saxelovnebo mecnierebaTa Ziebani #1 (38), 2009 ART SCIENCE ...

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levan xeTageuri - misi specialobaa Teatrmcodneoba da kulturismenejmenti. levan xeTaguri aris kulturis fond kavkasiis prezidenti.igi aris SoTa rusTavelis Teatrisa da kinos universitetis reqtorismoadgile da profesori. igi aris sxvadasxva saerTaSoriso akademiuri,mrCevelTa da samecniero sabWos wevri. 1995 wlidan aris qselguliveris wevri. 2008 wlidan aris evropis kulturis parlamentiswevri da strategiuli jgufi “ASoE”-is wevri.1990 wlidan igi aris aseulobiT adgilobrivi Tu saerTaSorisoproeqtis iniciatori, menejeri, prodiuseri da monawile.1997 wlidan aris saqarTvelos erovnuli centris generaluri mdivanida saqarTveloSi evropuli Tatris kvelviTi institutis direqtori.aris FIRT-is wevri. 1981 welidan aris 80-ze meti naSromis/redaqtorida mTargmneli/ Jurnalebsa da gazeTebSi (qarTuli, inglisuri,azerbaijanuli, slovakuri da a.S.). avtoria ramdenime wignisa. 2000wels igi dajildovda Svedi mwerlebis gildiis mier.1991 wlidan aris sxvadasxva kulturis programebis: seminarebis,konferenciebisa da festivalebis organizatori. 1996 wlidan igimiwveviT kiTxulobs leqciebs.tel: +995 (32) 98 30 75el-fosta: lkhetaguri@dsl.geTea mJavanaZe _ filosofiis mecnierebaTa doqtori,iv. javaxiSvilis saxelobis Tbilisis saxelmwifo universitetissocialur da politikur mecnierebaTa fakultetis saswavlo procesismarTvis samsaxuris ufrosi specialisti.gamoqveynebuli aqvs cxra samecniero naSromiJurnalistikaTmcodneobaSi.tel: +995 (32) 36 67 77; +995 (55) 43 81 07el. Ffosta: tatia @ tsu. geTinaTin Wabukiani _ reJisori,saqrTvelos SoTa rusTavelis Teatrisa da kinos saxelmwifouniversitetis asocirebuli profesori.sxvadasxva dros muSaobda saqarTvelos televiziaSi (I arxi) _ jersatelevizio TeatrSi, Semdeg musikalur redaqciaSi, rogorc damdgmelaseve sabavSvo programebis mTavar reJisorad.misi sadisertacio Temaa: `sabavSvo telemauwyeblobis sazogadoebrividaniSnuleba da esTetikuri Taviseburebani~ (qarTuli teleproeqtebismixedviT).amJamad muSaobs Temaze: `montaJis struqturuli Semadgenloba~.tel: +995 (99) 94 47 00oliko JRenti _ xelovnebaTmcodneobis doqtori,saqarTvelos SoTa rusTavelis Teatrisa da kinos saxelmwifouniversitetis samecniero kvleviTi centris wamyvani mecnier-TanamSromeli. baTumis SoTa rusTavelis saxelmwifo universitetismiwveuli profesori. paralelurad muSaobs dokumentur kinoSi.aris avtori da reJisori dokumenturi film-esses `knut hamsuniskavkasiuri misteriebi~ (2005).kvlevis sfero: erovnul-socialuri sakiTxi 10-20-iani wlebis qarTulkinoprocesTan mimarTebaSi, qarTuli kinoavangardi. miTi da narativiamerikul kinoSi, modernizmis sakiTxisaTvis qarTul kinosa daliteraturaSi.tel: +995 (99) 27 18 15el.fosta: olga-zhgenti@mail.ruiuri mRebriSvili _ filosofiis mecnierebaTa doqtori,saqarTvelos SoTa rusTavelis Teatrisa da kinos saxelmwifouniversitetis profesori, doqtori. mihyavs samagistro kursi:`Tanamedrove menejmenti kulturasa da xelovnebaSi~.ganxorcielebuli aqvs mravali proeqti xelovnebis sferoSi.periodulad mowveviT atarebs treining programebs menejmentSisaqarTveloSi da sazRvargareT.tel.: +995 (32) 93 64 08el. fosta.: ibccp@caucasusfoundation.ge178 179
THEATRE STUDIESMaia Goshadze“DWELLER OF EARTHLY SURFACE”SummeryThe article “Dweller of earthly surface” examines the problem of man’stransformation, growth and expansion of his consciousness in context ofputting an emphasis on the inner instead of the outer and striving towards theperception of the essential, hidden depths.In the works of different time periods – whether in Homer’s “Odyssey”, Goethe’s“Faust” or V. Nabokov’s prose the motive of hero overcoming everydayobstacles is depicted in the article as expression of empirical man’s search (asa sunken treasure lying on the ocean’s surface) towards his inner self.The article tries to analyze the way the different writers depict in their worksthe motive of capturing the invisible depths of the visible reality, coming “intouch” with it and getting to actually perceive it.The mystical moment of inner meeting with the divine unexpectedly sparklesin front of the mortal man and only the one who is awake will be able to feeland perceive it.Perception or misperception of one’s inner voice– admission or denial ofone’s own opinion, emotion or impression is the expression of the eternaldilemma of to be or not to be – expression of the existing or missing meetingwith oneself.ABOUT AUTHORGraduated from Shota Rustaveli Theatre and Film University, faculty of artcriticism. Since 1986 until now has been working as a lecturer of European andAmerican dramatic art. She is the author of dissertation “The dramatic art ofTennessee Williams” (1990). From 1994 until 2002, worked in Georgian TV-Radio Corporation as an editor in the department of the Arts. She is an authorof a theatre program and scientific publications on American, Antique andRenaissance drama. From 1990 acquired master’s degree in arts. Fluent inGeorgian, Russian, English. Currently works at the problem of interpretationof mythological themes.Tel: + 995 (32) 99 65 64Maka VasadzeFORMATION OF ROBERT STURUA’S THEATRICAL LANGUAGE(Interpretation of Georgian Classical Literature a la Robert Sturua)SummaryIn this part of the article I am continuing to discuss Robert Sturua’s plays:`Betrayal’ (1974) by Sumbatashvil-Iuzhin, `Step-mother of Samanishvili’ (1969)by Kldiashvili (with Chkheidze) and `Kvarkvare Tutaberi’ (1974) by Kakabadze.Robert Sturua’s Georgian classical plays set in the Rustaveli theatre have hadrelative success. Nevertheless, they have become the subject of activediscussions among the society. Probably reason for this was a completelynew approach by the director.When setting `Betrayal’ the director refuses to accept all other older traditionsof staging this play, as he had done it in the cases of `Step-mother ofSamanishvili’ and `Kvarkvare Tutaberi’. On the contrary he tries to widen theevents of a concrete epoch and make this national character more universal.If in `Step- mother of Samanishvili’ Sturua investigates and shows the spiritualand social processes of human relationaship, in `Betrayal’ and `KvarkvareTutaberi’ he establieshes principles of political theatre. These priciples laterdevelop in `Caucasian Chalk Circle’, `Richard’ and other plays.The concept ofthese plays is a struggle against injustice.With the aim to show better themeaning of the virtue, director is not avoiding to deepen and tense situations.In this way he is able to awake our minds and set us to defend justice.ABOUT AUTHORMarine (Maka) Vasadze –theater criticHas graduated from the faculty of theater art at the Tbilisi Theatrical Institute.Head of Shota Rustaveli Theater and Film University publishing house“Kentavri”. Editor of another newspaper of the same institution “Duruji” anda founder and editor of a newspaper “Kultura”.Holds a position of a manager at the International Culture Fund “Kavkasia”, isone of the coordinators of the International Cultural Fare (2003, 2005, 2007). Isthe editor of several books; systematically publishes articles and reviews onthe processes and problems of contemporary theater:Magazines: “Soviet Art”, “Theatrical News”, “Theater and Life”.Newspapers: “Kultura”, “Duruji”.Tel: +995 (95) 30 50 60E-mail: vasilisa@yahoo.com180 181
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