MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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S A R A H V A N A G T º 1 9 76 , B R U G G E A leperlaan 60 1000 Brussels T +32 (02) 217 66 06 M +32 (0)486 222 696 E sarah@vanagt.com W balthasar.be Sarah Vanagt studied history and film. She graduated with a film After years of Walking (2003) a documentary film that deals with the rewriting of Rwandan history after the genocide of 1994. Recent work reflects Vanagt’s interest in the way children deal with history. The documentary film Begin Began Begun and the video installation Les Mouchoirs de Kabila (both 2005) show the play-world of children growing up in the border zone between Rwanda and the Democratic Republic of the Congo and who have to deal with death, war and elections. In 2007, Vanagt presented Power Cut at the Kunstenfestivaldesarts in Brussels. This installation brings together short videos and photographs made by three boys who were already involved in Les Mouchoirs de Kabila and voice-recordings made by two young soldiers who took part in the recent wars in Congo and Rwanda. Hoofd (2007), combines super 8 footage of the ancient city of Pompeii with the images of new-born babies. The 2007 video installation Ash Tree is based on the childhood of Mary Shelly. It shows the image of a 5-year old girl wandering around at a London graveyard while spelling out the letters on the graves. Her latest work Solar Cemetry (2009) is a photo installation with light boxes which are powered by solar energy. Boulevard d’Ypres / Ieperlaan (2010) is an experimental documentary in which she turns an empty store house into a film studio, and invited her neighbours – a mix of refugees, shopkeepers, newcomers – to come and tell a fairy tale. For The Corridor (2010), Vanagt followed a donkey on it’s regular visits to elderly people in English nursing homes. Currently Vanagt is working on a film in the International Criminal Tribunal for the Former Yugoslavia in The Hague. 7 3 Solar Cemetery (2009) Camera Obscura © Sarah Vanagt
G U Y V A N B E L L E º 1 959 A Koolmijnenkaai 30-34, 1080 Brussels M +42 (0)7 77 02 91 13 E xgz@societyof algorithm.org W mxHz.org societyofalgorithm.org W koentheys.org W http://col-me.info Guy Van Belle has been working radically with computer music since the end of the 1980s. Since this moment he has been involved with experimental media art. His work relies on the principles of synaesthesia, real-time generated images, abstractions and algorithms. With this, he has gradually turned away from the familiar parameters and skills for the production, display and reception of the work of art as we know it today. Van Belle set up a number of collaborative virtual organisations, such as Stellingname (1984- 1989), Young Farmers Claim Future (1990-2000), dBONANZAh! (1998-2002), mXHz. org (since 2002) and Society of Algorithm (since 2004), meant to investigate different forms of creativity (from real and non-physical beings, including machines). Guy Van Belle was a co-founder and for many years an active member of Okno (See section on Art Organisations). In the period between 2005 and 2009, Van Belle lived in Bratislava where he began to work under the pseudonym Gívan Belá and co-founded the social-artistic organisation Col-me (2007). Living in Prague, he wrote the fragmentary denizen epos (unpublished) and began working from an eco-technological point of view. Van Belle is a provocative and subversive figure who has launched a multitude of unverified stories, creating his own myth. Preparing an homage to Arseny Avraamov in Baku on the 7th of November, 2022, he set up the organisation The Baku 2022 Foundation (2006). 7 4 The Last Theater Show Ever (2009) Society of Algorithm/GÌvan Belá
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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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