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GrowinG Future innovators - ARC Centre of Excellence for Creative ...

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50<br />

“Supertoys”, by Kahve-<br />

Society. Photograph<br />

courtesy <strong>of</strong> Arnolfini,<br />

Bristol, UK.<br />

leadership. The program exemplars that<br />

follow, whilst somewhat artificially separated<br />

into these five areas, reveal how these<br />

innovation competencies appear to be<br />

encouraged within the arts-led learning<br />

initiatives <strong>for</strong> young people and schools.<br />

Creativity:<br />

Growing future Innovators: a scoping study<br />

Super Toys, a workshop and exhibition by<br />

Arnolfini, suggests creativity at work when<br />

children were <strong>of</strong>fered the opportunity to<br />

construct interesting and fun new toys from<br />

old ones. The multi-art centre’s Education<br />

Officer, Helen Davies, describes the concept<br />

<strong>for</strong> this program and its long incubation:<br />

Super Toys began as a school’s project.<br />

Artists from The Kahve Society, worked<br />

with young people to reconstruct old toys<br />

and construct “super toys.” The initial<br />

premise was recycling. You bring in your old<br />

toys, you take them apart and you make<br />

new toys. There was always the intention<br />

that this project should come back into<br />

the gallery. So last year, Super Toys<br />

returned to Arnolfini incorporating a group<br />

exhibition and a toy factory. Elements were<br />

participatory; visitors could make super toys<br />

<strong>for</strong> themselves. Alongside that there was a<br />

group exhibition that explored themes <strong>of</strong><br />

play, robotics and interaction design.<br />

It’s interesting that an exhibition can be<br />

initiated through a learning and interaction<br />

project. Altogether Super Toys probably ran<br />

with the work that we did in schools <strong>for</strong> five<br />

years prior to the exhibition. A long time in<br />

the making.<br />

The Kahve Society ran a pilot in London<br />

and from there we worked extensively in<br />

Bristol. It was a longer-term commitment<br />

with Bristol schools that started <strong>of</strong>f with one<br />

school, Headley Park.<br />

For the actual exhibition, we brought in<br />

other schools. We recruited young people<br />

to work in the galleries as stewards. They<br />

were trained and located in the toy factory<br />

as facilitators. They rose to the challenge.<br />

During their time at Arnolfini, their increased<br />

confidence in working with the general public<br />

led to an expansion <strong>of</strong> their role into public<br />

gallery tours <strong>for</strong> visitors.<br />

Self-efficacy:<br />

The artist in residence project Transitions,<br />

curated by the Camden Arts <strong>Centre</strong> in<br />

London is perhaps exemplary <strong>of</strong> how creative<br />

endeavour can build self-efficacy in young<br />

people. Each year, the project works with<br />

three local primary schools and the secondary<br />

school they feed into, engaging students<br />

who are graduating from one to the other.<br />

Research has shown this transition period to<br />

be one <strong>of</strong> the most significant times in the<br />

lives <strong>of</strong> young people <strong>for</strong> developing qualities<br />

such as self-esteem and social confidence,<br />

impacting strongly on levels <strong>of</strong> achievement<br />

and wellbeing in school as well as throughout<br />

life. Anna Vass, Camden’s Education Program<br />

Programmer, notes, “Transitions is an incredibly<br />

reflective project and involves tracking the<br />

feelings and experiences <strong>of</strong> young people as<br />

they go through that change, because it’s such<br />

an incredibly powerful moment where there’s a<br />

lot <strong>of</strong> uncertainty and inciting <strong>of</strong> questions.”

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