MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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E R K I D E V R I E S º 1978, V I LVOORDE A Boomgaardstraat 162, 2 060 Berchem M +32 (0)479 540 511 E erkidevries@ gmail.com W erkidevries.net Erki De Vries seeks to push the limits of our spatial experience. Via installations and interventions, rooms and exhibition spaces are taken over, mapped and mentally expanded. As a result, the visitor takes a major role, making the installation a never-ending work-in-progress. An example of De Vries’ early work, in which he was primarily occupied with involving the visitor, is Maelstrom (1999). It is an installation in which the visitor can witness the development of a vortex in a bath tub the moment he steps into the room. De Vries’ more recent work experiments with pushing our experience of space. An example is City Lights (2005), a series for which he collaborated with Tim Vets. It is an installation in which three computer driven TL-lamps move through space in a seemingly mathematical choreography. Architectural Abstraction (2009) Erki de vries & Anton Boon. Photo: Pieter Huybrechts 4 5
F R E D E R I K D E W I L D E º 1975, A A L S T A Hooikaai 15 1 000 Brussels M + 32 (0)476 717 020 E f.d.w.angelfire@ gmail.com W frederik-de-wilde .com As an artist Frederik De Wilde acts on the border area between science, technology and art. It is this interstitial territory that Frederik De Wilde explores in his various works. Sometimes on the side of the technological, and often in the perceptual, conceptual, social—human—register, De Wilde’s art is grounded in the interaction between complex systems, both biological and technological. Moreover, the indistinct, diffuse, ‘fuzzy’ arena where the biological and the technological overlap and commingle is a productive and favored ground for his projects/projections. The conceptual crux of his artistic praxis are the notions of the intangible, inaudible, invisible and moreover, the dematerialization of the artwork. In order to pursue this concept Frederik works, for instance, with nanotechnology, biotechnology, information and data networks, environmental data, et al. In 2010 he created ‘Hostage,’ the darkest nano engineered painting in the world, in collaboration with Rice University (Texas, Houston, USA). 4 6 [NRS]#Code.1 Computer generated image, digital print, anodized aluminium, 40 fi 40 cm
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Page 15 and 16: “I am a media artist. Mass media
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MEDIA DIGITAL ART AND CULTURE IN FLANDERS BELGIUM - BAM

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