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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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E S T H E R V E N R O O Y<br />

º 1 9 74, R O S M A L E N ( N L )<br />

A Krevelstraat 21b/302<br />

9 000 Ghent<br />

E esthervenrooy@<br />

gmail.com<br />

W esthervenrooy.net<br />

Esther Venrooy is an artist working in the field of<br />

electronic music and sound art. After completing<br />

studies in classical saxophone, Venrooy attended<br />

the European Dance Development Center (Arnhem)<br />

as a composer in residence, where she began<br />

employing electronic and digital techniques<br />

in pieces aimed at choreography and stage<br />

performance. Gradually her music evolved into an independent means of<br />

expression and she continued her work with electronica at the IPEM (Institute<br />

for Psycho-acoustics and Electronic Music) in Ghent, Belgium where she still<br />

resides. Her works range from purely electronic composed music to improvised<br />

combinations of electronica with traditional instrumentation such as piano,<br />

guqin, pipa and satsuma-biwa. She has created site-specific works as well as<br />

multimedia performances and installations.<br />

Esther Venrooy has performed her music extensively for audiences<br />

in cities such as Antwerp, Amsterdam, Rotterdam, Brussels, Berlin, Madrid,<br />

Hamburg, Cologne, Frankfurt, Washington DC, New York and Beijing. She<br />

collaborated with visual artists Hans Demeulenaere and Lieve D’hondt, with<br />

architect Ema Bonifacic and with musicans Min Xiao-Fen (pipa), Wu Na (guqin)<br />

and Heleen Van Haegenborgh (piano)<br />

Apart from her artistic activities, Venrooy is a lecturer on 20th century<br />

music and experimental arts at the Ghent school of fine arts, where she<br />

also runs the audio workshop. Venrooy also presides the board of (k-raa-k)3<br />

organization. Since 2009 Esther started her PhD research on “Audio topography<br />

– (re)constructing auditive spaces”. In this research she will explore the auditory<br />

experience of space and the interaction between the auditory senses and the<br />

built environment.<br />

Blueprint #1 (2009)<br />

Audiovisual installation<br />

7 6

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