MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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L A B [A U ] 1 9 9 7 LAb[au] ( = laboratory for architecture and A Lakensestraat 104 urbanism) is an art studio found in 1997, based in 1 000 Brussels Brussels, Belgium, and constituted of Els Vermang, T +32 (0)2 219 65 55 Manuel Abendroth and Jerome Decock. LAb[au] is E lab-au@labau.com concerned with the construct of ‘space’ and the way W lab-au.com it can be planned, experienced and conceptualised in an information age. The group name merges a phonetic and a written meaning; that of the French / Dutch pronunciation ‘labo’ and that of the German word ‘bau’ referring to its projects’ experimental approach (labo) and construct (bau). This double meaning crossing oral and written media, stands for a conceptual, methodological and artistic framework examining the influence of advanced technologies on art; its stands for an artistic thinking of art as media. LAb[au] qualifies its practice as MetaDeSIGN, which is characterised by the setting of systems, among which LAb[au] is today mainly active within the interactive, reactive, generative and performative realm. LAb[au]’s art is part of public and private art collections worldwide and has been exhibited in some of ‘s worlds most prestigious art venues and happenings. LAb[au] was one of 2009’s nominees for Belgium’s ‘Prix de la Jeune Peinture Belge’. Their work has been numerously published and their recent monography ‘MetaDeSIGN’ (ISBN: 978-2-84066-404-8) is published by ‘Les Presses du Reel’. 5 9 Framework f5fi5fi5 (2007-2009) Lumino, kinetic sculpture ed.1, 5 networked computers, LED’s, 250 servo motors, 50 infrareds sensors, aluminium, plexi, Computer programming basic & C++, 1020 fi 85 fi 215 cm
L A W R E N C E M A L S TA F º 1 9 7 2 , B R U G G E A Barduveien 29 9 012 Tromsø Norway T +32 (0)9 222 00 33 E galerie@ fortlaan17.com W fortlaan17.com A graduate in industrial design, Lawrence Malstaf started his career in theatre. He designed the settings for choreographers and directors such as Benoît Lachambre, Meg Stuart and Kirsten Delholm. Almost immediately he also started to create his own installations and performances, situated on the border between visual arts and theatre. In his work Malstaf displays a strong interest in the phenomena of movement, coincidence, order and chaos. His projects often involve the use of advanced technologies. Amongst these are a series of sensorial rooms for individual visitors (Nemo Observatorium, Mirror, Pericope/Horizon Machine) and larger mobile environments playing with space and orientation and using the visitor as a co-actor (Orbit, Nevel, Compass, Boreas, Transporter). These installations are highly immersive, provoking a strong physical effect on its visitors. The work of Lawrence Malstaf has been exhibited internationally. In 2008 he won the Witteveen + Bos - prize for Art + Technology (NL). In 2009 he received the Golden Nica at Prix Ars Electronica (A) and in 2010 the Excellence Prize at The 13th Japan Media Arts Festival in Tokyo (JP). 6 0 Nevel (2007) A matrix of nine pivoting walls forms a labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of spaces flowing into one another. It is an auto choreographic space to wander and get lost in, like in a mutating city, to linger and surrender to the disorientation. Photo: Dirk Pauwels. Courtesy: Galerie Fortlaan 17
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C O N T E N T S 0 5 A Guide Through
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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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