MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM
MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM
MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM
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H A R A L D T H Y S & J O S D E G R U Y T E R<br />
A dependance@<br />
skynet.be<br />
T dependance.be<br />
M bortolozzi.com<br />
Jos de Gruyter (1966) and Harald Thys (1965) have<br />
been working together since the mid 1980s. Both<br />
known as audiovisual artists, their collaboration<br />
is bound up with the realisation of works in other<br />
media. Together they have been producing works<br />
on paper, video and sound art. Their video work almost always starts from<br />
trivial and almost corny situation and action: a discussion between a man and<br />
a woman, who are trying to embellish their house (The Bucket) or a fairytale<br />
story (The Curse). These familiar situations and fictitious observations are<br />
disrupted via techniques which they derive from the dramaturgic jargon of<br />
children’s theatre and TV-shows. Although their work is characterised by a<br />
burlesque friskiness and a childlike simplicity and humour, it always embodies<br />
a dark strand of paradoxical emotions or critical reflections. Another segment<br />
in the video work of De Gruyter and Thys deals with the documentary codes<br />
and conventions. They have produced a number of works in which they stage<br />
historic figures, for instance P.P. Rubens and his two assistants Snyers and Van<br />
Dijck. The work they produce in other media – drawings on paper, plasticine<br />
dolls, computer graphics – is in line with their video work. In 1993 they set<br />
up the exhibition Keizer Ro (ICC, Antwerp and Foncke, Ghent) which told and<br />
documented the story of a fictitious emperor who was said to throw Belgium<br />
into chaos with his acts and his theories in a period of three months time.<br />
7 2<br />
Installation view (2009)<br />
Culturgest, Lisboa, Portugal, ©Culturgest