Chicana Ways - Aletta

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AnyBody's Concerns 6(2003) radical expression, I mean desire as an attitude. The times were full of relish, cheeky and aggressive in my case but at the same time extremely constructive and innovative. No-one cared for norms or rules which had to be kept or broken. They were simply broken, this was a precondition, wounds were cut into rules. There was a strong, progressive sense of power, people thought everything was possible and the world, the system could be turned upside down.] 8 Compare Marina Abramovic's comment on Thomas' Lips: "The idea was to see how much you can increase the pain you inflict on yourself and really make your body immune" (30f.). 9 "Auf meinen Reisen nach Tibet und zu den Aborigines lernte ich auch einige Sufi-Rituale kennen, ich sah, dass all diese Kulturen den Körper an physische Grenzen treiben, um einen geistigen Sprung zu vollziehen, um die Angst vor dem Tod auszuschalten, die Angst vor dem Schmerz und vor all den körperlichen Einschränkungen, mit denen wir leben. Wir hier in der westlichen Gesellschaft sind so ängstlich. Die Performance war die Form, die es mir ermöglichte, den Sprung in jenen anderen Raum, jene andere Dimension zu vollziehen" (cited in Zell 50). [On my trips to Tibet and to the aborigines I got to know some sufi rituals, I saw that all these cultures drive the body to its physical limits in order to perform a spiritual leap, in order to shut out the fear of death, the fear of pain and of all the physical constraints we have to live with. People from western societies are so fearful. Performance was the form of expression which enabled me to carry out the leap into this other space, this other dimension.] 10 "Ich fing [1968] an, über den Körper ohne eine bildhauerische Prothese nachzudenken. Es sollte eine direkte Kommunikation zwischen dem Material Körper und seiner Vermittlung geben. Und deswegen habe ich Anfang der siebziger Jahre eine theoretische Verletzung realisiert. Ich nannte sie theoretisch, d.h. ich nahm eine Rasierklinge, die mir damals dazu diente, Collagen anzufertigen, Papier zu zerschneiden oder damit in der Erde zu arbeiten. Ich nahm also diese Rasierklinge wie ein Werkzeug, das ich gut kannte, um eine theoretische Verletzung zu realisieren" (Pane cited in Zell 48). [[In 1968] I started to think about the body without having recourse to sculpture. My goal was direct communication between the body as material and its mediation. And this is why I realised a theoretical injury at the beginning of the 1970s. I called it theoretical, i.e. I took a razor blade which normally served me to create collages, to cut paper or work with earth. http://www.genderforum.uni-koeln.de/anybody/gutenberg.html (54 van 60)31-3-2005 18:21:57
AnyBody's Concerns 6(2003) I took up this razor blade like a well-known tool in order to realise a theoretical injury.] Works Cited Abramovic, Marina. "Body Art." Marina Abramovic. Testi di/ Texts by Marina Abramovic et al. Mailand: Charta, 2002. 27-39. Almhofer, Edith. Performance Art: Die Kunst zu leben. Wien, etc.: Böhlau, 1986. Badura-Triska, Eva. "Bilder und Objektcollagen: Auseinandersetzung mit wegweisenden Positionen." Rudolf Schwarzkogler. Leben und Werk. Ed. Eva Badura-Triska and Hubert Klocker. Wien: Museum moderner Kunst Stiftung Ludwig; Klagenfurt: Ritter, 1992. 39-47. Bataille, Georges. Die Erotik. Trans. Gerd Bergfleth. München: Matthes & Seitz, 1994 [1957]. Baxmann, Inge. "Körperzitate." Zitier-Fähigkeit: Findungen und Erfindungen des Anderen. Ed. Andrea Gutenberg and Ralph J. Poole. Berlin: Erich Schmidt, 2001. 292-309. Bronfen, Elisabeth. "The Body and Its Discontents." Body Matters: Feminism, Textuality, Corporeality. Ed. Avril Horner and Angela Keane. Manchester, New York: Manchester University Press, 2000. 109-123. Burden, Chris. "Before I was a crazy violent person... A conversation with Jan Hoet." Positionen zur Kunst/Positions in Art. MAK-Round-Table. Ed. Peter Noever. Wien: MAK; Ostfildern: Cantz, 1994. 64-88. http://www.genderforum.uni-koeln.de/anybody/gutenberg.html (55 van 60)31-3-2005 18:21:57
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Chicana Ways - Aletta

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