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Chicana Ways - Aletta

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AnyBody's Concerns 6(2003)<br />

never illustrative or didactic<br />

but a meaningful layer in a<br />

multi layered text. The<br />

technology involved in<br />

projecting images into the<br />

theatrical space became a<br />

metaphor of medical visualising<br />

technology. We used small<br />

digital projectors, which the<br />

performers would nurse, move<br />

and embrace. We projected onto<br />

the walls of the theatre, the<br />

floor, actor's bodies, fabrics,<br />

water and pouring sand. Images included 4D ultrasound of the<br />

baby in utero as aforementioned, which had never been seen in<br />

public. A recent UK newspaper article published them. We also<br />

projected images of sperm entering egg, of single egg cells,<br />

ICSI, especially filmed sequences of children playing, spring<br />

flowers. Our finale included images of an empty swing going<br />

back and forth and the mournful sound of the creaking of its<br />

dry unoiled joints, a mechanism "not put to proper use," as<br />

Lorca's Yerma would say, and in need of attention. As the<br />

piece concluded, the footage gradually drained away to black<br />

and white, the only remaining colour on stage coming from a<br />

small laptop: a film of a bright yellow daffodil blowing<br />

gently in the spring wind in the same playground which we had<br />

already seen projected onto sand.<br />

http://www.genderforum.uni-koeln.de/anybody/furse.html (24 van 35)31-3-2005 18:21:46

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