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GrowinG Future innovators - ARC Centre of Excellence for Creative ...

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The overarching recommendation<br />

<strong>of</strong> this report is to <strong>for</strong>ge stronger<br />

interdisciplinary partnerships that can<br />

educate <strong>for</strong> innovation. Researchers, school<br />

constituents, contemporary art institutions<br />

and other stakeholders should seek to create<br />

reciprocal learning networks that are jointly<br />

focused on increasing innovation cultures<br />

and capacities.<br />

Optimally, these initiatives would be<br />

designed in response to local contexts,<br />

challenges and ideas, and draw on the<br />

available resources <strong>of</strong> the combined<br />

partnership.<br />

Research into these initiatives should, where<br />

possible, employ a longitudinal approach<br />

to trialing and testing, so as to contribute<br />

better to policy developments and wider<br />

arts, innovation and education discourses.<br />

The following particular recommendations<br />

are proposed <strong>for</strong> researchers, schools, and<br />

contemporary arts institutions:<br />

Researchers:<br />

Build a clearer pr<strong>of</strong>ile <strong>of</strong> the arts and<br />

cultural innovator, including more detailed<br />

definitions <strong>of</strong> competencies in relationship<br />

to other innovator ‘types,’ and the factors<br />

that help or hinder the development <strong>of</strong><br />

these dispositions.<br />

Develop more robust tools to measure<br />

innovation competencies and employ<br />

these to evaluate the impact <strong>of</strong> arts-led<br />

programming in education contexts with<br />

teachers and young people.<br />

Critically review the new national<br />

curriculum framework to evaluate the<br />

extent to which it supports innovation<br />

content, values, skills and delivery.<br />

Explore extra-curricula learning contexts,<br />

in addition to classroom experiences,<br />

<strong>for</strong> <strong>for</strong>ging innovation cultures and<br />

competencies.<br />

Schools:<br />

Directed by the seven key factors<br />

identified by Kirkland & Sutch (2009)<br />

reviewed in this report, critically reflect<br />

on the education institution capacity<br />

to support and engage with the<br />

innovation agenda.<br />

Diversify the means <strong>of</strong> engagement with<br />

contemporary arts institutions to include<br />

alternative but accessible teaching and<br />

learning initiatives and technologies, and to<br />

promote dialogue and exchange between<br />

<strong>innovators</strong> and school constituents.<br />

Partner with contemporary arts<br />

institutions to <strong>of</strong>fer teachers, students<br />

and other learning partners genuine<br />

opportunities to exercise creativity, risk<br />

taking, self-efficacy, energy and leadership.<br />

Establish ‘expert collaborations’ between<br />

teachers and contemporary artists and<br />

curators that develop 21st century<br />

learning environments and a culture <strong>of</strong><br />

innovation with staff and students.<br />

Explore the ways in which contemporary<br />

arts experiences and dispositions are<br />

transferrable across disciplines and <strong>of</strong> use<br />

to learning and innovation in non-arts<br />

fields and contexts.<br />

Employ contemporary arts-led<br />

programming that can rein<strong>for</strong>ce or scaffold<br />

curriculum but that can also exceed it via<br />

extra-curricula opportunities.<br />

Contemporary arts institutions:<br />

Clarify the arts terminology <strong>of</strong> innovation<br />

in relationship to other sectors as<br />

part <strong>of</strong> promoting existing innovation<br />

that is hidden, submerged or underacknowledged.<br />

Cultivate ways <strong>for</strong> schools to access<br />

innovative content and creators, drawing<br />

narrative strategies to communicate more<br />

clearly the innovation in the world and<br />

work <strong>of</strong> artists.<br />

Actively experiment with new technologies<br />

and virtual reality plat<strong>for</strong>ms that can<br />

overcome geographic and economic<br />

barriers to engaging with school audiences.<br />

Offer teachers and young people practical,<br />

hands-on opportunities to experience the<br />

methods, materials and cycles <strong>of</strong> creativity<br />

and innovation that artists use.<br />

Partner with schools to grow habits<br />

and dispositions <strong>of</strong> innovation through<br />

sustained engagements like artist<br />

residencies or long-term, immersive<br />

projects that are mindful <strong>of</strong> curricula yet<br />

not limited by these frameworks.<br />

Growing future Innovators: a scoping study 67

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