ис
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- «Ваш голос искрил
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готовиться к спект
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-“Наш век богат исп
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давало мне надежду
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Я счастлива, что им
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позабыли. Админист
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могу сказать образ
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себя счастливыми. Ц
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Амнерис - Amneris «Лету
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это законченный об
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семье был ваш культ
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присутствовать на
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секретариат Караян
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Page 162 and 163: нее замечательный
Page 164 and 165: -,,Цисана часто пела
Page 166 and 167: Тоску («Трубадур» В
Page 168 and 169: -«Одаренная божест
Page 170 and 171: -«Великолепную пев
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Page 174 and 175: Аида - М. Томадзе, Ам
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Page 178 and 179: From THe AuTHor I was still in scho
Page 180 and 181: tiful woman, brought up my brother
Page 182 and 183: ist, he idolized singers of a large
Page 184 and 185: -As a result of intensive studies d
Page 186 and 187: able and there was a question of my
Page 188 and 189: -“Tsisana Tatishvili felt confide
Page 190 and 191: when I called to Moscow and got thi
Page 192 and 193: allet company, I always tell the da
Page 194 and 195: always tries to do good things. I a
Page 196 and 197: The only thing I regret about is
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Page 200 and 201: ehearsal process for five days. It
Page 202 and 203: -”Our century is rich in performi
Page 204 and 205: TS.T. -”I consider myself a lucky
Page 206 and 207: emember his support as a partner an
Page 208 and 209: ater. Many times I witnessed to the
Page 212 and 213: -“To say, that Tsina Tatishvili i
Page 214 and 215: master, you have no right to be com
Page 216 and 217: scenic attractiveness and manner of
Page 218 and 219: did not obey me. Angered vocalist i
Page 220 and 221: Salome Satan Lyre” that competes
Page 222 and 223: ased on a prose text by the drama o
Page 224 and 225: -”I have no words. I saw on the s
Page 226 and 227: TS.T. - The fact that in comparison
Page 228 and 229: -”I am proud that I go to the the
Page 230 and 231: -”Magnificent singer Tsisana Tati
Page 232 and 233: with L. Ataneli with N. Dimitriadi
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cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

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