MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

More documents

Recommendations

Info

I E F S P I N C E M A I L L E º 1 9 76 A Hoogstraat 33 3360 Bierbeek T +32 (0) 494 08 35 49 E ief@werktank.org W iefspincemaille.com W werktank.org Ief Spincemaille obtained his master in Philosophy at the university of Leuven and studied Jazz, modern music and music and technology at L'aula de musica, Barcelona. After his studies in Spain in 2005, Ief worked one year in the Filmfabriek, combining the functions of artist and accountant. He is active as an independent set designer and installation artist since 2006. A this moment, Ief combines his art practice with the function of Financial director in the Werktank, a production house for media art. (See section on Art Organisations). His work has been shown in the Netherland Film Festival in Utrecht, Ferme des Buissons Paris, Monty Antwerp, L'Opéra de Paris, de Brakke Grond Amsterdam, Festival d' Avignon, Felix De Boeck Museum, Artefact Leuven,... Reversed Blinking, 2010 6 9
TA L E O F TA L E S 2 0 0 2 E teller@ tale-of-tales.com W tale-of-tales.com Michaël Samyn (1968) and Auriea Harvey (1971) have been working together since 1999. First under the name Entropy8Zuper! (entropy8zuper.org) and since 2002 as Tale of Tales (tale-of-tales.com). Tale of Tales develops digital entertainment for those who are looking for something different in the available choice of video games. The games of Samyn and Harvey disrupt the conventions that determine game culture (rules, competition and action) and introduce new forms of interaction and storytelling. Their purpose is to create more elegant and emotionally rich interactive entertainment. For this purpose, Tale of Tales features innovative forms of interaction, engaging poetic narratives and simple controls. Their creations are high-tech but deeply rooted in cultural tradition, with references to religious and mythological texts and folk tales and an aesthetics derived from pre-modern pictorial art. Tale of Tales wants to bring back an art where artisan craft is important and cynicism and irony are excluded, art that is unashamedly beautiful and communicates via the senses. Tale of Tales started off with the design of 8, an epic single player PC exploration game inspired by the various versions of the folk tale Sleeping Beauty. The Endless Forest is its second big project, it is an online multiplayer game that was launched in September 2005. The Path is their first commercially available single player game. A spiritual sequel to 8, The Path is a short horror game inspired by the tale of Little Red Ridinghood. Tale of Tales is also involved with research projects, such as Drama Princess, and theoretical discussions, as expressed in their Realtime Art Manifesto. 7 0 Vanitas (2010) Videogame for iPhone and iPod touch
Page 1 and 2:
M E D I A D I G I TA L I N A N D F
Page 3 and 4:
C O N T E N T S 0 5 A Guide Through
Page 5 and 6:
A G U I D E T H R O U G H T H E L A
Page 7 and 8:
I N T R O D U C T I O N BAM Flemish
Page 9 and 10:
M E D I A A R T I N F L A N D E R S
Page 11 and 12:
T O W A R D C R O S S - D I S C I P
Page 13 and 14:
M E D I A A R T I N F L A N D E R S
Page 15 and 16:
“I am a media artist. Mass media
Page 17 and 18:
immersion may occur without any of
Page 19 and 20: N O E X T E R I O R Asselberghs dem
Page 21 and 22: combines video and film with public
Page 23 and 24: In 2009, a year after its release,
Page 25 and 26: P L A C E F O R E X P E R I M E N T
Page 27 and 28: or experiences outside the familiar
Page 29 and 30: for Broadband Technology - already
Page 31 and 32: L I E S B E T H H U Y B R E C H T S
Page 33 and 34: H E R M A N A S S E L B E R G H S
Page 35 and 36: P E T E R B E Y L S º 1 9 5 0 , K
Page 37 and 38: B O U T I Q U E V I Z I Q U E º 2
Page 39 and 40: W I M C AT R Y S S E º 1 9 7 3 , L
Page 41 and 42: C R E W/ E R I C J O R I S A Vander
Page 43 and 44: B R E C H T D E B A C K E R E º 1
Page 45 and 46: A N O U K D E C L E R C Q º 197 1
Page 47 and 48: F R E D E R I K D E W I L D E º 19
Page 49 and 50: A L E X A N D R A D E M E N T I E V
Page 51 and 52: N I C K E R V I N C K º 1981, ROES
Page 53 and 54: P I E T E R G E E N E N º 1979, H
Page 55 and 56: K U R T D ’ H A E S E L E E R º
Page 57 and 58: N AT H A L I E H U N T E R º 1967,
Page 59 and 60: W I M J A N S S E N °198 4, K A PE
Page 61 and 62: L A W R E N C E M A L S TA F º 1 9
Page 63 and 64: V I N C E N T M E E S S E N º 1 9
Page 65 and 66: H A N S O P D E B E E C K ° 1 9 69
Page 67 and 68: N I C O L A S P R O V O S T º 1 9
Page 69: J A S P E R R I G O L E º 1 9 8 0,
Page 73 and 74: H A R A L D T H Y S & J O S D E G R
Page 75 and 76: G U Y V A N B E L L E º 1 959 A Ko
Page 77 and 78: E S T H E R V E N R O O Y º 1 9 74
Page 79 and 80: K R I S V E R D O N C K 1 9 74 A Sa
Page 81 and 82: T I M V E T S º 1 9 74, A N T W E
Page 83 and 84: V I S U A L K I T C H E N 1 9 9 7 A
Page 85 and 86: W O R K S P A C E U N L I M I T E D
Page 87 and 88: A R T O R G A N I S AT I O N S 8 6
Page 89 and 90: A R T E F A C T A Naamsestraat 96 3
Page 91 and 92: B E U R S S C H O U W B U R G V Z W
Page 93 and 94: C I M AT I C S A ACB Factory Rue Ba
Page 95 and 96: Jeugdtheater, KHLIM Media & Design
Page 97 and 98: C O N T O U R A Sint- Romboutskerkh
Page 99 and 100: D E W E R K TA N K A Hoogstraat 33
Page 101 and 102: F O A M A Koolmijnenkaai 30/34, 1 0
Page 103 and 104: I M A L A Koolmijnenkaai 30 1 080 B
Page 105 and 106: L O G O S F O U N D AT I O N A Offi
Page 107 and 108: N A D I N E A (Plateau): Herdersstr
Page 109 and 110: O K N O A Koolmijnenkaai 30/34, 1 0
Page 111 and 112: Q - O 2 A Koolmijnenkaai 30 -34, 1
Page 113 and 114: S T U K A Naamsestraat 96 3000 Leuv
Page 115 and 116: T R A N S D I G I TA L E info@trans
Page 117 and 118: Z 3 3 A Zuivelmarkt 33 3 500 Hassel
Page 120 and 121:
T R A I N I N G , E D U C AT I O N
Page 122 and 123:
E X P E R T I S E C E N T R E F O R
Page 124 and 125:
D I G I TA L A R T S A N D E N T E
Page 126 and 127:
I M E C A imec Belgium Kapeldreef 7
Page 128 and 129:
I N S I T U 3 — R O YA L A C A D
Page 130 and 131:
M A D - F A C U LT Y — C - M D
Page 132 and 133:
S I N T L U C A S A N T W E R P —
Page 134:
T R A N S M E D I A — S I N T - L
Page 137 and 138:
T H E A G E N C Y F O R A R T S & H
Page 139 and 140:
F L A N D E R S D I S T R I C T O F
Page 141 and 142:
M E D I A D E S K B E L G I U M - F
Page 143 and 144:
F L A N D E R S A U D I O V I S U A
Page 145 and 146:
C O L O P H O N P U B L I S H E R B
show all

MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?