MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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B O R I S D E B A C K E R E E boris.debackere@ sintlukas.be W transmedians.be W v2.nl Boris Debackere is interested in joining forms of expression. He takes a particular interest in the applicability of electronic sounds and images. His most recent work focuses on the translation and transformation of the concept of cinema into live cinema and audiovisual installations, exploring for example the relationship between the viewer and the screen in reactive installations such as vortices (2006) and Probe (2008). In 2008, Debackere initiated the research project The Cinematic Experience (2007), which resulted in a series of lectures and a publication edited in collaboration with Arie Altena. He collaborated with a number of artists, producing the sound design for Run Motherfucker Run (2004) and Beijing Accelerator (2006), two installation works by Marnix de Nijs, the feature film The Last Conversation (2009) by Noud Heerkens and the video pieces a.m./p.m. (2004), Proof of life (2005), Capsular (2006), Futur Antérieur (2007), Alltogether (2008) and Black Box (2009) by Herman Asselberghs. He is currently working at the Transmedia department of Sint-Lukas Brussels University College of Art and Design (see also section on Training, Education and Research) and is a lab manager at V2_ institute for the unstable media. He collaborated with Brecht Debackere for the Live Cinema performance rotor (2005), and for Vector (2010). Vortices (2006) Installation: Boris Debackere Image programming: Brecht Debackere. Produced with the support of the Flanders Audiovisual Fund 4 1 Probe (2008) Installation: Boris Debackere, Software design: Sebastian Gregor, Sensor application: V2_ Institute for the Unstable Media. An Auguste Orts Production and is produced with the support of the Flanders Audiovisual Fund
B R E C H T D E B A C K E R E º 1 9 7 9, R O E S E L A R E E brecht@ visualantics.net W visualantics.net autofasurer.net Since 1995, Brecht Debackere has taken a particular interest in moving images. He has been working with fiction film, animation, motion graphics and exploring applications such as video syntheses, interaction and concept development. With his work Debackere seeks to explore the tension between physical, representational and virtual space and tries to uncover the intrinsic characteristics of virtual space. Debackere is currently working as researcher for CREW within the European project 2020 3d media, a project concerned with, among other things, omni-directional and stereoscopic film. He is co-founder of the Brussels based productionhouse Visualantics. Morbus (2007) Computer generated 4 2
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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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