MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

More documents

Recommendations

Info

S T E F A A N Q U I X W http://quix.org Quix is a sound and transmedia artist living and working in Brussels. His œuvre relies on strategies of repetition, the use of micro-intervals and diverse cut and paste techniques and is linked to the comtemporary sublime and postminimalism. Media include sound, colour, composition, space and mathematics. Three Monochromes: Red (2008) Single channel video projection, eight channel sound, 120’ Not with a bang but a whimper (2009) Single channel video projection, eight channel sound, 57’ 6 7
J A S P E R R I G O L E º 1 9 8 0, B R U G G E E mascarpony@ hotmail.com W jasperrigole.com W IICADOM.org Since 2005, Jasper Rigole has been working on the multi-media project The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories (IICADOM). This fictitious institute takes its departure from an archive of found films, photographs and documents which the artist gathered over the years. It is an ever-growing collection of found ego-documents, – which he sourced from flea markets, second-hand shops and garage sales – including amateur films, travelogues and family documents. All materials fulfill the same criterium, namely that they have lost the personal and emotional value they once had and, in that sense, have become worthless. By redistributing these orphaned memories through film screenings, exhibitions and online projects, Rigole seeks to re-establish the lost emotional value of these once so personal memories. His main goal is to reflect on the closely related subjects of archive and memory. By using an encyclopedic approach and a quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents he further investigates concepts such as authenticity and objectivity. This results in an examination of both the human need for conclusive stories and the question whether anecdotes fictionalise history. IICADOM brings archival footage together via the techniques of cut & paste, compilation, collage and appropriation. 6 8 An Elementary Taxonomy of Collected Memory (2008) Mixed media, 525 fi 300 cm © Virginie Schreyen
Page 1 and 2:
M E D I A D I G I TA L I N A N D F
Page 3 and 4:
C O N T E N T S 0 5 A Guide Through
Page 5 and 6:
A G U I D E T H R O U G H T H E L A
Page 7 and 8:
I N T R O D U C T I O N BAM Flemish
Page 9 and 10:
M E D I A A R T I N F L A N D E R S
Page 11 and 12:
T O W A R D C R O S S - D I S C I P
Page 13 and 14:
M E D I A A R T I N F L A N D E R S
Page 15 and 16:
“I am a media artist. Mass media
Page 17 and 18: immersion may occur without any of
Page 19 and 20: N O E X T E R I O R Asselberghs dem
Page 21 and 22: combines video and film with public
Page 23 and 24: In 2009, a year after its release,
Page 25 and 26: P L A C E F O R E X P E R I M E N T
Page 27 and 28: or experiences outside the familiar
Page 29 and 30: for Broadband Technology - already
Page 31 and 32: L I E S B E T H H U Y B R E C H T S
Page 33 and 34: H E R M A N A S S E L B E R G H S
Page 35 and 36: P E T E R B E Y L S º 1 9 5 0 , K
Page 37 and 38: B O U T I Q U E V I Z I Q U E º 2
Page 39 and 40: W I M C AT R Y S S E º 1 9 7 3 , L
Page 41 and 42: C R E W/ E R I C J O R I S A Vander
Page 43 and 44: B R E C H T D E B A C K E R E º 1
Page 45 and 46: A N O U K D E C L E R C Q º 197 1
Page 47 and 48: F R E D E R I K D E W I L D E º 19
Page 49 and 50: A L E X A N D R A D E M E N T I E V
Page 51 and 52: N I C K E R V I N C K º 1981, ROES
Page 53 and 54: P I E T E R G E E N E N º 1979, H
Page 55 and 56: K U R T D ’ H A E S E L E E R º
Page 57 and 58: N AT H A L I E H U N T E R º 1967,
Page 59 and 60: W I M J A N S S E N °198 4, K A PE
Page 61 and 62: L A W R E N C E M A L S TA F º 1 9
Page 63 and 64: V I N C E N T M E E S S E N º 1 9
Page 65 and 66: H A N S O P D E B E E C K ° 1 9 69
Page 67: N I C O L A S P R O V O S T º 1 9
Page 71 and 72: TA L E O F TA L E S 2 0 0 2 E telle
Page 73 and 74: H A R A L D T H Y S & J O S D E G R
Page 75 and 76: G U Y V A N B E L L E º 1 959 A Ko
Page 77 and 78: E S T H E R V E N R O O Y º 1 9 74
Page 79 and 80: K R I S V E R D O N C K 1 9 74 A Sa
Page 81 and 82: T I M V E T S º 1 9 74, A N T W E
Page 83 and 84: V I S U A L K I T C H E N 1 9 9 7 A
Page 85 and 86: W O R K S P A C E U N L I M I T E D
Page 87 and 88: A R T O R G A N I S AT I O N S 8 6
Page 89 and 90: A R T E F A C T A Naamsestraat 96 3
Page 91 and 92: B E U R S S C H O U W B U R G V Z W
Page 93 and 94: C I M AT I C S A ACB Factory Rue Ba
Page 95 and 96: Jeugdtheater, KHLIM Media & Design
Page 97 and 98: C O N T O U R A Sint- Romboutskerkh
Page 99 and 100: D E W E R K TA N K A Hoogstraat 33
Page 101 and 102: F O A M A Koolmijnenkaai 30/34, 1 0
Page 103 and 104: I M A L A Koolmijnenkaai 30 1 080 B
Page 105 and 106: L O G O S F O U N D AT I O N A Offi
Page 107 and 108: N A D I N E A (Plateau): Herdersstr
Page 109 and 110: O K N O A Koolmijnenkaai 30/34, 1 0
Page 111 and 112: Q - O 2 A Koolmijnenkaai 30 -34, 1
Page 113 and 114: S T U K A Naamsestraat 96 3000 Leuv
Page 115 and 116: T R A N S D I G I TA L E info@trans
Page 117 and 118: Z 3 3 A Zuivelmarkt 33 3 500 Hassel
Page 120 and 121:
T R A I N I N G , E D U C AT I O N
Page 122 and 123:
E X P E R T I S E C E N T R E F O R
Page 124 and 125:
D I G I TA L A R T S A N D E N T E
Page 126 and 127:
I M E C A imec Belgium Kapeldreef 7
Page 128 and 129:
I N S I T U 3 — R O YA L A C A D
Page 130 and 131:
M A D - F A C U LT Y — C - M D
Page 132 and 133:
S I N T L U C A S A N T W E R P —
Page 134:
T R A N S M E D I A — S I N T - L
Page 137 and 138:
T H E A G E N C Y F O R A R T S & H
Page 139 and 140:
F L A N D E R S D I S T R I C T O F
Page 141 and 142:
M E D I A D E S K B E L G I U M - F
Page 143 and 144:
F L A N D E R S A U D I O V I S U A
Page 145 and 146:
C O L O P H O N P U B L I S H E R B
show all

MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?