saxelovnebo mecnierebaTa Ziebani #1 (38), 2009 ART SCIENCE ...

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maka vasaZerobert sturuas saTeatro enis formirebis sakiTxisaTvisdampyrobels, isic raRaciT tragikuli adamiani iyo, vinaidanTviTonacATavisze zemdgomis mona gaxldaT. soleimanssruliadac ar surda saqarTvelos dapyroba, mas es daavales.soleimans sparseTSi yofna urCevnia. erTi suli aqvs, rodisdatovebs saqarTvelos da dabrundeba Tavis samSobloSi. arcmisi cxovrebaa saxarbielo, radgan isic ar aris SinaganadATavisufali.reJisorma piesidan mTlianad amoiRo daTosa da gaianesmijnurobis scenebi, radgan Tavisi koncefciis warmosaCenades siuJeturi xazi ar esaWiroeboda. xolo ruqaias da giorgis(igive erekles) sasiyvarulo scenebi imdenad iyo datovebuli,ramdenadac maT siuJeturi kvanZis Sekvrisa da Semdgom gaxsnisfunqcia ekisrebodaT. Secvlili iyo agreTve giorgis sikvdilisscena. igi reJisorma soleimanis jalaTebis xeliT mokla daamiT misi saxe daCrdila, rogorc gonebaClungi da ususuriarsebisa. sul sxvagvarad iyo warmoCenili oTar-begis saxe,romelsac e. manjgalaZe ganasaxierebda. oTar-begi gamoyvaniliiyo rogorc medrove, romelsac SeuZlia yovel dros miesadagosda kmayofili iyos. ra Cveni saqme ariso omi _ Cven, qarTvelebi,omisaTvis ki ara sicil-xarxarisTvis varT gaCenilebio, _ambobs oTar-begi. amgvari msoflmxedvelobiT cxovrobsigi.Aamitom ra gasakviria, rom robert sturuam oTar-begisaseTi xasiaTi dagvixata? gana, cotani arian dResdReobiTamgvari qarTvelebi, romelTac araferi da aravinawuxebTATavisTavis garda. sabolood, speqtaklSi zeinabisa(z. kverenCxilaZe) da saba beris (g. saRaraZe) meSveobiToTar-begi Seignebs Tavis Secdomas da SemobrundbasaqarTvelosken. robert sturuam imisaTvis, rom ufro naTladdaenaxvebina mayureblisaTvis misi dacemisa da Semobrunebisprocesi, yara-iusufis Ralatis scena bolo moqmedebidanpirvelSi gadmoitana da oTar-begis Tanamzraxvelad aqcia.speqtaklSi oTar-begis pirovnebis erTgvari metamorfoza iyonaCvenebi. piesasTan SedarebiT, metad iyo datvirTuli sababerissaxe guram saRaraZis SesrulebiT. igi zeinabTan erTadsaTaveSi edga samSoblos daxsnisTvis brZolas. sainteresodCanda misi saubari soleimanTan, rodesac ganumartavda, romdampyrobelic damonebulia, raki man sxvas daado borkili.gogi gegeWkoris anania erT-erTi im rolTagania, romelic TiTqmisucvlelad iqna gadmotanili piesidan speqtaklSi. g. gegeWkoriTamaSobda patiosan, vaJkac, patriot glexs, romelic TavganwirviTibrZvis Tavisi mamulisa da xalxis keTildReobisTvis. ananiasTavisi RviZli Svilis gawirvac ki SeuZlia am saqmisaTvis. zinakverenCxilaZe misTvis Cveuli dramtuli maneriT axorcielebdazeinabis _ATamar dedoflis _ saxes. mis TamaSSi Serwymuliiyo temperamenti daATavSekavebuloba. Zalian kargad gamosdiodamsaxiobs SvilTan Sexvedris scena, dialogi oTar-begTan dasikvdilis finaluri scena. ai, ras wers oTar-begTan dialogisSesaxeb kritikosi m. kostava: `oTar-begTan dialogis scenasasaubro intonaciisa da reCitativis sazRvarze mihyavdamsaxiobs, rasac moiTxovs ambis uCveuloba da Tavad faqti,rom saubrobs dedofali da ara ubralo mokvdavi. saubrissiTbom unda SeZras dacemuli adamiani, sindisis cecxladunda STaegznos skepsisiT daserili adamianis guls, magramzedmetma mgrZnobelobam rodi unda Seasustos sityvis Zala,movaleobis mTeli simkacriT mimaniSnebeli~. 4reJisoruli TvalsazrisiT, speqtakli mTlianobaSi pirobiTformaSi iqna gadawyvetili. aseve pirobiTi iyo speqtaklisgaformebac. msaxiobTa qmedeba Serwymulad aRiqmeboda ferTasimbolikasTan da dekoraciul simboloebTan, risidamamtkicebelic speqtaklis finali gaxldaT: rodesacdamarcxebuli soleimani nel-nela qreboda scenidan, kibezewiTel mosasxams tovebda. aseT simbolikas mravalgvari axsnaSeiZleba movuZebnoT. magram, Cemi azriT, wiTeli mosasxamisdatoveba imis mimaniSnebeli iyo, rom soleimanma, anu mterma,ki datova saqarTvelo, magram sisxlisRvra aq kvlavacgagrZeldeba, qarTvelebi axla erTmaneTis `Wamas~ moundebian,radganac soleimanis wasvlis Semdeg maT ar darCaT ZlieriwinamZRoli erisa, Zlieri mefe.rogorc davinaxeT, am speqtaklSic klasikuri memkvidreobisaxleburi wakiTxva moxda.`Temebis, motivebisa da problemebis siaxliT kacobriobasveRaravin acvifrebs dRes. sworad amitomaa sainteresoSemoqmedis axali TvalTaxedva, is axali kuTxe, is rakursi,18 19
maka vasaZerobert sturuas saTeatro enis formirebis sakiTxisaTvissaidanac cnobili ATemebisa da problemebis axali mniSvnelobaixsneba.~ 5robert sturua xSirad mimarTavs klasikas da es savsebiTgasagebia. klasika xom imitomac aris klasika, rom mudam cocxalia,mudam Tanamedrovea. igi mudam iZleva axali SemoqmedebiTigzebis, axali interpretaciis saSualebas.ATanamedroveobaWeSmariti xelovanisa ar niSnavs, rom mis Seqmnil mxatvrulnawarmoebebSi aisaxos mxolod da mxolod dRevandeli dRe,dRevandeli dro. rogorc brexti ambobda: Tanadroul problemebsdRevandel cxovrebaSi ufro Znelad davinaxavT, vidre maSin,rodesac maT gavitanT Cveni qveynisa da Cveni drois farglebsgareT.robert sturuasaTvis, rogorc adamianis, reJisorisa daSemoqmedisaTvis, erT-erTi mniSvnelovani problemaa brZolayovelgvari borotebis (socialuri, moraluri, zneobrivi dasxva) winaaRmdeg _ `garkveva imisa, Tu rogor itans adamianiCagvras, monobas, monobas fulisas, nivTisas, meore adamianisas.ra xdeba masSi, ratom eCveva kaci amas da ar ibrZvis gamostacossuli am mwuxarebas~, 6 _ rogorc Tavad reJisori ambobs.robert sturuas speqtaklebSi forma da problemayovelTvis harmoniulad aris Serwymuli erTmaneTTan.erTaderTi speqtakli, romelic ar warmoadgens formisa daproblemis, formisa da koncefciis harmoniul erTianobas,`xanumaa~, magram rogorc ukve aRvniSneT, miswrafeba brextisTeatris esTetikisaken `Canasaxovan mdgomareobaSi~ sworedam speqtaklSi gamoCnda, xolo saboloo, Camoyalibebuli saxiTTavi iCina speqtakl `yvaryvareSi~. robert sturua erT-erTinterviuSi ityvis: CemTvis TeatrSi mTavaria sazeimoganwyobilebis Seqmna. swored aseTi sazeimo ganwyobilebisapoTeozi iyo speqtakli `xanuma~.robert sturua _ reJisori, TiTqmis yvela Tavis speqtaklSimimarTavs grotesks. xolo groteski da gulgrilobaerTmaneTTan SeuTavsebeli cnebebia. rogorc kritikosi g.orjonikiZe ambobs: «Он поражен «вирусом беспокойства», трезвойпереоценкой ценностей, когда глубина вторжения в акт и чувстводистанций между автором и материалом обусловливает полнуюнеожиданностей игру: пульсацию иронии и взрывы лирическойэкспрессии, богатство спектров психологического и одновременноошеломляющую объективность символов, казалось быпорождённых необузданной фантазией.» 7Tu `samaniSvilis dedinacvalSi~ r. sturua adamianTaurTierTobis rTul sulier da socialur procesebs ikvlevdada warmoaCenda, `RalatSi~ da Semdgom ufro mZafrad`yvaryvareSi~ politikuri Teatris principebi Cndeba, racSemdgom `kavkasiur carcis wreSi~, `riCardSi~ da sxvaspeqtaklebSi viTardeba. es speqtaklebi TavianTi arsiT ebrZvianyovelgvar usamarTlobas. reJisori ar erideba situaciebisgaRrmavebas da gamwvavebas, raTa ukeT warmoaCinos keTili. amgziT afxizlebs igi Cvens gonebas da aqtiurad gangvawyobssamarTlianobis dasacavad.1. Jurn. `ciskari~: g. gaCeCilaZe `yvaryvares metamorfozebi~, 1974, #7.2. ix. iqve.3. Jurn. `Teatraluri moambe~: `dialogi yvaryvareze~, 1974, #4.4. Jurn. `sabWoTa xelovneba: m. kostava, `Ralati~ S. rusTavelissaxelobis saxelmwifo akademiuri Teatris scenaze~, 1975, #4.5. Jurn. `TeatrmcodenobiTi <strong>Ziebani</strong>~: d. mumlaZe, `yvaryvare~, 1978-79,t. VIII_IX.6. gaz. `axalgazrda komunisti~: `Teatri, Cemi siyvaruli~, 1979, #7. 05.7. «Советская музыка»: Орджоникидзе. Г., «Становление», 1976. №10.20 21
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nino yuraSviliorganizaciis sareklam
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mariam WumburiZeraodenoba da a. S.
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nino xuciSviliinternet-teqnologiebi
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Sofio KomladzeMARKETING RESEARCH OF
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