MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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A L E X I S D E S T O O P º 197 1 , KO R T R I J K A 108, Chaussée de Charleroi 1060 Brussels M +32 (0)494 47 47 31 M +61 (0)415 962 125 E alexisdestoop@ gmail.com An “image-maker”, Alexis Destoop has a background in photography & philosophy. His productions examine the experience of time, elements of storytelling and procedures of identification and memory. Informed by the strategies of minimalism, his works, often seductive in appearance, function as lures, that explore the deceptive nature of the images. Destoop regularly works in collaboration with writers, performers and musicians. His earlier work mainly explores notions of duration and performativity, as exemplified by the 3-channel video installation With Usura (2001-2004), whereby three figures manifesting strange & comical discomfort confront the viewer with unsuspected suffering. More recent work investigates processes of fiction and narrative construction through the formal film experiments I’m Happy Men (2005), dealing with the issue of fantasy in the form a fairy tale, and Pandora (2007) which plays with conventions of the thriller genre against the foil of the ancient myth. Focusing on the subject of landscape, Destoop’s is interested in its artificiality: not a sublime natural object, but a thoroughly human artefact which can appear overwhelming and non-human. Dwelling (2006-2009), a meditation on place triggered through our cinematic memory suggests the bare outlines of a story: an event haunts the desolate setting without ever being revealed. His lastest project Kairos (2009-2010) re-signifies Australia’s desert landscape and its history through a science fiction narrative, resonating with colonial history and the omnipresent actuality of the mining industry, and questions the relationship between fiction & reality. 4 9 Still from the 3-channel video installation “4 Directions of Heaven” (2010) Photography & animation by Alexis Destoop, text by Aaron Schuster, music by Oren Ambarchi & Stephen O’Malley
N I C K E R V I N C K º 1981, ROESELA R E A Kortemarkstraat 67 8810 Lichtervelde E info@ nickervinck.com W nickervinck.com The work of Nick Ervinck connects the worlds of virtual construction and hand-made sculpture. The virtual world of this artist is ‘strange’. It is a fiction filled with polymorphic, synthetic forms that invade seemingly authentic rooms, monumental buildings which are detached from the ground and made into living sculptures and daring combinations of ships, churches and skyscrapers floating over an endless sea. It is a world constructed and deconstructed by its creator, a surreal place rising from the combination of forms and a play with volumes, proportions and colours. Prints, video’s and digital drawings are used to create installations and sculptures. In 2005 Nick Ervinck received the Godecharle prize for Sculpture. In 2006 he received the Mais prize of the City Brussels and the Prize for Visual Art of West-Flanders. In 2008 he was awarded by the Rodenbach fonds. Recent shows include MOCA Shanghai, M<strong>ART</strong>A Herford, Kunstverein Ahlen, Koraalberg Antwerp, Zebrastraat Ghent, HISK Ghent, Odette Ostend, Superstories Hasselt, Brakke Grond Amsterdam, MAMA Rotterdam and Telic Art Exchange Los Angeles/Berlin. Warsubec (2009) polyester, polyurethane, wood and iron 2X 314 fi 1222 fi 647 cm Commissioned work Stichting Liedts-Meesen Zebrastraat Ghent, 2009 5 0
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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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