31.05.2013 Views

Elena dell'Agnese La mascolinità del cowboy nel cinema western ...

Elena dell'Agnese La mascolinità del cowboy nel cinema western ...

Elena dell'Agnese La mascolinità del cowboy nel cinema western ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

DELL’AGNESE (2005B), Geografia politica critica, A. Guerini editore, Milano.<br />

DEMATTEIS G. (1985), Le metafore <strong>del</strong>la terra, Feltri<strong>nel</strong>li, Milano.<br />

DORST J. D. (1999), Looking West, University of Pennsylvania Press, Phila<strong>del</strong>phia.<br />

DYER T. (1980), Theodore Roosevelt and the Idea of Race, Louisiana State University<br />

Press, Baton Rouge.<br />

ENGEL L. (1994) (a cura di), The Big Empty. Essay on the <strong>La</strong>nd as Narrative,<br />

University of New Mexico Press, Albuquerque.<br />

FISCHER H. (1977), Gay Semiotics, NSF Press, San Francisco.<br />

FRAYLING C. (1998), Spaghetti Westerns. Cowboys and Europeans from Karl May to<br />

Sergio Leone, I.B. Tauris, Londra-New York.<br />

GAROFALO M. (1999), Tutto il <strong>cinema</strong> di Sergio Leone, Baldini & Castoldi, Milano.<br />

GÜNSBERG M. (2005), Italian Cinema. Gender and Genre, Palgrave, Basingstoke.<br />

HALL S. (1997), “The spectacle of the ‘Other’ “. In STUART H. (a cura di),<br />

Representation. Cultural Representation and Signifying Practices. The Open<br />

University, Sage, Londra, pp. 223-279.<br />

LACOSTE Y., <strong>La</strong> géographie<br />

LEUTRAT J.L., LIANDRAT-GUIGUES S. (1993), Le carte <strong>del</strong> Western. Percorsi di un<br />

genere <strong>cinema</strong>tografico, Le mani, Genova (ed. orig. Armand Colin, Parigi,<br />

1990).<br />

LE CONEY C. e TRODD Z. (2006), “John Wayne and the Queer Frontier: Deconstructions<br />

of the Classic Cowboys Narrative during the Vietnam War”. In Americana: the<br />

Journal of American Popular Culture (1900-present), Spring, 5, 1.<br />

LUSTED D. (1996), “Social Class and the Western as Male Melodrama”. In CAMERON I.,<br />

PYE D. (a cura di), The Book of Westerns, Continuum, New York, pp. 63-74.<br />

MITCHELL L. C. (1996), Westerns. Making the man in fiction and film, The University<br />

of Chicago Press, Chicago,.<br />

MULVEY L. (1975), “Visual Pleasure and Narrative Cinema”. In Screen, 16, 3, pp. 6-18<br />

(anche in KAPLAN E. A. (a cura di), Feminism and Film, Oxford University<br />

Press, 2000, pp. 34-47).<br />

MULVEY L. (1981), “Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Inspired<br />

by King Vidor’s Duel in the Sun (1946)”. In Framework, 15/16/17 (anche in<br />

THORNHAM S. (a cura di), Feminist Film Theory. A Reader, Edinburgh<br />

University Press, Edimburgo, pp. ).<br />

NASH SMITH H. (1970), Virgin <strong>La</strong>nd. The American West as Symbol and Myth, Harvard<br />

University Press, Cambridge Mss.<br />

NEALE S. (1983), “Masculinity as Spectacle”. In Screen, 24, 6 (anche in KAPLAN E. A.<br />

(a cura di), Feminism and Film, Oxford University Press, 2000, pp. 253-264).<br />

NIXON S. (1997), “Exhibiting masculinity”. In HALL S (a cura di), Representation.<br />

Cultural Representation and Signifying Practices. The Open University, Sage,<br />

Londra, pp. 291-330.<br />

NOBLES G. H. (1997), American Frontiers. Cultural Encounters and Continental<br />

Conquest, Penguin Books, Londra.<br />

PEEK W. C. (2003), “The romance of competence: rethinking masculinity in the<br />

Western”. In Journal of Popular Film and Television, Winter.<br />

PUMPHREY M. (1981), “Masculinity”. In BUSCOMBE E. (a cura di), The BFI Companion<br />

to the Western, Atheneum, New York.<br />

PUMPHREY M. (1983), “Why do <strong>cowboy</strong>s wear hats in the bathroom?”. In<br />

SANDERSON J. (2004), “Red River and the Loss of Femininity in the John Wayne<br />

Persona”, Literature Film Quarterly.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!