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GrowinG Future innovators - ARC Centre of Excellence for Creative ...

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44<br />

163 The Learning Place is<br />

an eLearning initiative by<br />

Education Queensland that<br />

promotes online learning<br />

and communication tools<br />

<strong>for</strong> staff and students,<br />

such as virtual project<br />

rooms and playgrounds,<br />

synchronous chats, threaded<br />

discussions, voice and data<br />

conferencing—see<br />

http://education.qld.gov.au/<br />

learningplace.<br />

164 Seear (2009:32)<br />

165 Seear (2009:33)<br />

166 Seear (2009:33)<br />

Growing future Innovators: a scoping study<br />

Institutions make strong ef<strong>for</strong>ts to<br />

develop access and communication<br />

strategies that ensure these venues,<br />

programs and artists are easier <strong>for</strong><br />

schools and young people to engage.<br />

In cases where travel was too expensive<br />

or time consuming, The IDEAS Festival<br />

utilized web technologies through a<br />

partnership with The Learning Place. 163<br />

Midway through the event, Jane O’Hara<br />

said, “there’s been 1500 kids in classrooms<br />

across Queensland in the last two days<br />

talking online to our speakers.”<br />

Revealing another approach, Lyn Seear,<br />

Deputy Director, Curatorial and Collection<br />

Development, Queensland Art Gallery<br />

says, “One <strong>of</strong> the most important tools<br />

we use in providing our children’s<br />

programming, in all its diversity, is<br />

language.” 164 Elaborating on their extensive<br />

use <strong>of</strong> interpretive language and signage<br />

<strong>for</strong> younger audiences she states:<br />

In these programs, a specialist language<br />

about art and artists, developed just<br />

<strong>for</strong> kids, their parents, teachers and<br />

carers, is a frontline tool, every bit as<br />

important as display methods or other<br />

interactive strategies. We use this language<br />

everywhere—in labels and didactics, in<br />

activity booklets, in<strong>for</strong>mation sheets,<br />

timelines, on our website, in floor talks and<br />

during workshop activities. 165<br />

At the heart <strong>of</strong> this strategy, notes Seear, is<br />

the use <strong>of</strong> story: “we reach out to them with<br />

a narrative about every work.” 166 In much<br />

the same way, contemporary art institutions<br />

at large are introducing young people<br />

and schools to stories <strong>of</strong> innovation and<br />

<strong>innovators</strong>, through direct engagement with<br />

artworks and artists.

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